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  1. Transfigurations : Violence, Death and Masculinity in American Cinema
    Author: Grønstad, Asbjørn
    Published: 2008
    Publisher:  Amsterdam University Press

    In many senses, viewers have cut their teeth on the violence in American cinema: from Anthony Perkins slashing Janet Leigh in the most infamous of shower scenes; to the 1970s masterpieces of Martin Scorsese, Sam Peckinpah and Francis Ford Coppola; to... more

     

    In many senses, viewers have cut their teeth on the violence in American cinema: from Anthony Perkins slashing Janet Leigh in the most infamous of shower scenes; to the 1970s masterpieces of Martin Scorsese, Sam Peckinpah and Francis Ford Coppola; to our present-day undertakings in imagining global annihilations through terrorism, war, and alien grudges. Transfigurations brings our cultural obsession with film violence into a renewed dialogue with contemporary theory. Grønstad argues that the use of violence in Hollywood films should be understood semiotically rather than viewed realistically; Tranfigurations thus alters both our methodology of reading violence in films and the meanings we assign to them, depicting violence not as a self-contained incident, but as a convoluted network of our own cultural ideologies and beliefs. Bij veel mensen en vooral filmliefhebbers is het geweld in Amerikaanse cinema er met de paplepel ingegoten: van Anthony Perkins die Janet Leigh aan stukken rijt in een van de meest beruchte douchescenes, via de meesterwerken uit de jaren zeventig van Martin Scorsese, Sam Peckinpah en Francis Ford Coppola, tot de hedendaagse verbeeldingen van de algehele vernietiging van de wereld door terrorisme, oorlog of wraakzuchtige aliens. Transfigurations geeft een geheel nieuwe kijk op de manier waarop wij omgaan met fictieve vormen van geweld. Asbjørn Grønstad stelt in zijn studie orthodoxe opvattingen en hedendaagse paradigma's over onderzoek naar filmgeweld op de proef. Het verandert onze kijk op de methodiek waarmee we geweld in films analyseren en de betekenis ervan; niet als een opzichzelfstaand iets, maar als een gevolg van onze eigen ideeën over culturele ideologieën en overtuigingen.

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789089640109
    Other identifier:
    Subjects: Film, TV & radio; Film theory & criticism; Society & culture: general
    Other subjects: women: historical, geographic, persons treatment; culture and instituten; culture and institutions; motion pictures; vrouwenstudies; film
    Scope: 1 electronic resource (288 p.)
  2. Transfigurations : Violence, Death and Masculinity in American Cinema
    Author: Grønstad, Asbjørn
    Published: 2008
    Publisher:  Amsterdam University Press, s.l.

    In many senses, viewers have cut their teeth on the violence in American cinema: from Anthony Perkins slashing Janet Leigh in the most infamous of shower scenes; to the 1970s masterpieces of Martin Scorsese, Sam Peckinpah and Francis Ford Coppola; to... more

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    Max-Planck-Institut für ethnologische Forschung, Bibliothek
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    In many senses, viewers have cut their teeth on the violence in American cinema: from Anthony Perkins slashing Janet Leigh in the most infamous of shower scenes; to the 1970s masterpieces of Martin Scorsese, Sam Peckinpah and Francis Ford Coppola; to our present-day undertakings in imagining global annihilations through terrorism, war, and alien grudges. Transfigurations brings our cultural obsession with film violence into a renewed dialogue with contemporary theory. Grønstad argues that the use of violence in Hollywood films should be understood semiotically rather than viewed realistically; Tranfigurations thus alters both our methodology of reading violence in films and the meanings we assign to them, depicting violence not as a self-contained incident, but as a convoluted network of our own cultural ideologies and beliefs.

