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  1. Dramatic Disgust
    Aesthetic Theory and Practice from Sophocles to Sarah Kane
    Author: Ablett
    Published: 2020
    Publisher:  transcript Verlag, Bielefeld ; UTB GmbH, Stuttgart

    Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core... more

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    Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core emotions that can achieve katharsis in drama. The book sets out in antiquity and traces the history of dramatic disgust through Kant, Freud, and Kristeva to Sarah Kane's in-yer-face theatre. It establishes a framework to analyze forms and functions of disgust in drama by investigating its different cognates (miasma, abjection, etc.). Providing a concise argument against critics who have discredited aesthetic disgust as juvenile attention-grabbing, Sarah J. Ablett explains how this repulsive emotion allows theatre to dig deeper into what it means to be human.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783839452103
    RVK Categories: HG 620 ; HG 431 ; EC 5410
    DDC Categories: 792; 800
    Edition: 1st ed.
    Series: Lettre
    Subjects: Ästhetik; Ekel; Drama; Theater; Drama; Aesthetic Theory; Disgust; Abjection; Sarah Kane; Aesthetics; History of Theatre; Literary Studies; Literature; Theatre; Theatre Studies;
    Scope: 1 Online-Ressource (204 p.)
  2. Dramatic disgust
    aesthetic theory and practice from Sophocles to Sarah Kane
    Author: Ablett, Sarah J.
    Published: [2020]; © 2020
    Publisher:  transcript, Bielefeld

    Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core... more

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    Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core emotions that can achieve katharsis in drama. The book sets out in antiquity and traces the history of dramatic disgust through Kant, Freud, and Kristeva to Sarah Kane's in-yer-face theatre. It establishes a framework to analyze forms and functions of disgust in drama by investigating its different cognates (miasma, abjection, etc.). Providing a concise argument against critics who have discredited aesthetic disgust as juvenile attention-grabbing, Sarah J. Ablett explains how this repulsive emotion allows theatre to dig deeper into what it means to be human

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783839452103
    Other identifier:
    RVK Categories: EC 5410 ; HG 431 ; HG 620
    Series: Lettre
    Subjects: Abjection; Aesthetic Theory; Aesthetics; Disgust; History of Theatre; Literary Studies; Literature; Sarah Kane; Theatre Studies; Theatre; LITERARY CRITICISM / General; Aversion in literature; Drama; Ekel; Drama; Theater; Ästhetik
    Scope: 1 Online-Ressource (199 Seiten)
    Notes:

    Dissertation, Technische Universität Braunschweig, 2017
  3. Dramatic Disgust
    Aesthetic Theory and Practice from Sophocles to Sarah Kane
    Author: Ablett, Sarah J.
    Published: [2020]; ©2020
    Publisher:  transcript-Verlag, Bielefeld ; Walter de Gruyter GmbH, Berlin

    Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core... more

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    Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core emotions that can achieve katharsis in drama. The book sets out in antiquity and traces the history of dramatic disgust through Kant, Freud, and Kristeva to Sarah Kane's in-yer-face theatre. It establishes a framework to analyze forms and functions of disgust in drama by investigating its different cognates (miasma, abjection, etc.). Providing a concise argument against critics who have discredited aesthetic disgust as juvenile attention-grabbing, Sarah J. Ablett explains how this repulsive emotion allows theatre to dig deeper into what it means to be human.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783839452103
    Other identifier:
    RVK Categories: HG 620 ; HG 431 ; EC 5410
    DDC Categories: 792; 800
    Series: Lettre
    Subjects: Ästhetik; Ekel; Drama; Theater; Aversion in literature; Drama; Abjection; Aesthetic Theory; Aesthetics; Disgust; History of Theatre; Literary Studies; Literature; Sarah Kane; Theatre Studies; Theatre; LITERARY CRITICISM / General
    Scope: 1 Online-Ressource (204 Seiten)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Sep 2020)
  4. Dramatic disgust
    aesthetic theory and practice from Sophocles to Sarah Kane
    Author: Ablett, Sarah J.
    Published: [2020]
    Publisher:  transcript-Verlag, Bielefeld

    Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core... more

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    Universität Potsdam, Universitätsbibliothek
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    Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core emotions that can achieve katharsis in drama. The book sets out in antiquity and traces the history of dramatic disgust through Kant, Freud, and Kristeva to Sarah Kane's in-yer-face theatre. It establishes a framework to analyze forms and functions of disgust in drama by investigating its different cognates (miasma, abjection, etc.). Providing a concise argument against critics who have discredited aesthetic disgust as juvenile attention-grabbing, Sarah J. Ablett explains how this repulsive emotion allows theatre to dig deeper into what it means to be human Frontmatter -- Contents -- Introduction -- I. Greek Tragedy & Pollution -- II. Ekel in Eighteenth- & Nineteenth-Century Aesthetic Theory -- III. The Drama of Existential Disgust & Psychoanalysis -- IV. Disgust around the Millennium -- V. Theorising Disgust for Drama Analysis -- VI. Case Study: Dramatic Disgust in the Works of Sarah Kane -- Conclusion -- Bibliography -- Acknowledgements

     
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    Volltext (lizenzpflichtig)
    Volltex (lizenzpflichtig)
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783839452103
    Other identifier:
    Series: Lettre
    Subjects: Aversion in literature; Drama; LITERARY CRITICISM / General
    Scope: 1 Online-Ressource (199 Seiten)
    Notes:

    Literaturverzeichnis: Seite 177-199

    Dissertation, Technische Universität Carolo-Wilhelmina zu Braunschweig, 2017
  5. Dramatic disgust
    aesthetic theory and practice from Sophocles to Sarah Kane
    Author: Ablett, Sarah J.
    Published: 2020
    Publisher:  transcript, Bielefeld

    Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core... more

    Location:
    Universität Potsdam, Universitätsbibliothek
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    Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core emotions that can achieve katharsis in drama. The book sets out in antiquity and traces the history of dramatic disgust through Kant, Freud, and Kristeva to Sarah Kane's in-yer-face theatre. It establishes a framework to analyze forms and functions of disgust in drama by investigating its different cognates (miasma, abjection, etc.). Providing a concise argument against critics who have discredited aesthetic disgust as juvenile attention-grabbing, Sarah J. Ablett explains how this repulsive emotion allows theatre to dig deeper into what it means to be human.

     
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    Content information
    Volltext (lizenzpflichtig)
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783839452103
    Other identifier:
    9783839452103
    Series: Lettre
    Subjects: Drama; Aesthetic Theory; Disgust; Abjection; Sarah Kane; Aesthetics; History of Theatre; Literary Studies; Literature; Theatre; Theatre Studies;
    Scope: 1 Online-Ressource (199 Seiten)
    Notes:

    Online resource; title from title screen (viewed May 11, 2021)

    "This study was submitted as a doctoral thesis in 2017 at the Faculty of Humanities and Studies in Education at the Technische Universität Braunschweig." auf Rückseite vom Titelblatt

    Dissertation, Technische Universität Braunschweig, 2017
  6. Dramatic Disgust
    Aesthetic Theory and Practice from Sophocles to Sarah Kane
    Author: Ablett, Sarah J.
    Published: 2020
    Publisher:  transcript Verlag, Bielefeld

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  7. Dramatic disgust
    aesthetic theory and practice from Sophocles to Sarah Kane
    Author: Ablett, Sarah J.
    Published: 2020; ©2020
    Publisher:  Transcipt, Bielefeld

    Cover -- Contents -- Introduction -- I. Greek Tragedy &amp -- Pollution -- The Origin of Tragedy &amp -- the Greek God Dionysus -- Disgust in the Attic Tragedy: Miasma &amp -- Dyschéreia -- I.i Plato's Banishment of the Poets in The Republic --... more

