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  1. Contending for the "Chinese modern"
    the writing of fiction in the great transformative epoch of modern China, 1937-1949
    Author: Wang, Xiaoping
    Published: [2019]
    Publisher:  Brill, Leiden

    Aborted dreams of "new women" : Xiao Hong and Mei Niang -- Matrimonial syndrome in a besieged society : identity complex in Eileen Chang's "Boudoir stories" -- Alienated minds dreaming for integration : constrained cosmopolitanism in Wumingshi's and... more

    Access:

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Inter-library loan:
    No inter-library loan
    Link to union catalogue:
    Gemeinsamer Bibliotheksverbund (GBV)

    Location:
    Universitätsbibliothek Leipzig
    Inter-library loan:
    No inter-library loan
    Link to union catalogue:
    Südwestdeutscher Bibliotheksverbund (SWB)

     

    Aborted dreams of "new women" : Xiao Hong and Mei Niang -- Matrimonial syndrome in a besieged society : identity complex in Eileen Chang's "Boudoir stories" -- Alienated minds dreaming for integration : constrained cosmopolitanism in Wumingshi's and Xu Xu's "Modern literati novel" -- "Subjectivity" and class consciousness : intellectual's predicament and Lu Ling's "Neo-leftist stories" -- "Problem stories" as part of the "national form" : rural society in transition and Zhao Shuli's "Peasant stories" -- From feminist to party's intellectual? Identity (trans-)formation and Ding Ling's "New woman stories." "In Contending for the 'Chinese Modern', Xiaoping Wang studies the writing of fiction in 1940s China. Through a practice of political hermeneutics of fictional texts and social subtexts, it explores how social modernity and literary modernity intertwined with and interacted upon each other in the development of modern Chinese literature. It not only makes critical reappraisement of some renowned modern Chinese writers, but also sheds fresh lights on a series of theoretical problems pertaining to the issue of plural modernities, in which the problematic of subjectivity, class consciousness and identity politics are the key words as well as the concrete procedures that it undertakes the ideological analysis. The manuscript signifies a new paradigm in studies of modern Chinese literature"--

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9004398635; 9789004398634
    Other identifier:
    Series: Ideas, history, and modern China ; volume 20
    Asian Studies E-Books Online, Collection 2019, ISBN: 9789004390799
    Subjects: Chinese fiction; Literature and society
    Scope: 1 Online-Ressource (XII, 604 Seiten)
    Notes:

    Includes bibliographical references and index

    "The manuscript is based on my dissertation of the same title, which I completed in the University of Texas at Austin in the year of 2010". -- Introduction

    Dissertation, University of Texas at Austin, 2010
  2. Contending for the "Chinese modern"
    the writing of fiction in the great transformative epoch of modern China, 1937-1949
    Author: Wang, Xiaoping
    Published: [2019]
    Publisher:  Brill, Leiden

    Aborted dreams of "new women" : Xiao Hong and Mei Niang -- Matrimonial syndrome in a besieged society : identity complex in Eileen Chang's "Boudoir stories" -- Alienated minds dreaming for integration : constrained cosmopolitanism in Wumingshi's and... more

    Access:

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    Aborted dreams of "new women" : Xiao Hong and Mei Niang -- Matrimonial syndrome in a besieged society : identity complex in Eileen Chang's "Boudoir stories" -- Alienated minds dreaming for integration : constrained cosmopolitanism in Wumingshi's and Xu Xu's "Modern literati novel" -- "Subjectivity" and class consciousness : intellectual's predicament and Lu Ling's "Neo-leftist stories" -- "Problem stories" as part of the "national form" : rural society in transition and Zhao Shuli's "Peasant stories" -- From feminist to party's intellectual? Identity (trans-)formation and Ding Ling's "New woman stories." "In Contending for the 'Chinese Modern', Xiaoping Wang studies the writing of fiction in 1940s China. Through a practice of political hermeneutics of fictional texts and social subtexts, it explores how social modernity and literary modernity intertwined with and interacted upon each other in the development of modern Chinese literature. It not only makes critical reappraisement of some renowned modern Chinese writers, but also sheds fresh lights on a series of theoretical problems pertaining to the issue of plural modernities, in which the problematic of subjectivity, class consciousness and identity politics are the key words as well as the concrete procedures that it undertakes the ideological analysis. The manuscript signifies a new paradigm in studies of modern Chinese literature"--

