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  1. How Language Speaks to Music
    Prosody from a Cross-domain Perspective
    Contributor: Scharinger, Mathias (Publisher); Wiese, Richard (Publisher)
    Published: [2022]
    Publisher:  De Gruyter, Berlin

    Prosody as a system of suprasegmental linguistic information such as rhythm and intonation is a prime candidate for looking at the relation between language and music in a principled way. This claim is based on several aspects: First, prosody is... more

     

    Prosody as a system of suprasegmental linguistic information such as rhythm and intonation is a prime candidate for looking at the relation between language and music in a principled way. This claim is based on several aspects: First, prosody is concerned with acoustic correlates of language and music that are directly comparable with each other by their physical properties such as duration and pitch. Second, prosodic accounts suggest a hierarchical organization of prosodic units that not only resembles a syntactic hierarchy, but is viewed as (part of) an interface to syntax. Third, prosody provides a very promising ground for evolutionary accounts of language and music. Fourth, bilateral transfer effects between language and music are best illustrated on the level of prosody. Highlighting the first two aspects, this book shows that it is a fruitful endeavor to use prosody for a principled comparison of language and music. In its broader sense, prosody as sound structure of communicative systems may be considered a »meta«-language that formalizes the way of "how music speaks to language and vice versa". Prosody is firmly established within linguistic theory, but is also applied in the musical domain. Therefore, prosody is not just a field of inquiry that shares elements or features between music and language, but can additionally provide a common conceptual ground.

     
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    Source: Union catalogues
    Contributor: Scharinger, Mathias (Publisher); Wiese, Richard (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110770186; 9783110770254
    Other identifier:
    Series: Linguistische Arbeiten ; volume 583
    Subjects: Music and language.; Versification.; Melodie.; Mentale Repräsentation.; Prosodische Hierarchie.; Rhythmus.; LANGUAGE ARTS & DISCIPLINES / Linguistics / Phonetics & Phonology.
    Other subjects: Cognitive Representations.; Melody.; Prosodic Hierarchy.; Rhythm.
    Scope: 1 Online-Ressource (V, 269 Seiten)
  2. How language speaks to music
    prosody from a cross-domain perspective
    Contributor: Scharinger, Mathias (HerausgeberIn); Wiese, Richard (HerausgeberIn)
    Published: [2022]; ©2022
    Publisher:  De Gruyter, Berlin

    Prosody as a system of suprasegmental linguistic information such as rhythm and intonation is a prime candidate for looking at the relation between language and music in a principled way. This claim is based on several aspects: First, prosody is... more

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    Prosody as a system of suprasegmental linguistic information such as rhythm and intonation is a prime candidate for looking at the relation between language and music in a principled way. This claim is based on several aspects: First, prosody is concerned with acoustic correlates of language and music that are directly comparable with each other by their physical properties such as duration and pitch. Second, prosodic accounts suggest a hierarchical organization of prosodic units that not only resembles a syntactic hierarchy, but is viewed as (part of) an interface to syntax. Third, prosody provides a very promising ground for evolutionary accounts of language and music. Fourth, bilateral transfer effects between language and music are best illustrated on the level of prosody. Highlighting the first two aspects, this book shows that it is a fruitful endeavor to use prosody for a principled comparison of language and music. In its broader sense, prosody as sound structure of communicative systems may be considered a »meta«-language that formalizes the way of "how music speaks to language and vice versa". Prosody is firmly established within linguistic theory, but is also applied in the musical domain. Therefore, prosody is not just a field of inquiry that shares elements or features between music and language, but can additionally provide a common conceptual ground

     
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    Content information
    Source: Union catalogues
    Contributor: Scharinger, Mathias (HerausgeberIn); Wiese, Richard (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110770186; 9783110770254
    Other identifier:
    Series: Linguistische Arbeiten ; volume 583
    Subjects: Music and language; Versification; LANGUAGE ARTS & DISCIPLINES / Linguistics / Phonetics & Phonology
    Scope: 1 Online-Ressource (269 Seiten), Illustrationen, Diagramme
  3. How language speaks to music
    prosody from a cross-domain perspective
    Author: Scharinger, Mathias; Wiese, Richard
    Published: Juli 2022
    Publisher:  De Gruyter, Berlin ; Walter de Gruyter GmbH

    The volume focusses on prosodic accounts of language and music and explores their overlaps and differences. It brings together contributions on general mechanisms and representations underlying the prosody of language and music, the key units of... more