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    Cover -- Contents -- Introduction -- I. Greek Tragedy &amp -- Pollution -- The Origin of Tragedy &amp -- the Greek God Dionysus -- Disgust in the Attic Tragedy: Miasma &amp -- Dyschéreia -- I.i Plato's Banishment of the Poets in The Republic -- Spirited Disgust &amp -- the Pollution of Logos -- I.ii Aristotle's Poetics: Miasma &amp -- Katharsis -- Tragedy &amp -- Emotions -- I.iii Summary -- II. Ekel in Eighteenth- &amp -- Nineteenth-Century Aesthetic Theory -- The Senses &amp -- Disgust in Aesthetic Theory -- Horror &amp -- Disgust in Eighteenth-Century Tragedy -- II.i Kant's Aesthetic Ideas: Cognition, Sensation, Disgust -- Vital Disgust &amp -- the Sublime -- Disgust &amp -- Consumption -- Disgust &amp -- Civilisation -- II.ii Nietzsche's The Birth of Tragedy -- Apollonian &amp -- Dionysian Forces in Tragedy -- Science, Tragic Knowledge, &amp -- Art -- II.iii Summary -- III. The Drama of Existential Disgust &amp -- Psychoanalysis -- Sigmund Freud: Disgust as the Basis of Civilisation -- Tragic Society &amp -- the Death Drive -- III.i Tragic Existence: Disgust as an Antidote -- Jean-Paul Sartre: Disgust at Slimy Existence &amp -- the Feminine -- Georges Bataille: Heterology: The Science of Excrements -- III.ii Psychoanalysis: Approaching Abjection -- The Semiotic &amp -- the Symbolic -- Abjection -- Abjection, Jouissance, &amp -- Art -- Purifying Abjection through Art -- III.iii Summary -- IV. Disgust around the Millennium -- Sensational Disgust &amp -- Abject Art: "Sick Stuff" -- In-Yer-Face Theatre -- Ekelfernsehen &amp -- Viral New Media Content -- IV.i Contemporary Approaches to Disgust in the Natural &amp -- Social Sciences -- Psychology &amp -- Disgust -- Mirror Neurons, Disgust, &amp -- Art -- Moral Disgust &amp -- Socio-Political Hierarchies -- IV.ii Aesthetic Disgust in the Humanities -- Disgust in Art as a Matter of Life &amp.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783839452103
    Edition: 1st ed.
    Series: Lettre
    Subjects: Drama-History and criticism; Aversion in literature; Electronic books
    Scope: 1 Online-Ressource (205 Seiten)
    Notes:

    Description based on publisher supplied metadata and other sources

    Dissertation, Technische Universität Braunschweig, 2017
  8. Dramatic disgust
    aesthetic theory and practice from Sophocles to Sarah Kane
    Author: Ablett, Sarah J.
    Published: [2020]; © 2020
    Publisher:  transcript, Bielefeld

    Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core... more

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    Freie Universität Berlin, Universitätsbibliothek
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    Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core emotions that can achieve katharsis in drama. The book sets out in antiquity and traces the history of dramatic disgust through Kant, Freud, and Kristeva to Sarah Kane's in-yer-face theatre. It establishes a framework to analyze forms and functions of disgust in drama by investigating its different cognates (miasma, abjection, etc.). Providing a concise argument against critics who have discredited aesthetic disgust as juvenile attention-grabbing, Sarah J. Ablett explains how this repulsive emotion allows theatre to dig deeper into what it means to be human

     
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    Volltext (URL des Erstveröffentlichers)
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783839452103
    Other identifier:
    RVK Categories: EC 5410 ; HG 431 ; HG 620
    Series: Lettre
    Subjects: Abjection; Aesthetic Theory; Aesthetics; Disgust; History of Theatre; Literary Studies; Literature; Sarah Kane; Theatre Studies; Theatre; LITERARY CRITICISM / General; Aversion in literature; Drama; Ekel; Drama; Theater; Ästhetik
    Scope: 1 Online-Ressource (199 Seiten)
    Notes:

    Dissertation, Technische Universität Braunschweig, 2017
  9. Dramatic disgust
    aesthetic theory and practice from Sophocles to Sarah Kane
    Author: Ablett, Sarah J.
    Published: [2020]; © 2020
    Publisher:  transcript, Bielefeld

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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783839452103
    RVK Categories: HG 620 ; HG 431 ; EC 5410
    Series: Lettre
    Subjects: Drama; Ekel; Theater; Ästhetik
    Scope: 1 Online Ressource (204 Seiten)
    Notes:

    Dissertation, Technische Universität Braunschweig, 2017
  10. Dramatic Disgust
    Author: Ablett, Sarah J
    Published: 2020
    Publisher:  transcript Verlag

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    ISBN: 9783839452103
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    Edition: 1
    Series: Lettre
    Subjects: Biographie, Literatur und Literaturwissenschaft
    Scope: 1 Online-Ressource
  11. Dramatic disgust
    aesthetic theory and practice from Sophocles to Sarah Kane
    Author: Ablett, Sarah J.
    Published: [2020]
    Publisher:  Transcipt Verlag, Bielefeld

