Narrow Search
Last searches

Results for *

Displaying results 1 to 8 of 8.

  1. Man'yőshű and the imperial imagination in early Japan
    Published: 2014; © 2014
    Publisher:  Brill, Leiden, Netherlands

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004251717; 9789004264540
    Series: Brill's Japanese Studies Library ; Volume 45
    Subjects: Geschichte; Imperialism in literature; Courts and courtiers in literature; Politics and literature; Political culture; Japanese poetry; Japanese literature; Japanbild
    Scope: 1 online resource (463 pages), illustrations
    Notes:

    Description based on print version record

  2. Man'yōshū and the imperial imagination in early Japan
    Published: 2014
    Publisher:  Brill, Leiden [u.a.]

    Access:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    No inter-library loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9789004264540; 9789004262409
    Other identifier:
    Subjects: Man'yōshū; Nihongi; Japan; Staatsideologie; Japanbild; Tenno
    Scope: XVIII, 443 S.
    Notes:

    New York, Columbia Univ., Diss. u.d.T.: Duthie, Torquil: Poetry and kingship in ancient Japan, 2005

  3. Man'yoshu and the imperial imagination in early Japan
    Published: 2014
    Publisher:  Brill, Leiden

    In Man'yōshū and the Imperial Imagination in Early Japan , Torquil Duthie examines the literary representation of the late seventh-century Yamato court as a realm of \'all under heaven." Through close readings of the early volumes of the poetic... more

    Universität Mainz, Zentralbibliothek
    No inter-library loan

     

    In Man'yōshū and the Imperial Imagination in Early Japan , Torquil Duthie examines the literary representation of the late seventh-century Yamato court as a realm of \'all under heaven." Through close readings of the early volumes of the poetic anthology Man'yōshū (c. eighth century) and the last volumes of the official history Nihon shoki (c. 720), Duthie shows how competing political interests and different styles of representation produced not a unified ideology, but rather a "bundle" of disparate imperial imaginaries collected around the figure of the imperial sovereign. Central to this process was the creation of a tradition of vernacular poetry in which Yamato courtiers could participate and recognize themselves as the cultured officials of the new imperial realm.

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004264540
    Other identifier:
    Series: Brill's Japanese studies library, ; v. 45
    Scope: 1 Online-Ressource
    Notes:

    Includes bibliographical references and index.

  4. Man'yo{u00AF}shu{u00AF} and the Imperial Imagination in Early Japan
    Published: 2014
    Publisher:  Brill, Leiden

    In Man'yoshu and the Imperial Imagination in Early Japan, Torquil Duthie examines the literary representation of the late seventh-century Yamato court as a realm of ""all under heaven more

    Saarländische Universitäts- und Landesbibliothek
    No inter-library loan
    Universitätsbibliothek der Eberhard Karls Universität
    No inter-library loan

     

    In Man'yoshu and the Imperial Imagination in Early Japan, Torquil Duthie examines the literary representation of the late seventh-century Yamato court as a realm of ""all under heaven

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004264540; 900426454X
    Series: Brill's Japanese Studies Library
    Subjects: Japanese literature; Courts and courtiers in literature; Imperialism in literature; Courts and courtiers in literature; Imperialism in literature; Japanese literature; Japan; Japan; Japanese literature; Japanese poetry; Man{u2019}yo{u00AF}shu{u00AF}; Nihon shoki; Political culture; Politics and literature; Courts and courtiers in literature; Imperialism in literature; Intellectual life; Japanese literature; LITERARY CRITICISM ; Asian ; General; History; Criticism, interpretation, etc
    Scope: Online Ressource (463 pages)
    Notes:

    Print version record

    Acknowledgments; List of Figures; Conventions; Abbreviations; Introduction; Chronology of Major Events in the Nihon Shoki and Shoku Nihongi Narratives; Part One The Literary Representation of Empire; 1 Yamato as Empire in the Sinoscript Sphere; The Sinic Imperial Imagination; The Eastern Barbarians; Yamato, the Three Han, and the Sui; Great Tang and Great Yamato; 2 The National Imaginings of Early Japan; The Shape of the State; The Imperial Nation; Cultural Nationalism after 1945; Multicultural Yamato; 3 The Imperial Configuration of Nihon; The Names of the Ruler and the Realm.