    Bij veel mensen en vooral filmliefhebbers is het geweld in Amerikaanse cinema er met de paplepel ingegoten: van Anthony Perkins die Janet Leigh aan stukken rijt in een van de meest beruchte douchescenes, via de meesterwerken uit de jaren zeventig van Martin Scorsese, Sam Peckinpah en Francis Ford Coppola, tot de hedendaagse verbeeldingen van de algehele vernietiging van de wereld door terrorisme, oorlog of wraakzuchtige aliens. Transfigurations geeft een geheel nieuwe kijk op de manier waarop wij omgaan met fictieve vormen van geweld. Asbjørn Grønstad stelt in zijn studie orthodoxe opvattingen en hedendaagse paradigma's over onderzoek naar filmgeweld op de proef. Het verandert onze kijk op de methodiek waarmee we geweld in films analyseren en de betekenis ervan; niet als een opzichzelfstaand iets, maar als een gevolg van onze eigen ideeën over culturele ideologieën en overtuigingen

     
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    Volltext (Description of rights in Directory of Open Access Books (DOAB): Attribution Non-commercial (CC by-nc))
    Source: Union catalogues
    Media type: Ebook
    Format: Online
    ISBN: 9789089640109
    RVK Categories: AP 50300
    Subjects: Communication. Mass media; Social sciences (General); Motion pictures; Communication. Mass media; Motion pictures; Social sciences (General)
    Scope: 1 Online-Ressource (1 electronic resource (288 p.))
  3. Transfigurations
    violence, death, and masculinity in American cinema
    Author: Grønstad, Asbjørn
    Published: 2008
    Publisher:  Amsterdam Univ. Press, Amsterdam

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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 9789089640109; 9789089640307
    RVK Categories: AP 44983 ; AP 53450
    Series: Film culture in transition
    Subjects: Film; Gewalt <Motiv>; Tod <Motiv>; Männlichkeit <Motiv>
    Scope: 274 S., Ill.
    Notes:

    Zugl.: Bergen, Univ., Diss., 2003
  4. Transfigurations
    Violence, Death and Masculinity in American Cinema
    Author: Grønstad, Asbjørn
    Published: 2008
    Publisher:  Amsterdam University Press, [Erscheinungsort nicht ermittelbar] ; [OAPEN FOUNDATION], [The Hague]

    In many senses, viewers have cut their teeth on the violence in American cinema: from Anthony Perkins slashing Janet Leigh in the most infamous of shower scenes; to the 1970s masterpieces of Martin Scorsese, Sam Peckinpah and Francis Ford Coppola; to... more

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    In many senses, viewers have cut their teeth on the violence in American cinema: from Anthony Perkins slashing Janet Leigh in the most infamous of shower scenes; to the 1970s masterpieces of Martin Scorsese, Sam Peckinpah and Francis Ford Coppola; to our present-day undertakings in imagining global annihilations through terrorism, war, and alien grudges. Transfigurations brings our cultural obsession with film violence into a renewed dialogue with contemporary theory. Grønstad argues that the use of violence in Hollywood films should be understood semiotically rather than viewed realistically; Tranfigurations thus alters both our methodology of reading violence in films and the meanings we assign to them, depicting violence not as a self-contained incident, but as a convoluted network of our own cultural ideologies and beliefs.

    Bij veel mensen en vooral filmliefhebbers is het geweld in Amerikaanse cinema er met de paplepel ingegoten: van Anthony Perkins die Janet Leigh aan stukken rijt in een van de meest beruchte douchescenes, via de meesterwerken uit de jaren zeventig van Martin Scorsese, Sam Peckinpah en Francis Ford Coppola, tot de hedendaagse verbeeldingen van de algehele vernietiging van de wereld door terrorisme, oorlog of wraakzuchtige aliens. Transfigurations geeft een geheel nieuwe kijk op de manier waarop wij omgaan met fictieve vormen van geweld. Asbjørn Grønstad stelt in zijn studie orthodoxe opvattingen en hedendaagse paradigma's over onderzoek naar filmgeweld op de proef. Het verandert onze kijk op de methodiek waarmee we geweld in films analyseren en de betekenis ervan; niet als een opzichzelfstaand iets, maar als een gevolg van onze eigen ideeën over culturele ideologieën en overtuigingen.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789089640109
    RVK Categories: AP 44983 ; AP 53450
    DDC Categories: 700
    Subjects: Film; Gewalt <Motiv>; Tod <Motiv>; Männlichkeit <Motiv>
    Scope: 1 electronic resource (288 p.)
  5. Transfigurations
    violence, death, and masculinity in American cinema
    Author: Grønstad, Asbjørn
    Published: 2008
    Publisher:  Amsterdam Univ. Press, Amsterdam

