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  1. Politeness in Shakespeare
    applying Brown and Levinson's politeness theory to Shakespeare's comedies
    Published: 2009
    Publisher:  Diplomica Verlag, Hamburg ; EBSCO Industries, Inc., Birmingham, AL, USA

    Bibliothek der Hochschule Mainz, Untergeschoss
    No inter-library loan
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783836627535; 3836627531; 3836677539; 9783836677530
    RVK Categories: HI 3391
    DDC Categories: 820
    Subjects: Komödie; Höflichkeit <Motiv>
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (119 pages)
    Notes:

    Includes bibliographical references

  2. Politeness in Shakespeare
    applying Brown and Levinson's politeness theory to Shakespeare's comedies
    Published: 2009
    Publisher:  Diplomica Verlag, Hamburg

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783836677530; 9783836627535
    Subjects: Etiquette in literature; Etiquette; Komödie; Höflichkeit <Motiv>
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: 119 p
    Notes:

    Includes bibliographical references

  3. Politeness in Shakespeare
    applying Brown and Levinson's politeness theory to Shakespeare's comedies
    Published: 2009
    Publisher:  Diplomica Verlag, Hamburg

  4. Politeness in Shakespeare
    applying Brown and Levinson's politeness theory to Shakespeare's comedies
    Published: 2009
    Publisher:  Diplomica Verlag, Hamburg

    Inhaltsangabe: Penelope Brown and Stephen Levinson have proposed that power (P), distance (D), and the ranked extremity (R) of a face-threatening act are the universal determinants of politeness levels in dyadic discourse. This claim is tested here... more

    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    No inter-library loan

     

    Inhaltsangabe: Penelope Brown and Stephen Levinson have proposed that power (P), distance (D), and the ranked extremity (R) of a face-threatening act are the universal determinants of politeness levels in dyadic discourse. This claim is tested here for Shakespeare's use of Early Modern English in Much Ado about Nothing, Measure for Measure, The Taming of the Shrew, and Twelfth Night. The comedies are used because: (1) dramatic texts provide the best information on colloquial speech of the period, (2) the psychological soliloquies in the comedies provide the access to inner life that is necessary for a proper test of politeness theory, and (3) the comedies represent the full range of society in a period of high relevance to politeness theory. The four plays are systematically searched for pairs of minimally contrasting dyads where the dimensions of contrast are power (P), distance (D), and intrinsic extremity (R). Whenever such a pair is found, there are two speeches to be scored for politeness and a prediction from theory as to which should be more polite. The results for P and for R are those predicted by theory, but the results for D are not. The two components of D, interactive closeness and affect, are not closely associated in the plays. Affect strongly influences politeness (increased liking increases politeness and decreased liking decreases politeness), interactive closeness has little or no effect on politeness. The uses of politeness for the delineation of character in the comedies are illustrated.

     

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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 3836627531; 9783836627535
    RVK Categories: HI 3385 ; HI 3391
    Subjects: Etiquette; Etiquette in literature
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (118 Seiten)
    Notes:

    Includes bibliographical references

    Politeness in Shakespeare; Table of Contents; Abbreviations; 1 Introduction; 2 The Brown and Levinson model: some central concepts; 3 Politeness theory and literary discourse; 4 Applying the model to four Shakespearean comedies; 5 Conclusion; 6. References; 7 Appendix; Abdelaziz Bouchara;