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  1. Martin Crimp's Theatre
    Collapse as Resistance to Late Capitalist Society
    Author: Escoda Agusti, Clara
    Published: [2013]; ©2013
    Publisher:  De Gruyter, Berlin ; Boston

    This book reads Martin Crimp's The Treatment (1993), Attempts on her Life (1997), The Country (2000), Face to the Wall (2002), Cruel and Tender (2004) and his adaptation of Chekhov's The Seagull (2006) in the context of contemporary, late capitalist... more

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    This book reads Martin Crimp's The Treatment (1993), Attempts on her Life (1997), The Country (2000), Face to the Wall (2002), Cruel and Tender (2004) and his adaptation of Chekhov's The Seagull (2006) in the context of contemporary, late capitalist societies of control or of 'spectacle', and explores how female collapse in particular works as a form of denunciation of the violence of globalized, technological neo-liberalism. The book contends that Crimp is a post-Holocaust writer, whose dramaturgy is pervaded by the ethical and aesthetic debates that the Holocaust has generated in the twentieth and twenty-first centuries. Its main claim is that, by interpellating spectators through the defamiliarized language of collapse and testimony, Crimp invites spectators to contribute to detecting the seeds of 'barbarism' as they may detect them in their context, thus warning them about the introduction of violence in supposedly civilized relationships and thereby also contributing to overcoming the contemporary ethical impasse. The book finally argues that female characters who pass on their testimony are shown to the audience in the 'process of becoming' ethical bodies - namely, they are emerge as ethical out of the perceived necessity to integrate both the Other as essential parts of their beings, thus recovering an innate, Baumian sense of responsibility towards the Other

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110309959
    Other identifier:
    RVK Categories: HN 9990
    Series: Contemporary Drama in English Studies ; 24
    Other subjects: English drama / 20th century / History and criticism; Crimp, Martin; Ethics; Ethik; Holocaust; Late Capitalism; Theaterwissenschaften; Theatre Studies; Frau / Motiv; Globalisierung / Motiv; Kollaps / Motiv; DRAMA / General
    Scope: 1 online resource (347 p.)
  2. Martin Crimp's theatre
    collapse as resistance to late capitalist society
    Author: Escoda Agustí, Clara
    Published: [2013]
    Publisher:  De Gruyter, Berlin ; Boston

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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783110309959
    Other identifier:
    RVK Categories: HN 9990 ; HN 2967
    Series: CDE studies ; volume 24
    Subjects: Kollaps <Motiv>; Globalisierung <Motiv>; Frau <Motiv>
    Other subjects: Crimp, Martin (1956-)
    Scope: 1 Online-Ressource (XI, 336 Seiten)
    Notes:

    Dissertation, Universität Barcelona,
  3. Martin Crimp's theatre
    collapse as resistance to late capitalist society
    Published: c2013
    Publisher:  De Gruyter, Berlin

    This book is a timely intervention in theatre studies which reads Martin Crimp's plays in the context of contemporary, late capitalist societies of control or of 'spectacle', and explores how female collapse in particular works as a form of... more

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    This book is a timely intervention in theatre studies which reads Martin Crimp's plays in the context of contemporary, late capitalist societies of control or of 'spectacle', and explores how female collapse in particular works as a form of denunciation of the violence of globalized, free-market economy. It contends that Crimp can best be understood as a post-Holocaust playwright, and it will be of interest to both specialists in Crimp and theatre studies, and to anyone interested in gaining a deeper understanding of Crimp's dramaturgy

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110309959; 3110309955
    Series: CDE studies 2194-9069 ; v. 24
    CDE studies ; v. 24
    Subjects: DRAMA ; English, Irish, Scottish, Welsh; Criticism, interpretation, etc
    Other subjects: Crimp, Martin 1956-; Crimp, Martin (1956-); Crimp, Martin
    Scope: Online Ressource
    Notes:

    Includes bibliographical references. - Description based on print version record
  4. Martin Crimp's theatre
    collapse as resistance to late capitalist society
    Author: Escoda Agustí, Clara
    Published: [2013]
    Publisher:  De Gruyter, Berlin ; Boston