    In many senses, viewers have cut their teeth on the violence in American cinema: from Anthony Perkins slashing Janet Leigh in the most infamous of shower scenes; to the 1970s masterpieces of Martin Scorsese, Sam Peckinpah and Francis Ford Coppola; to... more

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    In many senses, viewers have cut their teeth on the violence in American cinema: from Anthony Perkins slashing Janet Leigh in the most infamous of shower scenes; to the 1970s masterpieces of Martin Scorsese, Sam Peckinpah and Francis Ford Coppola; to our present-day undertakings in imagining global annihilations through terrorism, war, and alien grudges. Transfigurations brings our cultural obsession with film violence into a renewed dialogue with contemporary theory. Grønstad argues that the use of violence in Hollywood films should be understood semiotically rather than viewed realistically; Tranfigurations thus alters both our methodology of reading violence in films and the meanings we assign to them, depicting violence not as a self-contained incident, but as a convoluted network of our own cultural ideologies and beliefs.

     
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    Content information
    Source: Union catalogues
    Language: English; Undetermined
    Media type: Dissertation
    Format: Online
    ISBN: 9789089640109; 9789089640307
    RVK Categories: AP 44983 ; AP 53450 ; AP 44983
    Series: Film culture in transition
    Subjects: Film; Gewalt <Motiv>; Tod <Motiv>; Männlichkeit <Motiv>
    Scope: 274 S., Ill.
    Notes:

    Online-Ausg.:

    Zugl.: Bergen, Univ., Diss., 2003
  6. Transfigurations : Violence, Death and Masculinity in American Cinema
    Author: Grønstad, Asbjørn
    Published: 2008
    Publisher:  Amsterdam University Press, Amsterdam

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  7. Transfigurations
    violence, death and masculinity in American cinema
    Author: Grønstad, Asbjørn
    Published: 2008
    Publisher:  Amsterdam Univ. Press, Amsterdam

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9789089640109; 9789089640307
    RVK Categories: AP 50300
    Series: Film culture in transition
    Subjects: Death in motion pictures; Masculinity in motion pictures; Motion pictures, American; Violence in motion pictures; Film; Gewalt <Motiv>; Mann <Motiv>
    Scope: 274 S., Ill.
  8. Transfigurations : Violence, Death and Masculinity in American Cinema
    Author: Grønstad, Asbjørn
    Published: 2008
    Publisher:  Amsterdam University Press, Amsterdam

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  9. Transfigurations
    violence, death and masculinity in American cinema
    Author: Grønstad, Asbjørn
    Published: 2008
    Publisher:  Amsterdam Univ. Press, Amsterdam

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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9789089640109; 9789089640307
    RVK Categories: AP 50300
    Series: Film culture in transition
    Subjects: Death in motion pictures; Masculinity in motion pictures; Motion pictures, American; Violence in motion pictures; Film; Gewalt <Motiv>; Mann <Motiv>
    Scope: 274 S., Ill.
  10. Transfigurations
    violence, death and masculinity in American cinema
    Author: Grønstad, Asbjørn
    Published: 2008
    Publisher:  Amsterdam Univ. Press, [Amsterdam]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789089640109; 9789089640307
    Other identifier:
    9789089640109
    RVK Categories: AP 50300 ; AP 44983
    Series: Film culture in transition
    Subjects: Violence in motion pictures; Death in motion pictures; Masculinity in motion pictures; Motion pictures, American
    Scope: 274 S., Ill.
    Notes:

    Literaturverz. S. [221] - 260