    Frontmatter --Contents --Introduction --I. Greek Tragedy & Pollution --II. Ekel in Eighteenth- & Nineteenth-Century Aesthetic Theory --III. The Drama of Existential Disgust & Psychoanalysis --IV. Disgust around the Millennium --V. Theorising Disgust... more

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    Frontmatter --Contents --Introduction --I. Greek Tragedy & Pollution --II. Ekel in Eighteenth- & Nineteenth-Century Aesthetic Theory --III. The Drama of Existential Disgust & Psychoanalysis --IV. Disgust around the Millennium --V. Theorising Disgust for Drama Analysis --VI. Case Study: Dramatic Disgust in the Works of Sarah Kane --Conclusion --Bibliography --Acknowledgements Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core emotions that can achieve katharsis in drama. The book sets out in antiquity and traces the history of dramatic disgust through Kant, Freud, and Kristeva to Sarah Kane's in-yer-face theatre. It establishes a framework to analyze forms and functions of disgust in drama by investigating its different cognates (miasma, abjection, etc.). Providing a concise argument against critics who have discredited aesthetic disgust as juvenile attention-grabbing, Sarah J. Ablett explains how this repulsive emotion allows theatre to dig deeper into what it means to be human

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 3839452104; 9783839452103
    Series: Lettre
    Subjects: Drama; Aversion in literature; LITERARY CRITICISM / General; Aversion in literature; Drama; Criticism, interpretation, etc
    Scope: 1 Online-Ressource (199 pages)
    Notes:

    Acknowledgements
  12. Dramatic disgust
    aesthetic theory and practice from Sophocles to Sarah Kane
    Author: Ablett, Sarah J.
    Published: 2020
    Publisher:  transcript, Bielefeld

    Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core... more

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    Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core emotions that can achieve katharsis in drama. The book sets out in antiquity and traces the history of dramatic disgust through Kant, Freud, and Kristeva to Sarah Kane's in-yer-face theatre. It establishes a framework to analyze forms and functions of disgust in drama by investigating its different cognates (miasma, abjection, etc.). Providing a concise argument against critics who have discredited aesthetic disgust as juvenile attention-grabbing, Sarah J. Ablett explains how this repulsive emotion allows theatre to dig deeper into what it means to be human.

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783839452103
    Other identifier:
    9783839452103
    Series: Lettre
    Subjects: Aversion in literature; Aesthetics in literature; Drama; Drama; Drama; Aesthetic Theory; Disgust; Abjection; Sarah Kane; Aesthetics; History of Theatre; Literary Studies; Literature; Theatre; Theatre Studies;; Aversion dans la littérature; Esthétique dans la littérature; Théâtre (Genre littéraire) - Thèmes, motifs; Théâtre (Genre littéraire) - Histoire et critique; Drama - Themes, motives; Drama; Aversion in literature; Aesthetics in literature; Criticism, interpretation, etc; Drama; Drama; Théâtre
    Scope: 1 Online-Ressource (199 Seiten)
    Notes:

    Online resource; title from title screen (viewed May 11, 2021)

    "This study was submitted as a doctoral thesis in 2017 at the Faculty of Humanities and Studies in Education at the Technische Universität Braunschweig." auf Rückseite vom Titelblatt

    Dissertation, Technische Universität Braunschweig, 2017
  13. Dramatic disgust
    aesthetic theory and practice from Sophocles to Sarah Kane
    Author: Ablett, Sarah J.
    Published: [2020]
    Publisher:  transcript-Verlag, Bielefeld

    Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core... more

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    Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core emotions that can achieve katharsis in drama. The book sets out in antiquity and traces the history of dramatic disgust through Kant, Freud, and Kristeva to Sarah Kane's in-yer-face theatre. It establishes a framework to analyze forms and functions of disgust in drama by investigating its different cognates (miasma, abjection, etc.). Providing a concise argument against critics who have discredited aesthetic disgust as juvenile attention-grabbing, Sarah J. Ablett explains how this repulsive emotion allows theatre to dig deeper into what it means to be human Frontmatter -- Contents -- Introduction -- I. Greek Tragedy & Pollution -- II. Ekel in Eighteenth- & Nineteenth-Century Aesthetic Theory -- III. The Drama of Existential Disgust & Psychoanalysis -- IV. Disgust around the Millennium -- V. Theorising Disgust for Drama Analysis -- VI. Case Study: Dramatic Disgust in the Works of Sarah Kane -- Conclusion -- Bibliography -- Acknowledgements

