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Displaying results 1 to 7 of 7.

  1. The visible world
    Samuel van Hoogstraten's art theory and the legitimation of painting in the Dutch Golden Age
    Author: Weststeijn, Thijs
    Published: 2008
    Publisher:  Amsterdam Univ. Press, [Amsterdam]

    Access:
    Verlag (Open Access)

    Location:
    Ruhr-Universität Bochum, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048507894
    Other identifier:
    Series: Amsterdam studies in the Dutch Golden Age
    Subjects: Ästhetik; Malerei
    Other subjects: Hoogstraten, Samuel van (1627-1678)
    Scope: 475 S., Ill.
  2. The visible world
    Samuel van Hoogstraten's art theory and the legitimation of painting in the Dutch golden age
    Author: Weststeijn, Thijs
    Published: 2008
    Publisher:  Amsterdam University Press, [Amsterdam]

    Provides an ambitious overview of Dutch artists' ideas on painting. more

    Access:
    Verlag (kostenfrei)

    Location:
    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliothek der Frankfurt University of Applied Sciences
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Gießen
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Mainz, Zentralbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Marburg, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

     

    Provides an ambitious overview of Dutch artists' ideas on painting.

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Contributor: Jackson, Beverley; Richards, Lynne
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048507894; 9048507898
    RVK Categories: LO 34230
    Series: Amsterdam studies in the Dutch golden age.
    Subjects: Malerei; Ästhetik; Painting, Dutch; ART; The arts; History of art; Humanities; History; Aesthetics; Painting, Dutch
    Other subjects: Hoogstraten, Samuel van (1627-1678); Historical treatment of fine and decorative arts; History, geography, and auxiliary disciplines; Kunst en kunstgeschiedenis; Geschiedenis
    Scope: 1 Online-Ressource (475 Seiten), Illustrations (some color)
    Notes:

    Includes bibliographical references (pages 443-462) and indexes
  3. The Visible World
    Author: Weststeijn, Thijs
    Published: 2008
    Publisher:  Amsterdam University Press, [Erscheinungsort nicht ermittelbar] ; OAPEN FOUNDATION, The Hague

    How did painters and their public speak about art in Rembrandt's age? This book about the writings of the painter-poet Samuel van Hoogstraten, one of Rembrandt's pupils, examines a wide variety of themes from painting practice and theory from the... more

    Access:
    Verlag (kostenfrei)

    Location:
    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliothek der Frankfurt University of Applied Sciences
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Gießen
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Mainz, Zentralbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Marburg, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

     

    How did painters and their public speak about art in Rembrandt's age? This book about the writings of the painter-poet Samuel van Hoogstraten, one of Rembrandt's pupils, examines a wide variety of themes from painting practice and theory from the Dutch Golden Age. It addresses the contested issue of 'Dutch realism' and its hidden symbolism, as well as Rembrandt's concern with representing emotions in order to involve the spectator. Diverse aspects of imitation and illusion come to the fore, such as the theory behind sketchy or 'rough' brushwork and the active role played by the viewer's imagination. Taking as its starting point discussions in Rembrandt's studio, this unique study provides an ambitious overview of Dutch artists' ideas on painting. The Visible World was awarded the Jan van Gelder Prize in 2009. "Thijs Weststeijn's book ... is destined to become one of the principal bibles for those who even remotely wish to read and understand Samuel van Hoogstraten's thinking ... written in clear, elegant language", Jan Blanc in Simiolus 33/4 (2007-8). "By asking purposeful questions about Dutch Baroque art theory and Van Hoogstraten's place within it, Thijs Weststeijn has provided convincing and thoughtful answers, and made a most appreciated and masterful contribution to the field." Amy Golahny in Sehepunkte 10 (2010), nr. 6. "[Weststeijn] shows persuasively how Van Hoogstraten's Inleyding is rooted in the tradition of classical rhetoric and philosophy ... Chapters about aspects discussed in detail in the Inleyding, such as pictorial imitation, coloring and the depiction of emotion, reveal that Van Hoogstraten's perspective on the theory of art was an idiosyncratic one ... Weststeijn supposes at various moments in his book that Samuel van Hoogstraten wanted in particular to provide a legitimation for Rembrandt's painting practice by writing down the ideas that he must have heard in the latter's studio." Bram de Klerck in NRC Handelsblad, 13 February 2009. This title is available in the OAPEN Library - www.oapen.org.

