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Displaying results 1 to 6 of 6.

  1. Artificial I's
    The Self as Artwork in Ovid, Kierkegaard, and Thomas Mann
    Author: Downing, Eric
    Published: 1993
    Publisher:  De Gruyter, Berlin

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783484181274; 9783110925968; 9783111821320
    Series: Studien zur deutschen Literatur ; 127
    Subjects: First person narrative; Persona (Literature); Ich; Künstler <Motiv>; Selbst
    Other subjects: Kierkegaard, Søren (1813-1855): Forførerens dagbog; Mann, Thomas (1875-1955): Bekenntnisse des Hochstaplers Felix Krull; Ovid (43 B.C.-17 A.D. or 18 A.D): Ars amatoria; Ovid (43 B.C.-17 A.D. or 18 A.D); Ovidius Naso, Publius (v43-17): Ars amatoria; Kierkegaard, Søren (1813-1855): Forførerens dagbog; Mann, Thomas (1875-1955): Bekenntnisse des Hochstaplers Felix Krull; Electronic books
    Scope: 1 Online-Ressource (V, 244 S.)
    Notes:

    Includes bibliographical references (pages 238-244)

    Main description: This study explores three works in which the protagonist undertakes to fashion a literary artwork out of himself: Ovid's »Ars Amatoria«, Kierkegaard's »Diary of the Seducer«, and Thomas Mann's »Felix Krull«. For each work, particular attention is paid to the self-conscious interplay between the author's project of book-making and the character's project of self-making, as well as to the effect of changing notions of self-identity on the protagonist's attempt at life as literature. For »Felix Krull«, this includes a sustained analysis of Mann's incorporation and problematization of various Nietzschean models of aesthestics, reality, and self-identity. In Ovid and Kierkegaard, this study also considers a related project, the attempt to fashion a literary artwork out of another, namely out of a woman
  2. Artificial I's
    the self as artwork in Ovid, Kierkegaard, and Thomas Mann
    Author: Downing, Eric
    Published: 1993
    Publisher:  Max Niemeyer, Tübingen

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 3484181273; 9783484181274; 9783110925968
    Series: Studien zur deutschen Literatur ; Band 127
    Subjects: Persona (Literature); First person narrative; Ich; Künstler <Motiv>; Selbst
    Other subjects: Ovid (43 B.C.-17 A.D. or 18 A.D.): Ars amatoria; Ovid (43 B.C.-17 A.D. or 18 A.D.); Kierkegaard, Søren (1813-1855): Forførerens dagbog; Mann, Thomas (1875-1955): Bekenntnisse des Hochstaplers Felix Krull; Ovidius Naso, Publius (v43-17): Ars amatoria; Kierkegaard, Søren (1813-1855): Forførerens dagbog; Mann, Thomas (1875-1955): Bekenntnisse des Hochstaplers Felix Krull
    Scope: 1 online resource (250 pages)
    Notes:

    Description based on print version record

    Originally presented as the author's thesis (Ph. D.)--University of California, Berkeley, 1987
  3. Artificial I's
    The Self as Artwork in Ovid, Kierkegaard, and Thomas Mann
    Author: Downing, Eric
    Published: 1993
    Publisher:  De Gruyter, Berlin

    Main description: This study explores three works in which the protagonist undertakes to fashion a literary artwork out of himself: Ovid's »Ars Amatoria«, Kierkegaard's »Diary of the Seducer«, and Thomas Mann's »Felix Krull«. For each work,... more

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    Staats- und Universitätsbibliothek Bremen
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Universitätsbibliothek Hildesheim
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Hochschule Merseburg, Bibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Oldenburg, Bibliothek
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Elsfleth, Bibliothek
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek
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    Main description: This study explores three works in which the protagonist undertakes to fashion a literary artwork out of himself: Ovid's »Ars Amatoria«, Kierkegaard's »Diary of the Seducer«, and Thomas Mann's »Felix Krull«. For each work, particular attention is paid to the self-conscious interplay between the author's project of book-making and the character's project of self-making, as well as to the effect of changing notions of self-identity on the protagonist's attempt at life as literature. For »Felix Krull«, this includes a sustained analysis of Mann's incorporation and problematization of various Nietzschean models of aesthestics, reality, and self-identity. In Ovid and Kierkegaard, this study also considers a related project, the attempt to fashion a literary artwork out of another, namely out of a woman.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783484181274
    Other identifier:
    9783110925968
    Series: Studien zur deutschen Literatur ; 127
    Subjects: Persona (Literature); First person narrative; Kierkegaard, Søren: Forførerens dagbog
    Other subjects: Mann, Thomas (1875-1955): Bekenntnisse des Hochstaplers Felix Krull; Kierkegaard, Søren (1813-1855): Forførerens dagbog; Ovid (43 B.C.-17 A.D. or 18 A.D); Ovid (43 B.C.-17 A.D. or 18 A.D): Ars amatoria
    Scope: Online-Ressource (V, 244 S.)
    Notes:

    Includes bibliographical references (pages 238-244)
  4. Artificial I's
    The Self as Artwork in Ovid, Kierkegaard, and Thomas Mann
    Author: Downing, Eric
    Published: [1993]; © 1993
    Publisher:  De Gruyter, Berlin/Boston

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universitätsbibliothek der LMU München
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    Universität der Bundeswehr München, Universitätsbibliothek
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Würzburg
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110925968; 9783484181274; 9783111821320
    Other identifier:
    Series: Studien zur deutschen Literatur ; 127
    Subjects: First person narrative; Persona (Literature); Literatur, Rhetorik, Literaturwissenschaft; Ich; Künstler <Motiv>; Selbst
    Other subjects: Ovidius Naso, Publius (v43-17): Ars amatoria; Kierkegaard, Søren (1813-1855): Forførerens dagbog; Mann, Thomas (1875-1955): Bekenntnisse des Hochstaplers Felix Krull
    Scope: 1 online resource (v,244pages), illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed March 24, 2015)

    This study explores three works in which the protagonist undertakes to fashion a literary artwork out of himself: Ovid's »Ars Amatoria«, Kierkegaard's »Diary of the Seducer«, and Thomas Mann's »Felix Krull«. For each work, particular attention is paid to the self-conscious interplay between the author's project of book-making and the character's project of self-making, as well as to the effect of changing notions of self-identity on the protagonist's attempt at life as literature. For »Felix Krull«, this includes a sustained analysis of Mann's incorporation and problematization of various Nietzschean models of aesthestics, reality, and self-identity. In Ovid and Kierkegaard, this study also considers a related project, the attempt to fashion a literary artwork out of another, namely out of a woman
  5. Artificial I's
    the self as artwork in Ovid, Kierkegaard, and Thomas Mann
    Author: Downing, Eric
    Published: 1993
    Publisher:  Max Niemeyer, Tübingen

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110925968; 3110925966; 3484181273; 9783484181274
    Series: Studien zur deutschen Literatur ; Bd. 127
    Subjects: Ars amatoria (Ovid); Bekenntnisse des Hochstaplers Felix Krull (Mann, Thomas); Forførerens dagbog (Kierkegaard, Søren); Bekenntnisse des Hochstaplers Felix Krull; Forførerens dagbog; Ars amatoria; First person narrative; Kierkegaard, Søren / 1813-1855 / Forførerens dagbog; Mann, Thomas / 1875-1955 / Bekenntnisse des Hochstaplers Felix Krull; Ovid / 43 B.C.-17 A.D. or 18 A.D. / Ars amatoria; Ovid / 43 B.C.-17 A.D. or 18 A.D. / Influence; Persona (Literature); BIOGRAPHY & AUTOBIOGRAPHY / Literary; First person narrative; Influence (Literary, artistic, etc.); Persona (Literature); Zelf; Verteltheorie; Ik (psychologie); Persona (Literature); First person narrative; Künstler <Motiv>; Selbst; Ich
    Other subjects: Ovid / 43 B.C.-17 A.D. or 18 A.D.; Mann, Thomas; Ovidius Naso, Publius; Kierkegaard, Søren; Ovid (43 B.C.-17 A.D. or 18 A.D.): Ars amatoria; Ovid (43 B.C.-17 A.D. or 18 A.D.); Kierkegaard, Søren (1813-1855): Forførerens dagbog; Mann, Thomas (1875-1955): Bekenntnisse des Hochstaplers Felix Krull; Mann, Thomas (1875-1955): Bekenntnisse des Hochstaplers Felix Krull; Ovidius Naso, Publius (v43-17): Ars amatoria; Kierkegaard, Søren (1813-1855): Forførerens dagbog
    Scope: 244 pages
    Notes:

