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  1. Christian Boltanski und die Shoah
    im langen Schatten des Bösen
    Published: 2014
    Publisher:  Schreiber, München

    Heidi Brunnschweiler untersucht zum ersten Mal auf umfassende und systematische Weise die Verwendung gefundener Fotos in den Künstlerbüchern und Installationen von Christian Boltanski. Seine Bildmanipulationen werden anhand von Vergleichen mit den... more

     

    Heidi Brunnschweiler untersucht zum ersten Mal auf umfassende und systematische Weise die Verwendung gefundener Fotos in den Künstlerbüchern und Installationen von Christian Boltanski. Seine Bildmanipulationen werden anhand von Vergleichen mit den Bildquellen, die die Autorin in verschiedenen Archiven recherchiert hat, beschrieben und ihre Bedeutung im Zusammenhang mit Boltanskis Auseinandersetzung mit der Shoah diskutiert. Die besondere Erscheinungsweise und die Verbindung bestimmter Fotografien in seinen Arbeiten mit chassidischen Geschichten oder sakralem Licht wird erst hierdurch – im Sinne des jüdischen Gebotes von Repair of the World (Tikkun Olam) – verständlich und als Kritik an der Moderne vor dem Hintergrund der Geistesgeschichte des osteuropäischen Judentums begreifbar. (Quelle: www.verlag-silke-schreiber.de)

     

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    Source: Union catalogues
    Contributor: Boltanski, Christian (Publisher)
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 9783889601391; 3889601391
    RVK Categories: LI 17130
    Subjects: Boltanski, Christian; Installation <Kunst>; Künstlerbuch; Amateurfotografie; Judenvernichtung <Motiv>;
    Scope: 360 S., zahlr. Ill.
    Notes:

    Teilw. zugl.: Dissertation Universität Basel, Basel 2012

    :

  2. Christian Boltanski und die Shoah
    im langen Schatten des Bösen
    Published: 2014
    Publisher:  Schreiber, München

    Heidi Brunnschweiler has written the first comprehesive and systematic study of Christian Boltanski's use of found photos in his artist books and installations. His image manipulations are revealed through comparison with picture sources, which the... more

    Universitäts- und Landesbibliothek Düsseldorf
    kunh698.b897
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    Universitätsbibliothek Duisburg-Essen
    KDWB43282
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    Kunst- und Museumsbibliothek der Stadt Köln
    KMB/K BOLTAN 4 2014
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    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    43A6980
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    Heidi Brunnschweiler has written the first comprehesive and systematic study of Christian Boltanski's use of found photos in his artist books and installations. His image manipulations are revealed through comparison with picture sources, which the author has researched in various archives. Subsequently, their significance is discussed with regard to Boltanski's attempts to come to terms with the Shoah. The way in which they appear in his works and the connection between certain photographs and Hasidic stories, sacred light, and the Jewish concept of 'Repair of the world' are thus rendered visible. A crtitical stance towards Modernism is explicated against the background of the history of Eastern European Judaism

     

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    Source: Union catalogues
    Contributor: Boltanski, Christian (Ill.)
    Language: German
    Media type: Dissertation
    ISBN: 9783889601391; 3889601391
    Subjects: Künstlerbuch; Fotoinstallation; Judenvernichtung <Motiv>
    Other subjects: Boltanski, Christian (1944-2021)
    Scope: 360 S., Ill.
    Notes:

    Teilw. zugl.: Basel, Univ., Diss., 2012

  3. Christian Boltanski und die Shoah
    im langen Schatten des Bösen
    Published: 2014
    Publisher:  Silke Schreiber Verlag, München

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    91.041.82
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Gießen
    000 LI 17130 B897
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    Universität Marburg, Bibliothek Kunst und Kulturwissenschaften, Kunstgeschichte
    L B 41 v/18 a
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783889601391; 3889601391
    RVK Categories: LI 17130 ; NQ 6020
    DDC Categories: 700; 770
    Subjects: Fotoinstallation; Künstlerbuch; Judenvernichtung <Motiv>
    Other subjects: Boltanski, Christian (1944-2021)
    Scope: 360 S., Ill.
    Notes:

    Heidi Brunnschweiler has written the first comprehesive and systematic study of Christian Boltanski's use of found photos in his artist books and installations. His image manipulations are revealed through comparison with picture sources, which the author has researched in various archives. Subsequently, their significance is discussed with regard to Boltanski's attempts to come to terms with the Shoah. The way in which they appear in his works and the connection between certain photographs and Hasidic stories, sacred light, and the Jewish concept of 'Repair of the world' are thus rendered visible. A crtitical stance towards Modernism is explicated against the background of the history of Eastern European Judaism

  4. Christian Boltanski und die Shoah
    im langen Schatten des Bösen
    Published: 2014
    Publisher:  Schreiber, München

    Heidi Brunnschweiler has written the first comprehesive and systematic study of Christian Boltanski's use of found photos in his artist books and installations. His image manipulations are revealed through comparison with picture sources, which the... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Heidi Brunnschweiler has written the first comprehesive and systematic study of Christian Boltanski's use of found photos in his artist books and installations. His image manipulations are revealed through comparison with picture sources, which the author has researched in various archives. Subsequently, their significance is discussed with regard to Boltanski's attempts to come to terms with the Shoah. The way in which they appear in his works and the connection between certain photographs and Hasidic stories, sacred light, and the Jewish concept of 'Repair of the world' are thus rendered visible. A crtitical stance towards Modernism is explicated against the background of the history of Eastern European Judaism

     

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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 9783889601391; 3889601391
    RVK Categories: LI 17130
    Subjects: Holocaust, Jewish (1939-1945), and art; Holocaust, Jewish (1939-1945), in art; Photography in art; Artists' books; Installations (Art)
    Other subjects: Boltanski, Christian (1944-)
    Scope: 360 S.
    Notes:

    Teilw. zugl.: Basel, Univ., Diss., 2012

  5. Christian Boltanski und die Shoah
    im langen Schatten des Bösen
    Published: 2014
    Publisher:  S. Schreiber, München

    Verbund der Öffentlichen Bibliotheken Berlins - VÖBB
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 9783889601391
    Subjects: Fotoinstallation; Judenvernichtung <Motiv>
    Other subjects: Boltanski, Christian
    Scope: 360 Seiten, zahlr. Ill., 24 cm
    Notes:

    Zugl. überarb. Fassung von : Basel, Univ., Diss., 2012

  6. Christian Boltanski und die Shoah
    im langen Schatten des Bösen
    Published: 2014
    Publisher:  Schreiber, München

    Heidi Brunnschweiler has written the first comprehesive and systematic study of Christian Boltanski's use of found photos in his artist books and installations. His image manipulations are revealed through comparison with picture sources, which the... more

    Universitäts- und Landesbibliothek Düsseldorf
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Duisburg-Essen
    Unlimited inter-library loan, copies and loan
    Kunst- und Museumsbibliothek der Stadt Köln
    Unlimited inter-library loan, copies and loan

     

    Heidi Brunnschweiler has written the first comprehesive and systematic study of Christian Boltanski's use of found photos in his artist books and installations. His image manipulations are revealed through comparison with picture sources, which the author has researched in various archives. Subsequently, their significance is discussed with regard to Boltanski's attempts to come to terms with the Shoah. The way in which they appear in his works and the connection between certain photographs and Hasidic stories, sacred light, and the Jewish concept of 'Repair of the world' are thus rendered visible. A crtitical stance towards Modernism is explicated against the background of the history of Eastern European Judaism

     

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    Content information
    Source: Union catalogues
    Contributor: Boltanski, Christian (Illustrator)
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 9783889601391; 3889601391
    Subjects: Boltanski, Christian; Fotoinstallation; Künstlerbuch; Judenvernichtung <Motiv>; Geschichte 1988-2010
    Scope: 360 S. : Ill.
    Notes:

    Basel, Univ., Diss., 2012

  7. Christian Boltanski und die Shoah
    im langen Schatten des Bösen
    Published: 2014
    Publisher:  Schreiber, München

    Heidi Brunnschweiler has written the first comprehesive and systematic study of Christian Boltanski's use of found photos in his artist books and installations. His image manipulations are revealed through comparison with picture sources, which the... more

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Verbund der Öffentlichen Bibliotheken Berlins - VÖBB
    Unlimited inter-library loan, copies and loan