    Capitals and CalendarsThe Performance of Empire; The Texts of Empire; 4 Imperial Historiography and the Narrative Politics of the Jinshin Rebellion; The Plot of the Jinshin Rebellion; Imperial Historiography; Tenmu and the Jinshin Rebellion in the Kojiki Preface; Two Narratives of the Jinshin Rebellion; The Third Narrative; Historiographical Politics; Prince Ōtsu and the Ōmi Court; 5 Poetry Anthology as Imperial History; The Man'yōshū as National Anthology; The Compilation and Structure of the Man'yōshū; The Man'yōshū as Imperial History; Anthological Politics; Imperial Chronology.

    Part Two Imperial Poetry and the Politics of the First Person6 The Voice of All under Heaven; Speech and Empire; Uta as First-Person Discourse; Individual and Collective Voice; Voices of Authority and Subjection; 7 Tenmu and the Yoshino Cult; Tenmu's Yoshino Poems; The Yoshino Praise Poems; The Politics of First-Person Reading; The Voice of Universal Praise; Yoshino and Imperial Succession after Tenmu and Jitō; 8 The Tenmu Myth of Heavenly Descent; Prince Kusakabe's Portrayal in the Nihon shoki; The Lament for the Prince Peer of the Sun; Prince Takechi's Portrayal in the Nihon shoki.

    The Memory of the Jinshin WarMourning for Takechi; The Tenmu Myth; 9 The Memory of the Ōmi Capital; Ōmi and Tenchi in the Nihon shoki; The Ōmi Ōtsu Palace Sections of the Man'yōshū; Hitomaro's Poems on the Ruined Ōmi Capital; The Ōmi Capital as the Past; 10 The Fujiwara Sovereign; Ise and the Sun Prince; Prince Karu; The Poem on the Aki Fields; The Intimate Voice; Divine Lords; The Fujiwara Palace Sovereign; Conclusion; Bibliography; Index.

  5. Man'yoshu and the imperial imagination in early Japan
    Published: 2014
    Publisher:  Brill, Leiden

    Preliminary Material -- Introduction -- Chronology of Major Events in the Nihon Shoki and Shoku Nihongi Narratives -- 1 Yamato as Empire in the Sinoscript Sphere -- 2 The National Imaginings of Early Japan -- 3 The Imperial Configuration of Nihon --... more

    Access:
    Resolving-System (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Preliminary Material -- Introduction -- Chronology of Major Events in the Nihon Shoki and Shoku Nihongi Narratives -- 1 Yamato as Empire in the Sinoscript Sphere -- 2 The National Imaginings of Early Japan -- 3 The Imperial Configuration of Nihon -- 4 Imperial Historiography and the Narrative Politics of the Jinshin Rebellion -- 5 Poetry Anthology as Imperial History -- 6 The Voice of All under Heaven -- 7 Tenmu and the Yoshino Cult -- 8 The Tenmu Myth of Heavenly Descent -- 9 The Memory of the Ōmi Capital -- 10 The Fujiwara Sovereign -- Conclusion -- Bibliography -- Index. In Man’yōshū and the Imperial Imagination in Early Japan , Torquil Duthie examines the literary representation of the late seventh-century Yamato court as a realm of \'all under heaven.” Through close readings of the early volumes of the poetic anthology Man’yōshū (c. eighth century) and the last volumes of the official history Nihon shoki (c. 720), Duthie shows how competing political interests and different styles of representation produced not a unified ideology, but rather a “bundle” of disparate imperial imaginaries collected around the figure of the imperial sovereign. Central to this process was the creation of a tradition of vernacular poetry in which Yamato courtiers could participate and recognize themselves as the cultured officials of the new imperial realm

