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Displaying results 1 to 11 of 11.

  1. Self-reference in literature and music
    Published: 2010
    Publisher:  Rodopi, Amsterdam

    Preliminary Material -- Metamusic? Potentials and Limits of ‘Metareference’ in Instrumental Music Theoretical Reflections and a Case Study (Mozart’s Ein musikalischer Spaß) /Werner Wolf -- Mahler within Mahler Allusion as Quotation, Self-Reference,... more

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    Preliminary Material -- Metamusic? Potentials and Limits of ‘Metareference’ in Instrumental Music Theoretical Reflections and a Case Study (Mozart’s Ein musikalischer Spaß) /Werner Wolf -- Mahler within Mahler Allusion as Quotation, Self-Reference, and Metareference /Robert Samuels -- Medial Self-Reference between Words and Music in Erik Satie’s Piano Pieces /Peter Dayan -- Opera on Opera (on Opera) Self-Referential Negotiations of a Difficult Genre /Frieder von Ammon -- Christophorus, oder “Die Vision einer Oper” Franz Schreker’s Opera as a Metareferential Work /Walter Bernhart -- ‘The Play’s the Thing’ Self- and Metareference in Contemporary Operatic Adaptation of Twentieth-Century Drama /Michael Halliwell -- Robert Carsen’s Production of Les Contes d’Hoffmann An Exercise in Theatrical Self-Reflection /Simon Williams -- Leoncavallo’s Pagliacci Operatic Metareference on Stage and on Film /Bernhard Kuhn -- Intermedial Reference as Metareference Hans Christian Andersen’s Musical Novels /Joachim Grage -- Notes on Contributors -- Volume 1. This volume contains a selection of nine essays with an interdisciplinary perspective. They were originally presented at the Sixth International Conference on Word and Music Studies, which was held at Edinburgh University in June 2007 and was organized by the International Association for Word and Music Studies (WMA). The contributions to this volume focus on self-reference in various systematic, historical and intermedial ways. Self-reference – including, as a special case, metareference (the self-conscious reflection on music, literature and other medial concerns) – is explored, among others, in instrumental music by Mozart, Mahler and Satie, in the structure and performance of (meta-)operas, in operatic adaptations of drama and filmic adaptations of opera, as well as in intermedial novelistic references to music. The essays cover a historical range from the 18th century to the present and are of interest to literary and opera scholars and students, musicologists as well as all readers generally interested in medial self-reference and intermediality studies

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789042031593
    Other identifier:
    Series: Word and music studies ; 11
    Subjects: Reference (Philosophy) in literature; Reference (Philosophy); Reference (Philosophy) in literature; Reference (Philosophy); Music
    Scope: 1 Online-Ressource (x, 192 pages)
    Notes:

    Includes bibliographical references
  2. Self-reference in literature and music
    Contributor: Bernhart, Walter; Wolf, Werner
    Published: 2010
    Publisher:  Rodopi, Amsterdam ; EBSCO Industries, Inc., Birmingham, AL, USA

    This volume contains a selection of nine essays with an interdisciplinary perspective. They were originally presented at the Sixth International Conference on Word and Music Studies, which was held at Edinburgh University in June 2007 and was... more

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    Bibliothek der Hochschule Mainz, Untergeschoss
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    This volume contains a selection of nine essays with an interdisciplinary perspective. They were originally presented at the Sixth International Conference on Word and Music Studies, which was held at Edinburgh University in June 2007 and was organized by the International Association for Word and Music Studies (WMA). The contributions to this volume focus on self-reference in various systematic, historical and intermedial ways. Self-reference - including, as a special case, metareference (the self-conscious reflection on music, literature and other medial concerns) - is explored, among others.