     
    Export to reference management software   RIS file
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9004398635; 9789004398634
    Other identifier:
    Series: Ideas, history, and modern China ; volume 20
    Asian Studies E-Books Online, Collection 2019, ISBN: 9789004390799
    Subjects: Chinese fiction; Literature and society
    Scope: 1 Online-Ressource (XII, 604 Seiten)
    Notes:

    Includes bibliographical references and index

    "The manuscript is based on my dissertation of the same title, which I completed in the University of Texas at Austin in the year of 2010". -- Introduction

    Dissertation, University of Texas at Austin, 2010
  3. Contending for the "Chinese modern"
    the writing of fiction in the great transformative epoch of modern China 1937-1949
    Author: Wang, Xiaoping
    Published: 2019
    Publisher:  Brill, Leiden

    Front Matter -- Copyright page -- Acknowledgment -- Figures -- Introduction -- Negotiating with the Nightmarish Modern -- Introduction -- Aborted Dreams of “New Women”: Xiao Hong and Mei Niang -- Matrimonial Syndrome in a Besieged Society: Identity... more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Freiburg
    Inter-library loan:
    No inter-library loan

    Location:
    Kompetenzzentrum für Lizenzierung
    Inter-library loan:
    No inter-library loan

     

    Front Matter -- Copyright page -- Acknowledgment -- Figures -- Introduction -- Negotiating with the Nightmarish Modern -- Introduction -- Aborted Dreams of “New Women”: Xiao Hong and Mei Niang -- Matrimonial Syndrome in a Besieged Society: Identity Complex in Eileen Chang’s “Boudoir Stories” -- Rethinking the Disintegrated Modern -- Introduction -- Alienated Minds Dreaming for Integration: Constrained Cosmopolitanism in Wumingshi’s and Xu Xu’s “Modern Literati Novel” -- “Subjectivity” and Class Consciousness: Intellectual’s Predicament and Lu Ling’s “Neo-Leftist Stories” -- Contending for a “New Democratic Modern” -- Introduction -- “Problem Stories” as Part of the “National Form”: Rural Society in Transition and Zhao Shuli’s “Peasant Stories” -- From Feminist to Party’s Intellectual? Identity (Trans-)formation and Ding Ling’s “New Woman Stories” -- Conclusion -- Back Matter -- References -- Index. In Contending for the \'Chinese Modern\' , Xiaoping Wang studies the writing of fiction in 1940s China. Through a practice of political hermeneutics of fictional texts and social subtexts, it explores how social modernity and literary modernity intertwined with and interacted upon each other in the development of modern Chinese literature. It not only makes critical reappraisement of some renowned modern Chinese writers, but also sheds fresh lights on a series of theoretical problems pertaining to the issue of plural modernities, in which the problematic of subjectivity, class consciousness and identity politics are the key words as well as the concrete procedures that it employs to undertake the ideological analysis. The manuscript signifies a new paradigm in studies of modern Chinese literature

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9789004398634
    Other identifier:
    Series: Ideas, history, and modern China ; volume 20
    Asian Studies E-Books Online, Collection 2019, ISBN: 9789004390799
    Subjects: Chinese fiction; Literature and society
    Scope: 1 Online-Ressource (xii, 604 pages)
    Notes:

    Includes bibliographical references and index

    "The manuscript is based on my dissertation of the same title, which I completed in the University of Texas at Austin in the year of 2010". -- Introduction

    Dissertation, University of Texas at Austin, 2010
  4. Contending for the "Chinese modern"
    the writing of fiction in the great transformative epoch of modern China 1937-1949
    Author: Wang, Xiaoping
    Published: 2019
    Publisher:  Brill, Leiden