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048507894; 9789089640277
    RVK Categories: LO 34230
    Series: Amsterdam Studies in the Dutch Golden Age
    Subjects: Malerei; Ästhetik; History of art / art & design styles; Humanities
    Other subjects: Hoogstraten, Samuel van (1627-1678); Art & Art History; History
  4. The visible world
    Samuel van Hoogstraten's art theory and the legitimation of painting in the Dutch golden age
    Author: Weststeijn, Thijs
    Published: 2008
    Publisher:  Amsterdam University Press, [Amsterdam]

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789089640277; 9789048507894
    Series: Amsterdam studies in the Dutch golden age
    Subjects: Ästhetik; Painting, Dutch; Malerei; Ästhetik
    Other subjects: Hoogstraten, Samuel van (1627-1678); Hoogstraten, Samuel van (1627-1678); Hoogstraten, Samuel van (1627-1678); Hoogstraten, Samuel van (1627-1678): Inleyding tot de hooge schoole der schilderkonst, anders de zichtbaere werelt
    Scope: 475 p.
    Notes:

    Includes bibliographical references (p. 443-462) and indexes
  5. The visible world
    Samuel van Hoogstraten's art theory and the legitimation of painting in the Dutch golden age
    Author: Weststeijn, Thijs
    Published: 2008
    Publisher:  Amsterdam University Press, [Amsterdam]

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1282171445; 9048507898; 9089640274; 9781282171442; 9789048507894; 9789089640277
    Series: Amsterdam studies in the Dutch golden age
    Subjects: ART / History / General; Aesthetics; Painting, Dutch; The arts; History of art / art and design styles; Humanities; History; Geschichte; Ästhetik; Painting, Dutch; Malerei; Ästhetik
    Other subjects: Hoogstraten, Samuel van / 1627-1678 / Criticism and interpretation / Aesthetics; Hoogstraten, Samuel van / 1627-1678; Hoogstraten, Samuel van (1627-1678); Hoogstraten, Samuel van (1627-1678); Hoogstraten, Samuel van (1627-1678): Inleyding tot de hooge schoole der schilderkonst, anders de zichtbaere werelt; Hoogstraten, Samuel van (1627-1678)
    Scope: 1 Online-Ressource (475 pages)
    Notes:

    Includes bibliographical references (pages 443-462) and indexes

    Table of Contents; Preface and Acknowledgements; Introduction; Ch I: Samuel van Hoogstraten in the Republic of Letters; Ch II:The Visible World; Ch III:Pictorial Imitation; Ch IV:The Depiction of the Passions; Ch V:The Eloquence of Colour; Ch VI:Painting as a Mirror of Nature; Excursus: Painting as a 'Sister of Philosophy'; Conclusion; Bibliographical abbreviations; Notes; Bibliography; Studies; Index of subjects; Index of names

    Provides an ambitious overview of Dutch artists' ideas on painting
  6. <<The>> visible world
    Samuel van Hoogstraten's art theory and the legitimation of painting in the Dutch Golden Age
    Author: Weststeijn, Thijs
    Published: 2008
    Publisher:  Amsterdam Univ. Press, [Amsterdam]

    Access:
    Verlag (Open Access)

    Location:
    Ruhr-Universität Bochum, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048507894
    Other identifier:
    Series: Amsterdam studies in the Dutch Golden Age
    Subjects: Hoogstraten, Samuel <<van>>; Niederlande; Ästhetik; Malerei; Geschichte 1600-1700; Online-Ressource
    Scope: 475 S. : Ill.
  7. The visible world
    Samuel van Hoogstraten's art theory and the legitimation of painting in the Dutch golden age
    Author: Weststeijn, Thijs
    Published: 2008
    Publisher:  Amsterdam University Press, [Amsterdam] ; EBSCO Industries, Inc., Birmingham, AL, USA

    Provides an ambitious overview of Dutch artists' ideas on painting. more

    Location:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Inter-library loan:
    No inter-library loan

     

    Provides an ambitious overview of Dutch artists' ideas on painting.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Jackson, Beverley; Richards, Lynne
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048507894; 9048507898
    RVK Categories: LO 34230
    Series: Amsterdam studies in the Dutch golden age.
    Subjects: Malerei; Ästhetik
    Other subjects: Hoogstraten, Samuel van (1627-1678)
    Scope: 1 Online-Ressource (475 pages), Illustrations (some color)
    Notes:

    Includes bibliographical references (pages 443-462) and indexes