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Exposing capital for the con artist and storyteller it is, the book shows how the post-millennial novels of William Gibson, Douglas Coupland, and Dave Eggers work to dismantle the fictions (or illusions) capitalist globalization spurs and continues to rely on. Intro -- Contents -- Acknowledgments -- Introduction: "We Live in Financial Times" -- 1 The Fictions Capital Weaves: Theorizing the Global Contemporary and Its (Literary) Representations -- 1.1 The New World -- 1.1.1 Economy -- 1.1.2 Sovereignty -- 1.1.3 Geographies -- 1.1.4 Spaces -- 1.1.5 Society -- 1.1.6 Ecologies -- 1.2 Mapping the New -- 1.2.1 Globalizing Human Imagination -- 1.2.2 Fictions of Globalization -- 2 The Forever Now: Foretelling the Present in William Gibson's Bigend Trilogy -- 2.1 Plot Summaries -- 2.2 Blue Ant, Hubertus Bigend, and the Global Interplay between Money, Information, and Power -- 2.2.1 Brand Vision Transaction -- 2.2.2 The Surfer of Global Flows -- 2.3 Time-Space, Virtual Ambiguity, and Networked Control -- 2.3.1 Time Flies -- 2.3.2 Spacing Out(wards) -- 2.3.3 Inside Real Virtuality -- 2.3.4 Networked Control -- 2.4 Nodes, Local Color, and the Unhomely Edge of the Global Metropolis -- 2.4.1 Facilitating Sameness -- 2.4.2 The New Edge -- 2.5 Instability, Oppressiveness, and the Activation of Paranoid Epistemology -- 2.5.1 Feeling out of Place -- 2.5.2 The Terror! The Terror! -- 2.5.3 Learning to Cope -- 2.5.4 Paranoid Epistemology, or Navigating the Conspiracy -- 2.6 The Talk of the Town: the Unique Lens of Speculative Fiction, or William Gibson as the Optician of Contemporaneity -- Acknowledgments -- 3 Extreme Vertigo: Narrating the Information Age in Douglas Coupland's Post-millennial Fiction -- 3.1 Plot Summaries -- 3.2 Trying to Keep Afloat in the Extreme Present (and Failing) -- 3.2.1 "I Miss Time" -- 3.2.2 "You Know the Future Is Really Happening When You Start Feeling Scared" -- 3.3 Knowledge, the Age of Latency, American Spam, and the Irrelevantization of the Periphery -- 3.3.1 "Technology Favors Horrible People" -- 3.3.2 "Getting People Stoked Is the New Power" -- 3.3.3 "Fate Is for Losers". "If it is indeed impossible to think beyond capitalism, then capital has become reality. If global capitalism organizes reality through the stories it weaves, capital is (as strong as) its fictions. If capital is reality and capital is fiction, then reality as such is fiction as well. It is by reading this fiction for both patterns and inconsistencies that contemporary individuals can challenge global capital and unveil its hypocrisies; and it is by fighting fiction with fiction, i.e. projecting new realities - such as those in the post-millennial novels by William Gibson, Douglas Coupland, and Dave Eggers - that people can imagine the world anew"--
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