     
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    Source: Union catalogues
    Contributor: Bernhart, Walter; Wolf, Werner
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789042031593; 904203159X
    RVK Categories: EC 2440 ; LR 57710
    Series: Word and music studies ; 11
    Subjects: Musik; Literatur; Selbstbezüglichkeit; Reference (Philosophy) in literature; Reference (Philosophy); Music; Reference (Philosophy); Literature; LITERARY CRITICISM; Reference (Philosophy) in literature; Reference (Philosophy)
    Scope: 1 Online-Ressource (x, 192 Seiten)
    Notes:

    Includes bibliographical references
  3. Self-Reference in Literature and Music
    Author: Bernhart, Walter
    Published: 2010
    Publisher:  Editions Rodopi, Amsterdam

    This volume contains a selection of nine essays with an interdisciplinary perspective. They were originally presented at the Sixth International Conference on Word and Music Studies, which was held at Edinburgh University in June 2007 and was... more

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    Universität Frankfurt, Elektronische Ressourcen
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    Universitätsbibliothek Gießen
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    This volume contains a selection of nine essays with an interdisciplinary perspective. They were originally presented at the Sixth International Conference on Word and Music Studies, which was held at Edinburgh University in June 2007 and was organized by the International Association for Word and Music Studies (WMA). The contributions to this volume focus on self-reference in various systematic, historical and intermedial ways. Self-reference - including, as a special case, metareference (the self-conscious reflection on music, literature and other medial concerns) - is explored, among others...

     
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    Source: Union catalogues
    Contributor: Wolf, Werner
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789042031593
    RVK Categories: EC 2440 ; LR 57710
    Series: Word & Music Studies
    Subjects: Musik; Literatur; Selbstbezüglichkeit
    Scope: 1 Online-Ressource (205 Seiten)
    Notes:

    Description based upon print version of record
  4. Self-reference in literature and music
    Published: 2010
    Publisher:  Rodopi, Amsterdam

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789042031586; 9789042031593
    Series: Word and music studies ; 11
    Subjects: Musik; Self in literature; Music
    Scope: x, 192 p
    Notes:

    Includes bibliographical references
  5. Self-reference in literature and other media
    Contributor: Bernhart, Walter (Publisher); Wolf, Werner (Publisher)
    Published: 2010
    Publisher:  Rodopi, Amsterdam ; New York

    Location:
    Bayerische Staatsbibliothek
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    Universitätsbibliothek Würzburg
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    Content information
    Source: Union catalogues
    Contributor: Bernhart, Walter (Publisher); Wolf, Werner (Publisher)
    Language: English
    Media type: Book
    ISBN: 9789042031586; 9789042031593
    RVK Categories: EC 2440 ; LR 57710
    Series: Word and music studies ; 11
    Subjects: Literatur; Selbstbezüglichkeit; Musik
    Scope: X, 192 Seiten, Notenbeispiele
    Notes:

    Contains a selection of nine essays originally presented at the sixth International conference on word and music studies, held at Edinburgh University in June 2007, organised by the International Association for Word ans Music Studies (WMA)
  6. Self-reference in literature and music
    Published: c2010
    Publisher:  Rodopi, Amsterdam

    This volume contains a selection of nine essays with an interdisciplinary perspective. They were originally presented at the Sixth International Conference on Word and Music Studies, which was held at Edinburgh University in June 2007 and was... more

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    Hochschule Aalen, Bibliothek
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    Hochschule Esslingen, Bibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    This volume contains a selection of nine essays with an interdisciplinary perspective. They were originally presented at the Sixth International Conference on Word and Music Studies, which was held at Edinburgh University in June 2007 and was organized by the International Association for Word and Music Studies (WMA). The contributions to this volume focus on self-reference in various systematic, historical and intermedial ways. Self-reference - including, as a special case, metareference (the self-conscious reflection on music, literature and other medial concerns) - is explored, among others

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789042031593; 904203159X
    Series: Word and music studies ; 11
    Subjects: Reference (Philosophy); Reference (Philosophy) in literature; Reference (Philosophy); Music; Literature; Reference (Philosophy); Reference (Philosophy) in literature; Songs and music; LITERARY CRITICISM ; General
    Scope: Online Ressource (x, 192 p.)
    Notes:

    Includes bibliographical references. - Description based on print version record
  7. Self-reference in literature and music
    Contributor: Bernhart, Walter; Wolf, Werner
    Published: 2010
    Publisher:  Rodopi, Amsterdam ; Brill, New York, NY

    This volume contains a selection of nine essays with an interdisciplinary perspective. They were originally presented at the Sixth International Conference on Word and Music Studies, which was held at Edinburgh University in June 2007 and was... more