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783839452103
    Other identifier:
    Series: Lettre
    Subjects: Aversion in literature; Aesthetics in literature; Drama; Drama; LITERARY CRITICISM / General; Aversion dans la littérature; Esthétique dans la littérature; Théâtre (Genre littéraire) - Thèmes, motifs; Théâtre (Genre littéraire) - Histoire et critique; Drama - Themes, motives; Drama; Aversion in literature; Aesthetics in literature; Criticism, interpretation, etc; Drama; Drama; Théâtre
    Scope: 1 Online-Ressource (199 Seiten)
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    Literaturverzeichnis: Seite 177-199

    Dissertation, Technische Universität Carolo-Wilhelmina zu Braunschweig, 2017
  14. Dramatic disgust
    aesthetic theory and practice from Sophocles to Sarah Kane
    Author: Ablett, Sarah J.
    Published: 2020; ©2020
    Publisher:  Transcipt, Bielefeld

    Cover -- Contents -- Introduction -- I. Greek Tragedy &amp -- Pollution -- The Origin of Tragedy &amp -- the Greek God Dionysus -- Disgust in the Attic Tragedy: Miasma &amp -- Dyschéreia -- I.i Plato's Banishment of the Poets in The Republic --... more

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    Cover -- Contents -- Introduction -- I. Greek Tragedy &amp -- Pollution -- The Origin of Tragedy &amp -- the Greek God Dionysus -- Disgust in the Attic Tragedy: Miasma &amp -- Dyschéreia -- I.i Plato's Banishment of the Poets in The Republic -- Spirited Disgust &amp -- the Pollution of Logos -- I.ii Aristotle's Poetics: Miasma &amp -- Katharsis -- Tragedy &amp -- Emotions -- I.iii Summary -- II. Ekel in Eighteenth- &amp -- Nineteenth-Century Aesthetic Theory -- The Senses &amp -- Disgust in Aesthetic Theory -- Horror &amp -- Disgust in Eighteenth-Century Tragedy -- II.i Kant's Aesthetic Ideas: Cognition, Sensation, Disgust -- Vital Disgust &amp -- the Sublime -- Disgust &amp -- Consumption -- Disgust &amp -- Civilisation -- II.ii Nietzsche's The Birth of Tragedy -- Apollonian &amp -- Dionysian Forces in Tragedy -- Science, Tragic Knowledge, &amp -- Art -- II.iii Summary -- III. The Drama of Existential Disgust &amp -- Psychoanalysis -- Sigmund Freud: Disgust as the Basis of Civilisation -- Tragic Society &amp -- the Death Drive -- III.i Tragic Existence: Disgust as an Antidote -- Jean-Paul Sartre: Disgust at Slimy Existence &amp -- the Feminine -- Georges Bataille: Heterology: The Science of Excrements -- III.ii Psychoanalysis: Approaching Abjection -- The Semiotic &amp -- the Symbolic -- Abjection -- Abjection, Jouissance, &amp -- Art -- Purifying Abjection through Art -- III.iii Summary -- IV. Disgust around the Millennium -- Sensational Disgust &amp -- Abject Art: "Sick Stuff" -- In-Yer-Face Theatre -- Ekelfernsehen &amp -- Viral New Media Content -- IV.i Contemporary Approaches to Disgust in the Natural &amp -- Social Sciences -- Psychology &amp -- Disgust -- Mirror Neurons, Disgust, &amp -- Art -- Moral Disgust &amp -- Socio-Political Hierarchies -- IV.ii Aesthetic Disgust in the Humanities -- Disgust in Art as a Matter of Life &amp.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783839452103
    Edition: 1st ed.
    Series: Lettre
    Subjects: Drama-History and criticism; Aversion in literature; Aesthetics in literature; Drama; Drama; Electronic books; Aversion dans la littérature; Esthétique dans la littérature; Théâtre (Genre littéraire) - Thèmes, motifs; Théâtre (Genre littéraire) - Histoire et critique; Drama - Themes, motives; Drama; Aversion in literature; Aesthetics in literature; Criticism, interpretation, etc; Drama; Drama; Théâtre
    Scope: 1 Online-Ressource (205 Seiten)
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    Dissertation, Technische Universität Braunschweig, 2017