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004264540
    Other identifier:
    RVK Categories: EI 4960 ; NG 9660 ; NG 9600 ; NB 5540 ; EI 5267 ; EI 5259
    Series: Brill's Japanese studies library ; v. 45
    Subjects: Imperialism in literature; Courts and courtiers in literature; Politics and literature; Political culture; Japanese poetry; Japanese literature
    Scope: 1 Online-Ressource
    Notes:

    Includes bibliographical references and index

  6. Man'yoshu and the imperial imagination in early Japan
    Published: 2014
    Publisher:  Brill, Leiden

    Preliminary Material -- Introduction -- Chronology of Major Events in the Nihon Shoki and Shoku Nihongi Narratives -- 1 Yamato as Empire in the Sinoscript Sphere -- 2 The National Imaginings of Early Japan -- 3 The Imperial Configuration of Nihon --... more

    Access:
    Verlag (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Preliminary Material -- Introduction -- Chronology of Major Events in the Nihon Shoki and Shoku Nihongi Narratives -- 1 Yamato as Empire in the Sinoscript Sphere -- 2 The National Imaginings of Early Japan -- 3 The Imperial Configuration of Nihon -- 4 Imperial Historiography and the Narrative Politics of the Jinshin Rebellion -- 5 Poetry Anthology as Imperial History -- 6 The Voice of All under Heaven -- 7 Tenmu and the Yoshino Cult -- 8 The Tenmu Myth of Heavenly Descent -- 9 The Memory of the Ōmi Capital -- 10 The Fujiwara Sovereign -- Conclusion -- Bibliography -- Index. In Man’yōshū and the Imperial Imagination in Early Japan , Torquil Duthie examines the literary representation of the late seventh-century Yamato court as a realm of \'all under heaven.” Through close readings of the early volumes of the poetic anthology Man’yōshū (c. eighth century) and the last volumes of the official history Nihon shoki (c. 720), Duthie shows how competing political interests and different styles of representation produced not a unified ideology, but rather a “bundle” of disparate imperial imaginaries collected around the figure of the imperial sovereign. Central to this process was the creation of a tradition of vernacular poetry in which Yamato courtiers could participate and recognize themselves as the cultured officials of the new imperial realm

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004264540
    RVK Categories: EI 4960 ; NG 9660 ; NG 9600 ; NB 5540 ; EI 5267 ; EI 5259
    Series: Brill's Japanese studies library ; v. 45
    Subjects: Imperialism in literature; Courts and courtiers in literature; Politics and literature; Political culture; Japanese poetry; Japanese literature
    Scope: 1 Online-Ressource ( XVIII, 443 pages)
    Notes:

    Includes bibliographical references and index

  7. Man'yoshu and the imperial imagination in early Japan
    Published: 2014
    Publisher:  Brill, Leiden

    Preliminary Material -- Introduction -- Chronology of Major Events in the Nihon Shoki and Shoku Nihongi Narratives -- 1 Yamato as Empire in the Sinoscript Sphere -- 2 The National Imaginings of Early Japan -- 3 The Imperial Configuration of Nihon --... more

    Access:
    Verlag (lizenzpflichtig)
    Leibniz-Zentrum Moderner Orient, Bibliothek, Geisteswissenschaftliche Zentren Berlin e.V.
    No inter-library loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    No inter-library loan
    Universitätsbibliothek Freiburg
    No inter-library loan
    Kompetenzzentrum für Lizenzierung
    No inter-library loan

     