    Originally presented as the author's thesis (Ph. D.)--University of California, Berkeley, 1987. - Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 238-244)
  6. Artificial I's
    The Self as Artwork in Ovid, Kierkegaard, and Thomas Mann
    Author: Downing, Eric
    Published: 2013
    Publisher:  Max Niemeyer Verlag, Tubingen

    Die Reihe Studien zur deutschen Literatur präsentiert herausragende Untersuchungen zur deutschsprachigen Literatur von der Frühen Neuzeit bis zur Gegenwart. Offen besonders auch für komparatistische, kulturwissenschaftliche und wissensgeschichtliche... more

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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Location:
    Bibliothek LIV HN Sontheim
    Signature:
    ProQuest Academic Complete
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    Bibliothek LIV HN Sontheim
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    ProQuest Academic Complete
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
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    eBook ProQuest
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    Hochschulbibliothek Friedensau
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    Online-Ressource
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    Location:
    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
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    Die Reihe Studien zur deutschen Literatur präsentiert herausragende Untersuchungen zur deutschsprachigen Literatur von der Frühen Neuzeit bis zur Gegenwart. Offen besonders auch für komparatistische, kulturwissenschaftliche und wissensgeschichtliche Fragestellungen, bietet sie ein traditionsreiches Forum für innovative literaturwissenschaftliche Forschung. Intro -- Introduction -- Chapter I: Ovid and the Ars Amatoria -- I. The Problem -- II. The didactic imitation -- III. The elegiac imitation -- IV. Book I and the nullus pulvis principle -- V. Book II and the servitium artis -- VI. Book III and the anti-Pygmalion principle -- Chapter 2: Kierkegaard and the »Diary of the Seducer« -- I. Kierkegaard and the Ars Amatoria -- II. Literary form and personal identity -- III. Johannes' life as literature -- IV. The dialectic of self-fashioning -- V. Cordelia and the anti-Pygmalion principle -- Chapter 3: Thomas Mann and the early Felix Krull -- I. Manolescu in the mirror -- II. Inheritance and imitation: Goethe in Felix Krull -- III. Interlude: the new and novel play between -- IV. Felix's retrospective life as literature -- V. Felix's dialectic of self-fashioning -- VI. Conscription -- Chapter 4: Thomas Mann and the late Felix Krull -- I. »Wiederkehr« -- II. »Das zitathafte Leben« -- Conclusion -- Bibliography.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783484181274
    Series: Studien zur deutschen Literatur ; v.127
    Studien Zur Deutschen Literatur Ser ; v.127
    Subjects: First person narrative; Kierkegaard, Søren ; 1813-1855 ; Forførerens dagbog; Mann, Thomas ; 1875-1955 ; Bekenntnisse des Hochstaplers Felix Krull; Ovid ; 43 B.C.-17 A.D. or 18 A.D ; Ars amatoria; Ovid ; 43 B.C.-17 A.D. or 18 A.D ; Influence; Persona (Literature); Electronic books
    Scope: Online-Ressource (250 p)
    Notes:

    Description based upon print version of record

    ""Introduction""; ""Chapter I: Ovid and the Ars Amatoria""; ""I. The Problem""; ""II. The didactic imitation""; ""III. The elegiac imitation""; ""IV. Book I and the nullus pulvis principle""; ""V. Book II and the servitium artis""; ""VI. Book III and the anti-Pygmalion principle""; ""Chapter 2: Kierkegaard and the »Diary of the Seducer«""; ""I. Kierkegaard and the Ars Amatoria""; ""II. Literary form and personal identity""; ""III. Johannes’ life as literature""; ""IV. The dialectic of self-fashioning""; ""V. Cordelia and the anti-Pygmalion principle""

    ""Chapter 3: Thomas Mann and the early Felix Krull""""I. Manolescu in the mirror""; ""II. Inheritance and imitation: Goethe in Felix Krull""; ""III. Interlude: the new and novel play between""; ""IV. Felix’s retrospective life as literature""; ""V. Felix’s dialectic of self-fashioning""; ""VI. Conscription""; ""Chapter 4: Thomas Mann and the late Felix Krull""; ""I. »Wiederkehr«""; ""II. »Das zitathafte Leben«""; ""Conclusion""; ""Bibliography""