    In Contending for the \'Chinese Modern\' , Xiaoping Wang studies the writing of fiction in 1940s China. Through a practice of political hermeneutics of fictional texts and social subtexts, it explores how social modernity and literary modernity... more

    Access:

    Location:
    Universität Mainz, Zentralbibliothek
    Inter-library loan:
    No inter-library loan

     

    In Contending for the \'Chinese Modern\' , Xiaoping Wang studies the writing of fiction in 1940s China. Through a practice of political hermeneutics of fictional texts and social subtexts, it explores how social modernity and literary modernity intertwined with and interacted upon each other in the development of modern Chinese literature. It not only makes critical reappraisement of some renowned modern Chinese writers, but also sheds fresh lights on a series of theoretical problems pertaining to the issue of plural modernities, in which the problematic of subjectivity, class consciousness and identity politics are the key words as well as the concrete procedures that it employs to undertake the ideological analysis. The manuscript signifies a new paradigm in studies of modern Chinese literature.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004398634
    Other identifier:
    Series: Ideas, history, and modern China, ; volume 20
    Asian Studies E-Books Online, Collection 2019, ISBN: 9789004390799
    Scope: 1 Online-Ressource
    Notes:

    Revision of author's thesis (doctoral)--University of Texas at Austin, 2010

    Includes bibliographical references and index.
  5. Contending for the "Chinese modern"
    the writing of fiction in the great transformative epoch of modern China 1937-1949
    Author: Wang, Xiaoping
    Published: 2019
    Publisher:  Brill, Leiden

    Front Matter -- Copyright page -- Acknowledgment -- Figures -- Introduction -- Negotiating with the Nightmarish Modern -- Introduction -- Aborted Dreams of “New Women”: Xiao Hong and Mei Niang -- Matrimonial Syndrome in a Besieged Society: Identity... more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Front Matter -- Copyright page -- Acknowledgment -- Figures -- Introduction -- Negotiating with the Nightmarish Modern -- Introduction -- Aborted Dreams of “New Women”: Xiao Hong and Mei Niang -- Matrimonial Syndrome in a Besieged Society: Identity Complex in Eileen Chang’s “Boudoir Stories” -- Rethinking the Disintegrated Modern -- Introduction -- Alienated Minds Dreaming for Integration: Constrained Cosmopolitanism in Wumingshi’s and Xu Xu’s “Modern Literati Novel” -- “Subjectivity” and Class Consciousness: Intellectual’s Predicament and Lu Ling’s “Neo-Leftist Stories” -- Contending for a “New Democratic Modern” -- Introduction -- “Problem Stories” as Part of the “National Form”: Rural Society in Transition and Zhao Shuli’s “Peasant Stories” -- From Feminist to Party’s Intellectual? Identity (Trans-)formation and Ding Ling’s “New Woman Stories” -- Conclusion -- Back Matter -- References -- Index. In Contending for the \'Chinese Modern\' , Xiaoping Wang studies the writing of fiction in 1940s China. Through a practice of political hermeneutics of fictional texts and social subtexts, it explores how social modernity and literary modernity intertwined with and interacted upon each other in the development of modern Chinese literature. It not only makes critical reappraisement of some renowned modern Chinese writers, but also sheds fresh lights on a series of theoretical problems pertaining to the issue of plural modernities, in which the problematic of subjectivity, class consciousness and identity politics are the key words as well as the concrete procedures that it employs to undertake the ideological analysis. The manuscript signifies a new paradigm in studies of modern Chinese literature

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9789004398634
    Other identifier:
    Series: Ideas, history, and modern China ; volume 20
    Asian Studies E-Books Online, Collection 2019, ISBN: 9789004390799
    Subjects: Chinese fiction; Literature and society
    Scope: 1 Online-Ressource (xii, 604 pages)
    Notes:

    Includes bibliographical references and index

    "The manuscript is based on my dissertation of the same title, which I completed in the University of Texas at Austin in the year of 2010". -- Introduction

    Dissertation, University of Texas at Austin, 2010