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    Content information
    Volltext (URL des Erstveröffentlichers)
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783110309959
    Other identifier:
    RVK Categories: HN 9990 ; HN 2967
    Series: CDE studies ; volume 24
    Subjects: Kollaps <Motiv>; Globalisierung <Motiv>; Frau <Motiv>
    Other subjects: Crimp, Martin (1956-)
    Scope: 1 Online-Ressource (XI, 336 Seiten)
    Notes:

    Dissertation, Universität Barcelona,
  5. Martin Crimp's Theatre
    Collapse as Resistance to Late Capitalist Society
    Author: Escoda Agustí, Clara
    Published: 2013
    Publisher:  De Gruyter, Berlin/Boston ; De Gruyter Mouton

  6. Martin Crimp's theatre
    collapse as resistance to late capitalist society
    Author: Escoda Agustí, Clara
    Published: ©2013
    Publisher:  De Gruyter, Berlin

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1299723667; 3110309955; 9781299723665; 9783110309959
    Series: CDE studies ; Bd. 24
    Subjects: DRAMA / English, Irish, Scottish, Welsh; Frau <Motiv>; Globalisierung <Motiv>; Kollaps <Motiv>
    Other subjects: Crimp, Martin / 1956-; Crimp, Martin / 1956-; Crimp, Martin (1956-); Crimp, Martin (1956-)
    Scope: 1 Online-Ressource
    Notes:

    Includes bibliographical references

    This book is a timely intervention in theatre studies which reads Martin Crimp's plays in the context of contemporary, late capitalist societies of control or of 'spectacle', and explores how female collapse in particular works as a form of denunciation of the violence of globalized, free-market economy. It contends that Crimp can best be understood as a post-Holocaust playwright, and it will be of interest to both specialists in Crimp and theatre studies, and to anyone interested in gaining a deeper understanding of Crimp's dramaturgy
  7. Martin Crimp's Theatre
    Collapse as Resistance to Late Capitalist Society
    Author: Escoda Agusti, Clara
    Published: [2013]; ©2013
    Publisher:  De Gruyter, Berlin ; Boston

    This book reads Martin Crimp's The Treatment (1993), Attempts on her Life (1997), The Country (2000), Face to the Wall (2002), Cruel and Tender (2004) and his adaptation of Chekhov's The Seagull (2006) in the context of contemporary, late capitalist... more

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    This book reads Martin Crimp's The Treatment (1993), Attempts on her Life (1997), The Country (2000), Face to the Wall (2002), Cruel and Tender (2004) and his adaptation of Chekhov's The Seagull (2006) in the context of contemporary, late capitalist societies of control or of 'spectacle', and explores how female collapse in particular works as a form of denunciation of the violence of globalized, technological neo-liberalism. The book contends that Crimp is a post-Holocaust writer, whose dramaturgy is pervaded by the ethical and aesthetic debates that the Holocaust has generated in the twentieth and twenty-first centuries. Its main claim is that, by interpellating spectators through the defamiliarized language of collapse and testimony, Crimp invites spectators to contribute to detecting the seeds of 'barbarism' as they may detect them in their context, thus warning them about the introduction of violence in supposedly civilized relationships and thereby also contributing to overcoming the contemporary ethical impasse. The book finally argues that female characters who pass on their testimony are shown to the audience in the 'process of becoming' ethical bodies - namely, they are emerge as ethical out of the perceived necessity to integrate both the Other as essential parts of their beings, thus recovering an innate, Baumian sense of responsibility towards the Other

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110309959
    Other identifier:
    RVK Categories: HN 9990
    Series: Contemporary Drama in English Studies ; 24
    Subjects: English drama / 20th century / History and criticism; Crimp, Martin; Ethics; Ethik; Holocaust; Late Capitalism; Theaterwissenschaften; Theatre Studies; Frau / Motiv; Globalisierung / Motiv; Kollaps / Motiv; DRAMA / General
    Scope: 1 online resource (347 p.)