     

    Heidi Brunnschweiler has written the first comprehesive and systematic study of Christian Boltanski's use of found photos in his artist books and installations. His image manipulations are revealed through comparison with picture sources, which the author has researched in various archives. Subsequently, their significance is discussed with regard to Boltanski's attempts to come to terms with the Shoah. The way in which they appear in his works and the connection between certain photographs and Hasidic stories, sacred light, and the Jewish concept of 'Repair of the world' are thus rendered visible. A crtitical stance towards Modernism is explicated against the background of the history of Eastern European Judaism

     

    Export to reference management software   RIS file
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    ISBN: 9783889601391; 3889601391
    RVK Categories: LI 17130
    Subjects: Judenvernichtung <Motiv>; Künstlerbuch; Fotoinstallation
    Other subjects: Boltanski, Christian (1944-2021)
    Scope: 360 S., zahlr. Ill.
    Notes:

    Teilw. zugl.: Basel, Univ., Diss., 2012

  8. Christian Boltanski und die Shoah
    im langen Schatten des Bösen
    Published: 2014
    Publisher:  Schreiber, München

    Heidi Brunnschweiler has written the first comprehesive and systematic study of Christian Boltanski's use of found photos in his artist books and installations. His image manipulations are revealed through comparison with picture sources, which the... more

    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent
    Deutsches Forum für Kunstgeschichte, Bibliothek

     

    Heidi Brunnschweiler has written the first comprehesive and systematic study of Christian Boltanski's use of found photos in his artist books and installations. His image manipulations are revealed through comparison with picture sources, which the author has researched in various archives. Subsequently, their significance is discussed with regard to Boltanski's attempts to come to terms with the Shoah. The way in which they appear in his works and the connection between certain photographs and Hasidic stories, sacred light, and the Jewish concept of 'Repair of the world' are thus rendered visible. A crtitical stance towards Modernism is explicated against the background of the history of Eastern European Judaism

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    ISBN: 9783889601391; 3889601391
    RVK Categories: LI 17130
    Subjects: Judenvernichtung <Motiv>; Künstlerbuch; Fotoinstallation
    Other subjects: Boltanski, Christian (1944-2021)
    Scope: 360 S., zahlr. Ill.
    Notes:

    Teilw. zugl.: Basel, Univ., Diss., 2012

  9. Christian Boltanski und die Shoah
    im langen Schatten des Bösen
    Published: © 2014
    Publisher:  Schreiber, München

    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 9783889601391
    Subjects: Fotoinstallation; Künstlerbuch; Judenvernichtung <Motiv>
    Other subjects: Boltanski, Christian (1944-2021)
    Scope: 360 S., Ill., 24 cm
    Notes:

    Zugl. überarb. Fassung von : Basel, Univ., Diss., 2012

  10. Christian Boltanski und die Shoah
    im langen Schatten des Bösen
    Published: 2014
    Publisher:  Schreiber, München

    Heidi Brunnschweiler has written the first comprehesive and systematic study of Christian Boltanski's use of found photos in his artist books and installations. His image manipulations are revealed through comparison with picture sources, which the... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2015:1799:
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Hochschule für Bildende Künste Dresden, Bibliothek
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    Frei 13: M-BOLT-1-702
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    UB Weimar
    Iv BoltChr/13
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    Heidi Brunnschweiler has written the first comprehesive and systematic study of Christian Boltanski's use of found photos in his artist books and installations. His image manipulations are revealed through comparison with picture sources, which the author has researched in various archives. Subsequently, their significance is discussed with regard to Boltanski's attempts to come to terms with the Shoah. The way in which they appear in his works and the connection between certain photographs and Hasidic stories, sacred light, and the Jewish concept of 'Repair of the world' are thus rendered visible. A crtitical stance towards Modernism is explicated against the background of the history of Eastern European Judaism

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 9783889601391; 3889601391
    RVK Categories: LI 17130
    Subjects: Holocaust, Jewish (1939-1945), and art; Holocaust, Jewish (1939-1945), in art; Photography in art; Artists' books; Installations (Art)
    Other subjects: Boltanski, Christian (1944-)
    Scope: 360 S.
    Notes:

    Teilw. zugl.: Basel, Univ., Diss., 2012