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  1. Women, war, domesticity
    Shanghai literature and popular culture of the 1940s
    Published: 2005
    Publisher:  Brill, Leiden

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1429452706; 9004142428; 9781429452700; 9789004142428
    Series: China studies (Leiden, Netherlands) ; v. 6
    Subjects: LITERARY CRITICISM / Asian / General; Chinees; Vrouwelijke auteurs; Frauenliteratur; Japanisch-Chinesischer Krieg (1937-1945); Kultur; Schriftstellerin; Popular culture; Women authors, Chinese; Schriftstellerin; Women authors, Chinese; Popular culture; Schriftstellerin; Frauenliteratur; Kultur; Chinesisch; Japanisch-Chinesischer Krieg <1937-1945>
    Scope: 1 Online-Ressource (ix, 276 p.)
    Notes:

    Includes bibliographical references (p. [253]-271) and index

  2. Women, War, Domesticity
    Shanghai Literature and Popular Culture of the 1940s
    Published: 2005
    Publisher:  BRILL, Leiden ; Brill, Boston

    In December 1941, the fifth year in an all-scale cataclysmic Sino-Japanese war that devoured much of Eastern China, the city of Shanghai entered into an era of full occupation. This was the moment when a group of young women authors began writing and... more

    Universität Mainz, Zentralbibliothek
    No inter-library loan

     

    In December 1941, the fifth year in an all-scale cataclysmic Sino-Japanese war that devoured much of Eastern China, the city of Shanghai entered into an era of full occupation. This was the moment when a group of young women authors began writing and soon took over the cultural scene of the besieged metropolis. Women, War, Domesticity reconstructs cultures of reading, writing, and publishing in the city of Shanghai during the three years and eight months of Japanese occupation. It specifically depicts the formation of a new cultural arena initiated by a group of women who not only wrote, edited, and published, but also took part in defining and transforming the structure of modern knowledge, discussing it in various public forums surrounding the print media, and, consequently, promoting themselves as authoritative cultural commentators of the era.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789047406938; 9789004142428
    Other identifier:
    RVK Categories: EG 9526
    Series: China Studies ; 6
    Brill Book Archive Part 1, ISBN: 9789004472495
    Subjects: Japanisch-Chinesischer Krieg <1937-1945>; Chinesisch; Kultur; Frauenliteratur
    Scope: 1 Online-Ressource
    Notes:

    Includes bibliographical references and index.

  3. Women, War, Domesticity
    Shanghai Literature and Popular Culture of the 1940s
    Published: 2005
    Publisher:  BRILL, Leiden

    In December 1941, the fifth year in an all-scale cataclysmic Sino-Japanese war that devoured much of Eastern China, the city of Shanghai entered into an era of full occupation. This was the moment when a group of young women authors began writing and... more

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    Resolving-System (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    In December 1941, the fifth year in an all-scale cataclysmic Sino-Japanese war that devoured much of Eastern China, the city of Shanghai entered into an era of full occupation. This was the moment when a group of young women authors began writing and soon took over the cultural scene of the besieged metropolis. Women, War, Domesticity reconstructs cultures of reading, writing, and publishing in the city of Shanghai during the three years and eight months of Japanese occupation. It specifically depicts the formation of a new cultural arena initiated by a group of women who not only wrote, edited, and published, but also took part in defining and transforming the structure of modern knowledge, discussing it in various public forums surrounding the print media, and, consequently, promoting themselves as authoritative cultural commentators of the era

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789047406938; 9789004142428
    Series: China Studies ; 6
    Brill Book Archive Part 1, ISBN: 9789004472495
    Subjects: Popular culture; Popular culture; Women authors, Chinese
    Scope: 1 Online-Ressource
    Notes:

    Includes bibliographical references and index

  4. Women, war, domesticity
    Shanghai literature and popular culture of the 1940s
    Published: 2005
    Publisher:  Brill, Leiden

    Acknowledgements; Prologue -- Travels of Scarlett O'Hara; Chapter One -- Introduction: Written in the Ruins; Chapter Two -- Fashioning Public Intellectuals: The Emergence of a Women's Print Culture; Chapter Three -- Image Studios: The Art of a... more