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    Location:
    Universität Mainz, Zentralbibliothek
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    This volume contains a selection of nine essays with an interdisciplinary perspective. They were originally presented at the Sixth International Conference on Word and Music Studies, which was held at Edinburgh University in June 2007 and was organized by the International Association for Word and Music Studies (WMA). The contributions to this volume focus on self-reference in various systematic, historical and intermedial ways. Self-reference - including, as a special case, metareference (the self-conscious reflection on music, literature and other medial concerns) - is explored, among others, in instrumental music by Mozart, Mahler and Satie, in the structure and performance of (meta-)operas, in operatic adaptations of drama and filmic adaptations of opera, as well as in intermedial novelistic references to music. The essays cover a historical range from the 18th century to the present and are of interest to literary and opera scholars and students, musicologists as well as all readers generally interested in medial self-reference and intermediality studies.

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Contributor: Bernhart, Walter; Wolf, Werner
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789042031593
    Other identifier:
    RVK Categories: EC 2440 ; LR 57710
    Series: Word and music studies ; 11
    Subjects: Musik; Literatur; Selbstbezüglichkeit
    Scope: 1 Online-Ressource (x, 192 pages)
    Notes:

    Includes bibliographical references.
  8. Self-reference in literature and other media
    Contributor: Bernhart, Walter (Publisher); Wolf, Werner (Publisher)
    Published: 2010
    Publisher:  Rodopi, Amsterdam ; New York

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Bernhart, Walter (Publisher); Wolf, Werner (Publisher)
    Language: English
    Media type: Book
    ISBN: 9789042031586; 9789042031593
    RVK Categories: EC 2440 ; LR 57710
    Series: Word and music studies ; 11
    Subjects: Literatur; Selbstbezüglichkeit; Musik
    Scope: X, 192 Seiten, Notenbeispiele
    Notes:

    Contains a selection of nine essays originally presented at the sixth International conference on word and music studies, held at Edinburgh University in June 2007, organised by the International Association for Word ans Music Studies (WMA)
  9. Self-reference in literature and music
    Published: ©2010
    Publisher:  Rodopi, Amsterdam

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9042031581; 904203159X; 9789042031586; 9789042031593
    Series: Word and music studies ; 11
    Subjects: Music / Philosophy and aesthetics; Reference (Philosophy); Literature; LITERARY CRITICISM / General; Literature; Reference (Philosophy); Literatur; Musik; Reference (Philosophy) in literature; Reference (Philosophy)
    Scope: 1 Online-Ressource (x, 192 pages)
    Notes:

    Includes bibliographical references

    This volume contains a selection of nine essays with an interdisciplinary perspective. They were originally presented at the Sixth International Conference on Word and Music Studies, which was held at Edinburgh University in June 2007 and was organized by the International Association for Word and Music Studies (WMA). The contributions to this volume focus on self-reference in various systematic, historical and intermedial ways. Self-reference - including, as a special case, metareference (the self-conscious reflection on music, literature and other medial concerns) - is explored, among others

    Metamusic? Potentials and limits of 'metareference' in instrumental music : theoretical reflections and a case study (Mozart's Ein musikalischer Spass) / Werner Wolf -- Mahler within Mahler : allusion as quotation, self-reference, and metareference / Robert Samuels -- Medial self-reference between words and music in Erik Satie's piano pieces / Peter Dayan -- Opera on opera (on opera) : self-referential negotiations of a difficult genre / Frieder von Ammon -- Christophorus, oder "Die Vision einer Oper" : Franz Schreker's opera as a metareferential work / Walter Bernhart -- 'The play's the thing' : self- and metareference in contemporary operatic adaptation of twentieth-century drama / Michael Halliwell -- Robert Carsen's production of Les contes d'Hoffmann : an exercise in theatrical self-reflection / Simon Williams -- Leoncavallo's Pagliacci : operatic metareference on stage and on film / Bernhard Kuhn -- Intermedial reference as metareference : Hans Christian Andersen's musical novels / Joachim Grage
  10. Self-reference in literature and music
    Contributor: Bernhart, Walter (Publisher)
    Published: 2010
    Publisher:  Rodopi, Amsterdam [u.a.]

