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  1. In the Beginning were Puppets
    Towards a Poetics of Puppetry
    Author: Coelsch-Foisner, Sabine
    Published: 2023
    Publisher:  Universitätsverlag Winter, Heidelberg ; ProQuest, Ann Arbor, Michigan

    Location:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Inter-library loan:
    No inter-library loan
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    Source: Union catalogues
    Contributor: Nais, Lisa
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783825386238
    RVK Categories: AP 69400
    DDC Categories: 792; 791; 800
    Edition: 1st ed.
    Series: Wissenschaft und Kunst ; v.39
    Subjects: Figurentheater; Marionettenspiel; Marionette <Motiv>; Kunst; Kultur
    Scope: 1 Online-Ressource (266 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  2. In the Beginning were Puppets: Towards a Poetics of Puppetry
    Contributor: Coelsch-Foisner, Sabine (HerausgeberIn); Nais, Lisa (HerausgeberIn)
    Published: 2023
    Publisher:  Universitätsverlag Winter, Heidelberg

    The study privileges the puppet as a new and revealing point of access to contemporary critical debates regarding performance, genre, affect, aesthetics, cultural production, political activism and the nonhuman studies. The contributors address a... more

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    Resolving-System (lizenzpflichtig)

    Location:
    Badische Landesbibliothek
    Inter-library loan:
    No inter-library loan

     

    The study privileges the puppet as a new and revealing point of access to contemporary critical debates regarding performance, genre, affect, aesthetics, cultural production, political activism and the nonhuman studies. The contributors address a striking range of performance histories, aesthetic movements and theoretical positions, from the Arabic influence on Iberian shadow puppetry to the position of the puppet in post-Revolutionary Iran and the American anti-war movement; from the puppet’s central role in the development of European theatre to avant-garde and modernist anti-theatre; from the puppet’s place in the histories of visual art and experimental film to critiques of mass media. By paying careful attention to the specific roles and varieties of puppets in these diverse historical, political and cultural contexts, the collection provides new insights into the practices, aesthetics and ethics of puppet theatre, which serve, in turn, to interrogate anew the relationships between the human and the nonhuman, the material and the immaterial, the uncanny and the sublime.

     
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