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    The volume focusses on prosodic accounts of language and music and explores their overlaps and differences. It brings together contributions on general mechanisms and representations underlying the prosody of language and music, the key units of prosody, the cognitive and neural networks supporting linguistic and musical prosody, clinical aspects of linguistic and musical prosody, and on transfer/interactions between the two domains.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110770186
    RVK Categories: EC 3080
    DDC Categories: 400; 430
    Series: Linguistische Arbeiten ; Band 583
    Subjects: Prosodie; Musikalischer Akzent; Metrum
    Scope: 1 Online-Ressource
  4. How Language Speaks to Music
    Prosody from a Cross-domain Perspective
    Contributor: Scharinger, Mathias (Herausgeber); Wiese, Richard (Herausgeber)
    Published: 2022
    Publisher:  De Gruyter, Berlin/Boston

    Export to reference management software   RIS file
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  5. How language speaks to music
    prosody from a cross-domain perspective
    Contributor: Scharinger, Mathias (Publisher); Wiese, Richard (Publisher)
    Published: [2022]; © 2022
    Publisher:  De Gruyter, Berlin ; Boston

    Prosody as a system of suprasegmental linguistic information such as rhythm and intonation is a prime candidate for looking at the relation between language and music in a principled way. This claim is based on several aspects: First, prosody is... more

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    Prosody as a system of suprasegmental linguistic information such as rhythm and intonation is a prime candidate for looking at the relation between language and music in a principled way. This claim is based on several aspects: First, prosody is concerned with acoustic correlates of language and music that are directly comparable with each other by their physical properties such as duration and pitch. Second, prosodic accounts suggest a hierarchical organization of prosodic units that not only resembles a syntactic hierarchy, but is viewed as (part of) an interface to syntax. Third, prosody provides a very promising ground for evolutionary accounts of language and music. Fourth, bilateral transfer effects between language and music are best illustrated on the level of prosody. Highlighting the first two aspects, this book shows that it is a fruitful endeavor to use prosody for a principled comparison of language and music. In its broader sense, prosody as sound structure of communicative systems may be considered a »meta«-language that formalizes the way of "how music speaks to language and vice versa". Prosody is firmly established within linguistic theory, but is also applied in the musical domain. Therefore, prosody is not just a field of inquiry that shares elements or features between music and language, but can additionally provide a common conceptual ground

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Scharinger, Mathias (Publisher); Wiese, Richard (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110770186; 9783110770254
    Other identifier:
    RVK Categories: EC 3080
    Series: Linguistische Arbeiten ; volume 583
    Subjects: Melodie; Mentale Repräsentation; Prosodische Hierarchie; Rhythmus; LANGUAGE ARTS & DISCIPLINES / Linguistics / Phonetics & Phonology; Music and language; Versification; Prosodie; Musik; Rhythmus; Sprache; Musikalischer Akzent; Metrum
    Scope: 1 Online-Ressource (269 Seiten), Illustrationen, Diagrammen, Noten
  6. How language speaks to music
    prosody from a cross-domain perspective
    Contributor: Scharinger, Mathias (Publisher); Wiese, Richard (Publisher)
    Published: [2022]; © 2022
    Publisher:  De Gruyter, Berlin ; Boston

    Prosody as a system of suprasegmental linguistic information such as rhythm and intonation is a prime candidate for looking at the relation between language and music in a principled way. This claim is based on several aspects: First, prosody is... more

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    Prosody as a system of suprasegmental linguistic information such as rhythm and intonation is a prime candidate for looking at the relation between language and music in a principled way. This claim is based on several aspects: First, prosody is concerned with acoustic correlates of language and music that are directly comparable with each other by their physical properties such as duration and pitch. Second, prosodic accounts suggest a hierarchical organization of prosodic units that not only resembles a syntactic hierarchy, but is viewed as (part of) an interface to syntax. Third, prosody provides a very promising ground for evolutionary accounts of language and music. Fourth, bilateral transfer effects between language and music are best illustrated on the level of prosody. Highlighting the first two aspects, this book shows that it is a fruitful endeavor to use prosody for a principled comparison of language and music. In its broader sense, prosody as sound structure of communicative systems may be considered a »meta«-language that formalizes the way of "how music speaks to language and vice versa". Prosody is firmly established within linguistic theory, but is also applied in the musical domain. Therefore, prosody is not just a field of inquiry that shares elements or features between music and language, but can additionally provide a common conceptual ground

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Scharinger, Mathias (Publisher); Wiese, Richard (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110770186; 9783110770254
    Other identifier:
    RVK Categories: EC 3080
    Series: Linguistische Arbeiten ; volume 583
    Subjects: Melodie; Mentale Repräsentation; Prosodische Hierarchie; Rhythmus; LANGUAGE ARTS & DISCIPLINES / Linguistics / Phonetics & Phonology; Music and language; Versification; Prosodie; Musik; Rhythmus; Sprache; Musikalischer Akzent; Metrum
    Scope: 1 Online-Ressource (269 Seiten), Illustrationen, Diagrammen, Noten