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    Source: Union catalogues
    Contributor: Bernhart, Walter (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789042031586; 9789042031593
    RVK Categories: EC 2440 ; LR 55300 ; LR 55330
    Series: Word and music studies ; 11
    Subjects: Musik; Literatur; Selbstbezüglichkeit; Kongress; Edinburgh <2007>;
    Scope: X, 192 S., Notenbeisp.
    Notes:

    Literturangaben
  11. Self-Reference in Literature and Music.
    Author: Bernhart, Walter
    Published: 2010; ©2010
    Publisher:  BRILL, Amsterdam

    This volume contains a selection of nine essays with an interdisciplinary perspective. They were originally presented at the Sixth International Conference on Word and Music Studies, which was held at Edinburgh University in June 2007 and was... more

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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Bibliothek LIV HN Sontheim
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    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
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    This volume contains a selection of nine essays with an interdisciplinary perspective. They were originally presented at the Sixth International Conference on Word and Music Studies, which was held at Edinburgh University in June 2007 and was organized by the International Association for Word and Music Studies (WMA). The contributions to this volume focus on self-reference in various systematic, historical and intermedial ways. Self-reference - including, as a special case, metareference (the self-conscious reflection on music, literature and other medial concerns) - is explored, among others, in instrumental music by Mozart, Mahler and Satie, in the structure and performance of (meta-)operas, in operatic adaptations of drama and filmic adaptations of opera, as well as in intermedial novelistic references to music. The essays cover a historical range from the 18th century to the present and are of interest to literary and opera scholars and students, musicologists as well as all readers generally interested in medial self-reference and intermediality studies. Intro -- Self-Reference in Literature and Music -- Contents -- Preface -- Metamusic? Potentials and Limits of 'Metareference' in Instrumental Music: Theoretical Reflections and a Case Study (Mozart's Ein musikalischer Spaß) -- Mahler within Mahler: Allusion as Quotation, Self-Reference, and Metareference -- Medial Self-Reference between Words and Music in Erik Satie's Piano Pieces -- Opera on Opera (on Opera): Self-Referential Negotiations of a Difficult Genre -- Christophorus, oder "Die Vision einer Oper": Franz Schreker's Opera as a Metareferential Work -- 'The Play's the Thing': Self- and Metareference in Contemporary Operatic Adaptation of Twentieth-Century Drama -- Robert Carsen's Production of Les Contes d'Hoffmann: An Exercise in Theatrical Self-Reflection -- Leoncavallo's Pagliacci: Operatic Metareference on Stage and on Film -- Intermedial Reference as Metareference: Hans Christian Andersen's Musical Novels -- Notes on Contributors.

     
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    Content information
    Source: Union catalogues
    Contributor: Wolf, Werner (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789042031593
    Edition: 1st ed.
    Series: Word and Music Studies
    Subjects: Music; Self in literature; Music ; Themes, motives; Self in literature; Electronic books
    Scope: 1 online resource (204 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

    Title Page; Copyright Page; Table of Contents; Preface; Metamusic? Potentials and Limits of 'Metareference' in Instrumental Music: Theoretical Reflections and a Case Study (Mozart's Ein musikalischer Spaß) ; Mahler within Mahler: Allusion as Quotation, Self-Reference, and Metareference ; Medial Self-Reference between Words and Music in Erik Satie's Piano Pieces ; Opera on Opera (on Opera): Self-Referential Negotiations of a Difficult Genre ; Christophorus, oder "Die Vision einer Oper": Franz Schreker's Opera as a Metareferential Work

    'The Play's the Thing': Self- and Metareference in Contemporary Operatic Adaptation of Twentieth-Century Drama Robert Carsen's Production of Les Contes d'Hoffmann: An Exercise in Theatrical Self-Reflection ; Leoncavallo's Pagliacci: Operatic Metareference on Stage and on Film ; Intermedial Reference as Metareference: Hans Christian Andersen's Musical Novels ; Notes on Contributors; Blank Page; Blank Page; Blank Page; Blank Page; Blank Page