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  1. The Structure of Paintings
    Author: Leyton, Michael
    Published: 2006
    Publisher:  Springer Vienna, Vienna ; Springer International Publishing AG, Cham

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    Location:
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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  2. The structure of paintings
    Published: 2006
    Publisher:  Springer, Wien [u.a.]

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    OTH- Ostbayerische Technische Hochschule Regensburg, Hochschulbibliothek
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 3211357394; 9783211357392; 9783211357422
    Other identifier:
    Subjects: Composition (Art); Geometry in art; Painting; Shape theory (Topology); Ästhetik; Malerei; Komposition
    Scope: 1 Online-Ressource (vi, 207 p., 13 leaves of plates), ill. (some col.)
    Notes:

    Includes bibliographical references (p. 201-202) and index
  3. The Structure of Paintings
    Author: Leyton, Michael
    Published: 2006
    Publisher:  Springer-Verlag, Vienna

    Michael Leyton has developed new foundations for geometry in which shape is equivalent to memory storage. A principal argument of these foundations is that artworks are maximal memory stores. The theory of geometry is developed from Leyton's... more

    Location:
    Universitätsbibliothek Braunschweig
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    Location:
    Technische Universität Hamburg, Universitätsbibliothek
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    Location:
    Otto-von-Guericke-Universität, Universitätsbibliothek
    Signature:
    eBook Springer
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    Location:
    Otto-von-Guericke-Universität, Universitätsbibliothek, Medizinische Zentralbibliothek
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    eBook Springer
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    Michael Leyton has developed new foundations for geometry in which shape is equivalent to memory storage. A principal argument of these foundations is that artworks are maximal memory stores. The theory of geometry is developed from Leyton's fundamental laws of memory storage, and this book shows that these laws determine the structure of paintings. Furthermore, the book demonstrates that the emotion expressed by a painting is actually the memory extracted by the laws. Therefore, the laws of memory storage allow the systematic and rigorous mapping not only of the compositional structure of a painting, but also of its emotional expression. The argument is supported by detailed analyses of paintings by Picasso, Raphael, Cezanne, Gauguin, Modigliani, Ingres, De Kooning, Memling, Balthus and Holbein.

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783211357422
    Other identifier:
    RVK Categories: CX 7500
    Subjects: Computer science; Computer graphics; Computer vision; Optical pattern recognition; Information systems; Computer aided design
    Scope: Online-Ressource, v.: digital
    Notes:

    Includes bibliographical references (p. 201-202) and index

    Electronic reproduction; Available via World Wide Web
  4. The structure of paintings
    Published: 2006
    Publisher:  Springer, Wien [u.a.]

    Location:
    TU Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 3211357394; 9783211357392; 9783211357422
    Other identifier:
    Subjects: Composition (Art); Geometry in art; Painting; Shape theory (Topology); Ästhetik; Malerei; Komposition
    Scope: 1 Online-Ressource (vi, 207 p., 13 leaves of plates), ill. (some col.)
    Notes:

    Includes bibliographical references (p. 201-202) and index
  5. The Structure of Paintings
    Published: 2006
    Publisher:  Springer Vienna, Vienna

    Shape as Memory Storage -- Expressiveness of Line -- The Evolution Laws -- Smoothness-Breaking. Michael Leyton has developed new foundations for geometry in which shape is equivalent to memory storage. A principal argument of these foundations is... more

    Location:
    Universitätsbibliothek Braunschweig
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule für Technik und Wirtschaft Dresden, Bibliothek
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    Location:
    Technische Universität Bergakademie Freiberg, Bibliothek 'Georgius Agricola'
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    Location:
    Hochschule Furtwangen University. Informatik, Technik, Wirtschaft, Medien. Campus Furtwangen, Bibliothek
    Signature:
    eBook Springer
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    Location:
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Location:
    Technische Universität Hamburg, Universitätsbibliothek
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    Location:
    Bibliothek LIV HN Sontheim
    Signature:
    Springer ebook Engineering
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    Location:
    Otto-von-Guericke-Universität, Universitätsbibliothek
    Signature:
    eBook Springer
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    Location:
    Otto-von-Guericke-Universität, Universitätsbibliothek, Medizinische Zentralbibliothek
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Mittweida (FH), Hochschulbibliothek
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    Location:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Location:
    Westsächsische Hochschule Zwickau, Bibliothek
    Signature:
    Springer E-Book
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    No inter-library loan

     

    Shape as Memory Storage -- Expressiveness of Line -- The Evolution Laws -- Smoothness-Breaking. Michael Leyton has developed new foundations for geometry in which shape is equivalent to memory storage. A principal argument of these foundations is that artworks are maximal memory stores. The theory of geometry is developed from Leyton's fundamental laws of memory storage, and this book shows that these laws determine the structure of paintings. Furthermore, the book demonstrates that the emotion expressed by a painting is actually the memory extracted by the laws. Therefore, the laws of memory storage allow the systematic and rigorous mapping not only of the compositional structure of a painting, but also of its emotional expression. The argument is supported by detailed analyses of paintings by Picasso, Raphael, Cezanne, Gauguin, Modigliani, Ingres, De Kooning, Memling, Balthus and Holbein.

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (lizenzpflichtig)
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783211357422
    Other identifier:
    RVK Categories: CX 7500
    Series: Array
    Subjects: Computer science; Computer vision; Optical pattern recognition; Information systems; Computer aided design; Computer Science; Computer graphics; Computer-aided engineering.; Multimedia systems .; Pattern recognition.; Optical data processing.; Application software.; Computer science; Computer graphics; Computer vision; Optical pattern recognition; Information systems; Computer aided design
    Scope: Online-Ressource (VI, 207 p. With numerous partly coloured illus, digital)
    Notes:

    Includes bibliographical references (p. 201-202) and index