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Displaying results 1 to 5 of 5.

  1. (Dis)embodying myths in Ancien Régime opera
    multidisciplinary perspectives
    Published: 2012
    Publisher:  Leuven University Press, Leuven

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789058679000; 9789461660572
    Subjects: Mythology, Classical, in opera; Opera; Opera; Opera; Tragédie lyrique; Opera seria; Antike; Mythos <Motiv>
    Scope: 184 p.
    Notes:

    Includes bibliographical references and index
  2. (Dis)embodying myths in Ancien Régime opera
    multidisciplinary perspectives
    Published: 2012
    Publisher:  Leuven UP, Leuven

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9058679004; 946166057X; 9789058679000; 9789461660572
    Subjects: MUSIC / Genres & Styles / Classical; MUSIC / Reference; Mythology, Classical; Opera; Opera; Opera; Opera; Mythology, Classical, in opera; Opera seria; Tragédie lyrique; Mythos <Motiv>; Antike
    Scope: 1 Online-Ressource
    Notes:

    Throughout the Ancien Régime, mythology played a vital role in opera, defining such epoch-making works as Claudio Monteverdi's 'La favola d'Orfeo' (1607) and Christoph Gluck's 'Iphigénie en Tauride' (1779). The operatic presence of the Greco-Roman gods and heroes was anything but unambiguous or unproblematic, however. This book highlights myth's chameleonic life in the Italian 'dramma per musica' and French 'tragédie en musique' of the seventeenth and eighteenth centuries

    Includes bibliographical references and index

    Lo scherno degli dei : myth and derision in the dramma per musica of the seventeenth century / Jean-François Lattarico -- Helpings from the great banquets of epic : Handel's Teseo, and Arianna in Creta / Robert C. Ketterer -- Envoicing the divine : oracles in lyric and spoken drama in seventeenth-century France / Geoffrey Burgess -- Addressing the divine : the 'numinous' accompagnato in opera seria / Bruno Forment -- Iphigenia's curious Menange à trois in myth, drama, and opera / Reinhard Strohm -- Spectatorship and involvement in Gluck's Iphigenie en Tauride / Bram van Oostveldt
  3. (Dis)embodying myths in Ancien Régime opera
    multidisciplinary perspectives
    Contributor: Forment, Bruno (Publisher)
    Published: 2012
    Publisher:  Leuven Univ. Press, Leuven

    Throughout the Ancien Régime, mythology played a vital role in opera, defining such epoch-making works as Claudio Monteverdi's 'La favola d'Orfeo' (1607) and Christoph Gluck's 'Iphigénie en Tauride' (1779). The operatic presence of the Greco-Roman... more

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Throughout the Ancien Régime, mythology played a vital role in opera, defining such epoch-making works as Claudio Monteverdi's 'La favola d'Orfeo' (1607) and Christoph Gluck's 'Iphigénie en Tauride' (1779). The operatic presence of the Greco-Roman gods and heroes was anything but unambiguous or unproblematic, however. This book highlights myth's chameleonic life in the Italian 'dramma per musica' and French 'tragédie en musique' of the seventeenth and eighteenth centuries.0

     
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Contributor: Forment, Bruno (Publisher)
    Language: English
    Media type: Book
    ISBN: 9789058679000; 9058679004
    RVK Categories: FB 5701 ; IB 5890 ; LR 54171
    Subjects: Tragédie lyrique; Antike; Opera seria; Mythos <Motiv>
    Scope: 184 S., Ill., zahlr. Notenbeisp.
  4. (Dis)embodying myths in Ancien Régime opera
    multidisciplinary perspectives
    Contributor: Forment, Bruno (Publisher)
    Published: 2012
    Publisher:  Leuven Univ. Press, Leuven

    Throughout the Ancien Régime, mythology played a vital role in opera, defining such epoch-making works as Claudio Monteverdi's 'La favola d'Orfeo' (1607) and Christoph Gluck's 'Iphigénie en Tauride' (1779). The operatic presence of the Greco-Roman... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Throughout the Ancien Régime, mythology played a vital role in opera, defining such epoch-making works as Claudio Monteverdi's 'La favola d'Orfeo' (1607) and Christoph Gluck's 'Iphigénie en Tauride' (1779). The operatic presence of the Greco-Roman gods and heroes was anything but unambiguous or unproblematic, however. This book highlights myth's chameleonic life in the Italian 'dramma per musica' and French 'tragédie en musique' of the seventeenth and eighteenth centuries.0

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Philologische Bibliothek, FU Berlin
    Contributor: Forment, Bruno (Publisher)
    Language: English
    Media type: Book
    ISBN: 9789058679000; 9058679004
    RVK Categories: FB 5701 ; IB 5890 ; LR 54171
    Subjects: Tragédie lyrique; Antike; Opera seria; Mythos <Motiv>
    Scope: 184 S., Ill., zahlr. Notenbeisp.
  5. (Dis)embodying myths in Ancien Régime opera
    multidisciplinary perspectives
    Contributor: Forment, Bruno (Hrsg.)
    Published: 2012
    Publisher:  Leuven Univ. Press, Leuven

    Throughout the Ancien Régime, mythology played a vital role in opera, defining such epoch-making works as Claudio Monteverdi's 'La favola d'Orfeo' (1607) and Christoph Gluck's 'Iphigénie en Tauride' (1779). The operatic presence of the Greco-Roman... more

    Location:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signature:
    A 2013/6272
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Musikwissenschaftliches Seminar der Universität, Bibliothek
    Signature:
    E 1572 m
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Signature:
    Br 4203
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität des Saarlandes, Fachrichtung für Musikwissenschaft, Bibliothek
    Signature:
    J 990 / 153
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Württembergische Landesbibliothek
    Signature:
    62/13120
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    Signature:
    LR 54171 F725
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Herzog August Bibliothek Wolfenbüttel
    Signature:
    62.3777
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Throughout the Ancien Régime, mythology played a vital role in opera, defining such epoch-making works as Claudio Monteverdi's 'La favola d'Orfeo' (1607) and Christoph Gluck's 'Iphigénie en Tauride' (1779). The operatic presence of the Greco-Roman gods and heroes was anything but unambiguous or unproblematic, however. This book highlights myth's chameleonic life in the Italian 'dramma per musica' and French 'tragédie en musique' of the seventeenth and eighteenth centuries.0

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Forment, Bruno (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789058679000; 9058679004
    Other identifier:
    9789058679000
    RVK Categories: FB 5701 ; IB 5890 ; LR 54171
    Subjects: Opera; Opera; Mythology, Classical, in opera
    Scope: 184 S., Ill., zahlr. Notenbeisp., 23 cm
    Notes:

    Literaturverz. S. [155] - 169

    Jean-François Lattarico: Lo scherno degli dei : myth and derision in the dramma per musica of the seventeenth century

    Robert C. Ketterer: Helpings from the great banquets of epic : Handel's Teseo, and Arianna in Creta

    Geoffrey Burgess: Envoicing the divine : oracles in lyric and spoken drama in seventeenth-century France

    Bruno Forment: Addressing the divine : the 'numinous' accompagnato in opera seria

    Reinhard Strohm: Iphigenia's curious Ménange à trois in myth, drama, and opera

    Bram van Oostveldt.: Spectatorship and involvement in Gluck's Iphigénie en Tauride