    Access:
    Aggregator (lizenzpflichtig)
    Hochschule Aalen, Bibliothek
    E-Book EBSCO
    No inter-library loan
    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
    No inter-library loan
    Saarländische Universitäts- und Landesbibliothek
    No inter-library loan
    Universitätsbibliothek der Eberhard Karls Universität
    No inter-library loan

     

    Acknowledgements; Prologue -- Travels of Scarlett O'Hara; Chapter One -- Introduction: Written in the Ruins; Chapter Two -- Fashioning Public Intellectuals: The Emergence of a Women's Print Culture; Chapter Three -- Image Studios: The Art of a Women's Magazine; Chapter Four -- Written on Water: Eileen Chang and the Modern Essay; Chapter Five -- Ethnographies of Wartime: Autobiographical Fiction by Su Qing and Pan Liudai; Chapter Six -- Garden of the Ruins: Shi Jimei's Domestic Fiction; Epilogue -- Travels of Eileen Chang; Plates; Bibliography; Index. This book studies a burgeoning middlebrow culture championed and sustained by a group of women writers, editors, and publishers who began their careers in Shanghai in the early 1940s when the city entered into an era of total occupation by the Japanese

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004142428; 9004142428; 9781429452700; 1429452706
    Series: China studies 1570-1344 ; 6
    China studies ; 6
    Subjects: Women authors, Chinese; Popular culture; Popular culture; Women authors, Chinese; Women authors, Chinese; Popular culture; Frauenliteratur; Japanisch-Chinesischer Krieg; Kultur; Schriftstellerin; Popular culture; Women authors, Chinese; Chinees; LITERARY CRITICISM ; Asian ; General; Vrouwelijke auteurs; History
    Scope: Online Ressource (ix, 276 p.), ports.
    Notes:

    Includes bibliographical references (p. [253]-271) and index. - Description based on print version record

  5. Women, War, Domesticity
    Shanghai Literature and Popular Culture of the 1940s
    Published: 2005
    Publisher:  BRILL, Leiden

    In December 1941, the fifth year in an all-scale cataclysmic Sino-Japanese war that devoured much of Eastern China, the city of Shanghai entered into an era of full occupation. This was the moment when a group of young women authors began writing and... more

    Access:
    Resolving-System (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    No inter-library loan
    Universitätsbibliothek Freiburg
    No inter-library loan

     

    In December 1941, the fifth year in an all-scale cataclysmic Sino-Japanese war that devoured much of Eastern China, the city of Shanghai entered into an era of full occupation. This was the moment when a group of young women authors began writing and soon took over the cultural scene of the besieged metropolis. Women, War, Domesticity reconstructs cultures of reading, writing, and publishing in the city of Shanghai during the three years and eight months of Japanese occupation. It specifically depicts the formation of a new cultural arena initiated by a group of women who not only wrote, edited, and published, but also took part in defining and transforming the structure of modern knowledge, discussing it in various public forums surrounding the print media, and, consequently, promoting themselves as authoritative cultural commentators of the era

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789047406938; 9789004142428
    Series: China Studies ; 6
    Brill Book Archive Part 1, ISBN: 9789004472495
    Subjects: Popular culture; Popular culture; Women authors, Chinese
    Scope: 1 Online-Ressource
    Notes:

    Includes bibliographical references and index

  6. Women, war, domesticity
    Shanghai literature and popular culture of the 1940s
    Published: 2005
    Publisher:  Brill, Leiden [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    This book studies a burgeoning middlebrow culture championed and sustained by a group of women writers, editors, and publishers who began their careers in Shanghai in the early 1940s when the city entered into an era of total occupation by the... more

    Bibliothek der Hochschule Mainz, Untergeschoss
    No inter-library loan

     

    This book studies a burgeoning middlebrow culture championed and sustained by a group of women writers, editors, and publishers who began their careers in Shanghai in the early 1940s when the city entered into an era of total occupation by the Japanese.

     

    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781429452700; 1429452706; 9789004142428; 9004142428; 9781433706103; 1433706105
    RVK Categories: EG 9526
    Series: China studies ; 6
    Subjects: Japanisch-Chinesischer Krieg <1937-1945>; Chinesisch; Kultur; Frauenliteratur
    Scope: 1 Online-Ressource (ix, 276 pages), portraits
    Notes:

    Includes bibliographical references (pages 253-271) and index