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  1. Nothingness, negativity, and nominalism in Shakespeare and Petrarch
    Published: [2020]; © 2021
    Publisher:  De Gruyter, Berlin ; Boston

    Being exposed to the Nominalist expansion in early modernity, Petrarch and Shakespeare are highly preoccupied with a Nominalist dimension of language and representation. Against this background, the study shows how these Renaissance poets advanced a... more

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    Being exposed to the Nominalist expansion in early modernity, Petrarch and Shakespeare are highly preoccupied with a Nominalist dimension of language and representation. Against this background, the study shows how these Renaissance poets advanced a special notion of subjectivity and identity as rooted in negativity, otherness, and representation. The book thus argues for a new understanding of negative modes of subjectivity in Petrarch and Shakespeare. A new and sharpened understanding emerging from an interpretation of Francesco Petrarch's notion of exile and of love in his great poetical cycle Rerum vulgarium fragmenta as well as a meticulous examination of the concept of nothingness in William Shakespeare's works. Petrarch and Shakespeare poetically show how identity is alien and decentred - yet also free and expanding. In other words, these poets illustrate how subjectivity is constituted by heterogeneity. Moreover, pointing to other examples of this negative subjectivity in Renaissance philosophy and poetry, the study suggests that these models for subjectivity could be extended to other early modern writers

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110691771; 9783110691856
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    Subjects: Early Modernity; Negativität; Nominalism; Nominalismus; Nothingness; Subjectivity; Subjektivität; LITERARY CRITICISM / Renaissance; Nominalismus
    Other subjects: Petrarca, Francesco (1304-1374); Shakespeare, William (1564-1616)
    Scope: 1 Online Ressource (X, 185 Seiten)
  2. Nothingness, negativity, and nominalism in Shakespeare and Petrarch
    Published: [2020]; © 2021
    Publisher:  De Gruyter, Berlin ; Boston

    Being exposed to the Nominalist expansion in early modernity, Petrarch and Shakespeare are highly preoccupied with a Nominalist dimension of language and representation. Against this background, the study shows how these Renaissance poets advanced a... more

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    Being exposed to the Nominalist expansion in early modernity, Petrarch and Shakespeare are highly preoccupied with a Nominalist dimension of language and representation. Against this background, the study shows how these Renaissance poets advanced a special notion of subjectivity and identity as rooted in negativity, otherness, and representation. The book thus argues for a new understanding of negative modes of subjectivity in Petrarch and Shakespeare. A new and sharpened understanding emerging from an interpretation of Francesco Petrarch's notion of exile and of love in his great poetical cycle Rerum vulgarium fragmenta as well as a meticulous examination of the concept of nothingness in William Shakespeare's works. Petrarch and Shakespeare poetically show how identity is alien and decentred - yet also free and expanding. In other words, these poets illustrate how subjectivity is constituted by heterogeneity. Moreover, pointing to other examples of this negative subjectivity in Renaissance philosophy and poetry, the study suggests that these models for subjectivity could be extended to other early modern writers

     

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  3. Nothingness, Negativity, and Nominalism in Shakespeare and Petrarch
    Published: 2020
    Publisher:  De Gruyter, Berlin/Boston

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  4. Nothingness, negativity, and nominalism in Shakespeare and Petrarch
    Published: [2021]; © 2021
    Publisher:  De Gruyter, Berlin

    Intro -- Contents -- Preface -- I. Introduction -- II. Petrarch and the Triumph of Exile -- III. Rerum vulgarium fragmenta: Petrarch's Labyrinthine Mirror -- IV. Shakespeare's "Nihilism" -- V. Early Modernity and the Foil of Contrarieties -- VI.... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    Intro -- Contents -- Preface -- I. Introduction -- II. Petrarch and the Triumph of Exile -- III. Rerum vulgarium fragmenta: Petrarch's Labyrinthine Mirror -- IV. Shakespeare's "Nihilism" -- V. Early Modernity and the Foil of Contrarieties -- VI. Literature -- Index Being exposed to the Nominalist expansion in early modernity, Petrarch and Shakespeare are highly preoccupied with a Nominalist dimension of language and representation. Against this background, the study shows how these Renaissance poets advanced a special notion of subjectivity and identity as rooted in negativity, otherness, and representation. The book thus argues for a new understanding of negative modes of subjectivity in Petrarch and Shakespeare. A new and sharpened understanding emerging from an interpretation of Francesco Petrarch's notion of exile and of love in his great poetical cycle Rerum vulgarium fragmenta as well as a meticulous examination of the concept of nothingness in William Shakespeare's works. Petrarch and Shakespeare poetically show how identity is alien and decentred - yet also free and expanding. In other words, these poets illustrate how subjectivity is constituted by heterogeneity. Moreover, pointing to other examples of this negative subjectivity in Renaissance philosophy and poetry, the study suggests that these models for subjectivity could be extended to other early modern writers

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110691771; 9783110691856
    Other identifier:
    RVK Categories: HI 3320 ; IT 6605
    Subjects: LITERARY CRITICISM / Renaissance
    Scope: 1 Online-Ressource (X, 185 Seiten)
  5. Nothingness, negativity, and nominalism in Shakespeare and Petrarch
    Published: [2021]; © 2021
    Publisher:  De Gruyter, Berlin

    Intro -- Contents -- Preface -- I. Introduction -- II. Petrarch and the Triumph of Exile -- III. Rerum vulgarium fragmenta: Petrarch's Labyrinthine Mirror -- IV. Shakespeare's "Nihilism" -- V. Early Modernity and the Foil of Contrarieties -- VI.... more

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    Intro -- Contents -- Preface -- I. Introduction -- II. Petrarch and the Triumph of Exile -- III. Rerum vulgarium fragmenta: Petrarch's Labyrinthine Mirror -- IV. Shakespeare's "Nihilism" -- V. Early Modernity and the Foil of Contrarieties -- VI. Literature -- Index Being exposed to the Nominalist expansion in early modernity, Petrarch and Shakespeare are highly preoccupied with a Nominalist dimension of language and representation. Against this background, the study shows how these Renaissance poets advanced a special notion of subjectivity and identity as rooted in negativity, otherness, and representation. The book thus argues for a new understanding of negative modes of subjectivity in Petrarch and Shakespeare. A new and sharpened understanding emerging from an interpretation of Francesco Petrarch's notion of exile and of love in his great poetical cycle Rerum vulgarium fragmenta as well as a meticulous examination of the concept of nothingness in William Shakespeare's works. Petrarch and Shakespeare poetically show how identity is alien and decentred - yet also free and expanding. In other words, these poets illustrate how subjectivity is constituted by heterogeneity. Moreover, pointing to other examples of this negative subjectivity in Renaissance philosophy and poetry, the study suggests that these models for subjectivity could be extended to other early modern writers

     

    Export to reference management software   RIS file
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110691771; 9783110691856
    Other identifier:
    RVK Categories: HI 3320 ; IT 6605
    Subjects: LITERARY CRITICISM / Renaissance
    Scope: 1 Online-Ressource (X, 185 Seiten)