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  1. Time and Presence in Art
    Moments of Encounter (200–1600 CE)
  2. Time and presence in art
    moments of encounter (200-1600 CE)
    Contributor: Bergmeier, Armin F. (HerausgeberIn); Griebeler, Andrew (HerausgeberIn)
    Published: [2022]; © 2022
    Publisher:  De Gruyter, Berlin

    This volume explores the relationship between temporality and presence in medieval artworks from the third to the sixteenth centuries. It is the first extensive treatment of the interconnections between medieval artworks' varied presences and their... more

    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    This volume explores the relationship between temporality and presence in medieval artworks from the third to the sixteenth centuries. It is the first extensive treatment of the interconnections between medieval artworks' varied presences and their ever-shifting places in time. The volume begins with reflections on the study of temporality and presence in medieval and early modern art history. A second section presents case studies delving into the different ways medieval artworks once created and transformed their original viewers' experience of the present. These range from late antique Constantinople, early Islamic Jerusalem and medieval Italy, to early modern Venice and the Low Countries. A final section explores how medieval artworks remain powerful and relevant today. This section includes case studies on reconstructing presence in medieval art through embodied experience of pilgrimage, art historical research and museum education. In doing so, the volume provides a first dialog between museum educators and art historians on the presence of medieval artifacts. It includes contributions by Hans Belting, Keith Moxey, Rika Burnham and others

     

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    Volltext (lizenzpflichtig)
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Contributor: Bergmeier, Armin F. (HerausgeberIn); Griebeler, Andrew (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110722079; 9783110722161
    Other identifier:
    RVK Categories: LH 65020
    Series: Sense, matter, and medium ; volume 5
    Subjects: Art, Medieval; Time in art; Kunstgeschichte / Mittelalter; Museumspädagogik
    Scope: 1 Online-Ressource (XV, 254 Seiten), Illustrationen
  3. Time and presence in art
    moments of encounter (200-1600 CE)
    Contributor: Bergmeier, Armin F. (HerausgeberIn); Griebeler, Andrew (HerausgeberIn)
    Published: [2022]; © 2022
    Publisher:  De Gruyter, Berlin

    This volume explores the relationship between temporality and presence in medieval artworks from the third to the sixteenth centuries. It is the first extensive treatment of the interconnections between medieval artworks' varied presences and their... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Staats- und Universitätsbibliothek Bremen
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Hochschule für Technik und Wirtschaft Dresden, Bibliothek
    DeGruyter Paket Kunst 2022
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    Technische Universität Bergakademie Freiberg, Bibliothek 'Georgius Agricola'
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Hochschule für Angewandte Wissenschaften Hamburg, Hochschulinformations- und Bibliotheksservice (HIBS), Fachbibliothek Technik, Wirtschaft, Informatik
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Oldenburg, Bibliothek
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    This volume explores the relationship between temporality and presence in medieval artworks from the third to the sixteenth centuries. It is the first extensive treatment of the interconnections between medieval artworks' varied presences and their ever-shifting places in time. The volume begins with reflections on the study of temporality and presence in medieval and early modern art history. A second section presents case studies delving into the different ways medieval artworks once created and transformed their original viewers' experience of the present. These range from late antique Constantinople, early Islamic Jerusalem and medieval Italy, to early modern Venice and the Low Countries. A final section explores how medieval artworks remain powerful and relevant today. This section includes case studies on reconstructing presence in medieval art through embodied experience of pilgrimage, art historical research and museum education. In doing so, the volume provides a first dialog between museum educators and art historians on the presence of medieval artifacts. It includes contributions by Hans Belting, Keith Moxey, Rika Burnham and others

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (lizenzpflichtig)
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Contributor: Bergmeier, Armin F. (HerausgeberIn); Griebeler, Andrew (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110722079; 9783110722161
    Other identifier:
    RVK Categories: LH 65020
    Series: Sense, matter, and medium ; volume 5
    Subjects: Art, Medieval; Time in art; Kunstgeschichte / Mittelalter; Museumspädagogik
    Scope: 1 Online-Ressource (XV, 254 Seiten), Illustrationen