    Preliminary Material -- Introduction -- Chronology of Major Events in the Nihon Shoki and Shoku Nihongi Narratives -- 1 Yamato as Empire in the Sinoscript Sphere -- 2 The National Imaginings of Early Japan -- 3 The Imperial Configuration of Nihon -- 4 Imperial Historiography and the Narrative Politics of the Jinshin Rebellion -- 5 Poetry Anthology as Imperial History -- 6 The Voice of All under Heaven -- 7 Tenmu and the Yoshino Cult -- 8 The Tenmu Myth of Heavenly Descent -- 9 The Memory of the Ōmi Capital -- 10 The Fujiwara Sovereign -- Conclusion -- Bibliography -- Index. In Man’yōshū and the Imperial Imagination in Early Japan , Torquil Duthie examines the literary representation of the late seventh-century Yamato court as a realm of \'all under heaven.” Through close readings of the early volumes of the poetic anthology Man’yōshū (c. eighth century) and the last volumes of the official history Nihon shoki (c. 720), Duthie shows how competing political interests and different styles of representation produced not a unified ideology, but rather a “bundle” of disparate imperial imaginaries collected around the figure of the imperial sovereign. Central to this process was the creation of a tradition of vernacular poetry in which Yamato courtiers could participate and recognize themselves as the cultured officials of the new imperial realm

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004264540
    RVK Categories: EI 4960 ; NG 9660 ; NG 9600 ; NB 5540 ; EI 5267 ; EI 5259
    Series: Brill's Japanese studies library ; v. 45
    Subjects: Imperialism in literature; Courts and courtiers in literature; Politics and literature; Political culture; Japanese poetry; Japanese literature
    Scope: 1 Online-Ressource ( XVIII, 443 pages)
    Notes:

    Includes bibliographical references and index

  8. Man'yoshu and the imperial imagination in early Japan
    Published: 2014
    Publisher:  Brill, Leiden

    Preliminary Material -- Introduction -- Chronology of Major Events in the Nihon Shoki and Shoku Nihongi Narratives -- 1 Yamato as Empire in the Sinoscript Sphere -- 2 The National Imaginings of Early Japan -- 3 The Imperial Configuration of Nihon --... more

    Access:
    Universität Potsdam, Universitätsbibliothek
    No inter-library loan

     

    Preliminary Material -- Introduction -- Chronology of Major Events in the Nihon Shoki and Shoku Nihongi Narratives -- 1 Yamato as Empire in the Sinoscript Sphere -- 2 The National Imaginings of Early Japan -- 3 The Imperial Configuration of Nihon -- 4 Imperial Historiography and the Narrative Politics of the Jinshin Rebellion -- 5 Poetry Anthology as Imperial History -- 6 The Voice of All under Heaven -- 7 Tenmu and the Yoshino Cult -- 8 The Tenmu Myth of Heavenly Descent -- 9 The Memory of the Ōmi Capital -- 10 The Fujiwara Sovereign -- Conclusion -- Bibliography -- Index. In Man’yōshū and the Imperial Imagination in Early Japan , Torquil Duthie examines the literary representation of the late seventh-century Yamato court as a realm of \'all under heaven.” Through close readings of the early volumes of the poetic anthology Man’yōshū (c. eighth century) and the last volumes of the official history Nihon shoki (c. 720), Duthie shows how competing political interests and different styles of representation produced not a unified ideology, but rather a “bundle” of disparate imperial imaginaries collected around the figure of the imperial sovereign. Central to this process was the creation of a tradition of vernacular poetry in which Yamato courtiers could participate and recognize themselves as the cultured officials of the new imperial realm

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004264540
    Other identifier:
    RVK Categories: EI 4960 ; NG 9660 ; NG 9600 ; NB 5540 ; EI 5267 ; EI 5259
    Series: Brill's Japanese studies library ; v. 45
    Subjects: Imperialism in literature; Courts and courtiers in literature; Politics and literature; Political culture; Japanese poetry; Japanese literature
    Scope: 1 Online-Ressource
    Notes:

    Includes bibliographical references and index