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  1. Green Worlds in Early Modern Italy
    Art and the Verdant Earth
    Contributor: Goodchild, Karen Hope (Publisher); Oettinger, April (Publisher); Prosperetti, Leopoldine (Publisher)
    Published: [2019]; © 2019
    Publisher:  Amsterdam University Press, Amsterdam

    The green mantle of the earth! This metaphor conceives of the vegetation of the earth as a green cloth that drapes the barren earth. Long popular in patristic literature Il mantello verde della terra is a poetical image that ponders the providential... more

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    Verlag (lizenzpflichtig)

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

    Location:
    Universität Potsdam, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    The green mantle of the earth! This metaphor conceives of the vegetation of the earth as a green cloth that drapes the barren earth. Long popular in patristic literature Il mantello verde della terra is a poetical image that ponders the providential greening of the earth on the third day of the Creation. Borrowing from the vocabulary of weaving it epitomizes the Renaissance interest in "fashioning green worlds" in art and poetry. Rachel Carson invoked the phrase to draw attention to environmental damage done to earth's "brilliant robe." Here it serves as a motto for a cultural poetics that made "living nature" an object of renewed interest. The essays gathered in this volume explore the expanding technologies and cultural dimensions of verzure and verdancy in the Italian Renaissance, and the role of painting in shaping the poetics and expression of greenery in the visual arts of the 16th-century and after

     
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    Source: Union catalogues
    Contributor: Goodchild, Karen Hope (Publisher); Oettinger, April (Publisher); Prosperetti, Leopoldine (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048535866
    Other identifier:
    Series: Visual and Material Culture, 1300 –1700
    Subjects: ART / History / Renaissance; Arts, Italian; Nature in art; Nature in literature; Naturdarstellung
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 20. Jun 2019)
  2. Green Worlds in Early Modern Italy
    Art and the Verdant Earth
    Contributor: Goodchild, Karen Hope (Publisher); Oettinger, April (Publisher); Prosperetti, Leopoldine (Publisher)
    Published: [2019]; © 2019
    Publisher:  Amsterdam University Press, Amsterdam

    The green mantle of the earth! This metaphor conceives of the vegetation of the earth as a green cloth that drapes the barren earth. Long popular in patristic literature Il mantello verde della terra is a poetical image that ponders the providential... more

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Technische Hochschule Augsburg
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    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Coburg, Zentralbibliothek
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    Unlimited inter-library loan, copies and loan

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    Hochschule Kempten, Hochschulbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Passau
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    Unlimited inter-library loan, copies and loan

     

    The green mantle of the earth! This metaphor conceives of the vegetation of the earth as a green cloth that drapes the barren earth. Long popular in patristic literature Il mantello verde della terra is a poetical image that ponders the providential greening of the earth on the third day of the Creation. Borrowing from the vocabulary of weaving it epitomizes the Renaissance interest in "fashioning green worlds" in art and poetry. Rachel Carson invoked the phrase to draw attention to environmental damage done to earth's "brilliant robe." Here it serves as a motto for a cultural poetics that made "living nature" an object of renewed interest. The essays gathered in this volume explore the expanding technologies and cultural dimensions of verzure and verdancy in the Italian Renaissance, and the role of painting in shaping the poetics and expression of greenery in the visual arts of the 16th-century and after

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Goodchild, Karen Hope (Publisher); Oettinger, April (Publisher); Prosperetti, Leopoldine (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048535866
    Other identifier:
    Series: Visual and Material Culture, 1300 –1700
    Subjects: ART / History / Renaissance; Arts, Italian; Nature in art; Nature in literature; Naturdarstellung
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 20. Jun 2019)
  3. Green worlds in early modern Italy
    art and the verdant earth
    Contributor: Goodchild, Karen Hope (Publisher); Oettinger, April (Publisher); Prosperetti, Leopoldine (Publisher)
    Published: 2020
    Publisher:  Amsterdam University Press, Amsterdam

    The green mantle of the earth! This metaphor is a poetic image that borrows from the vocabulary of weaving and epitomizes the Renaissance interest in "fashioning green worlds" in art and poetry. Here it serves as a motto for a cultural poetics that... more

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The green mantle of the earth! This metaphor is a poetic image that borrows from the vocabulary of weaving and epitomizes the Renaissance interest in "fashioning green worlds" in art and poetry. Here it serves as a motto for a cultural poetics that made representing living nature increasingly popular across Italy in the Early Modern period. The explosion of landscape art in this era is often associated with the rise of interest in the literary pastoral, narrowly defined, but this volume expands that understanding to show Green’s broad appeal as it intrigued audiences ranging from the ecclesiastic to the medical and scientific to the humanistic and courtly. The essays gathered here explore the expanding technologies and varied cultural dimensions of verzure and verdancy in the Italian Renaissance, and thus the role of visual art in shaping the poetics and expression of greenery in the arts of the 16th-century and beyond

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Goodchild, Karen Hope (Publisher); Oettinger, April (Publisher); Prosperetti, Leopoldine (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048535866
    Other identifier:
    Subjects: Art / Italy / 16th century; Nature (Aesthetics); Painting, Italian / 16th century; Naturdarstellung
    Scope: 1 Online-Ressource (286 Seiten)
    Notes:

    Title from publisher's bibliographic system (viewed on 20 Nov 2020)

    Introduction - A Fresh Vision of the Natural World in Renaissance Italy - Karen Goodchild, April Oettinger, Leopoldine Prosperetti -- - The Green Places of Fra Filippo Lippi and Sandro Botticelli - Rebekah Compton -- - Anthropomorphic Trees and Animated Nature in Lorenzo Lotto's 1509 St. Jerome - April Oettinger -- - 'Honesta voluptas': The Renaissance Justification for Enjoyment of the Natural World - Paul Holberton -- - "The Sala delle Asse as Locus Amoenus: Revisiting Leonardo da Vinci's Arboreal Imagery in Milan's Castello Sforzesco" - Jill Pederson -- - Naturalism and Antiquity, Redefined, in Vasari's Verzure - Karen Hope Goodchild -- - Verdant Architecture and Tripartite Chorography: Toeput and the Italian Villa Tradition - Natsumi Nonaka -- - Titian: Sylvan Poet - Leopoldine Prosperetti -- - From Venice to Tivoli: Girolamo Muziano and the 'Invention' of the Tiburtine Landscape - Patrizia Tosini -- - Of Oak and Elder, Cloud-like Angels, and a Bird's Nest: The Graphic Interpretations of Titian's The Death of St. Peter Martyr by Martino Rota, Giovanni Battista Fontana, Valentin Lefebre, John Baptist Jackson, and their Successors - Sabine Peinelt-Schmidt -- - The Verdant as Violence: The Storm Landscapes of Herman van Swanevelt and Gaspard Dughet - Susan Russell -- - Afterword - A Brief Journey Through the Green World of Renaissance Venice - Paul Barolsky