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Displaying results 1 to 10 of 10.

  1. Songbirds on the literary stage
    the woman singer and her song in French and German prose fiction, from Goethe to Berlioz
    Author: Effertz, Julia
    Published: 2015
    Publisher:  Lang, Oxford [u.a.]

    Location:
    Universitäts- und Landesbibliothek Bonn
    Signature:
    W 2016/3476
    Inter-library loan:
    Loan of volumes, no copies

    Location:
    Universitäts- und Landesbibliothek Münster
    Signature:
    3K 60855
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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  2. Songbirds on the literary stage
    the woman singer and her song in French and German prose fiction, from Goethe to Berlioz
    Author: Effertz, Julia
    Published: 2015; © 2015
    Publisher:  Peter Lang, Oxford, [England]

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    Source: Union catalogues
    Language: French
    Media type: Ebook
    Format: Online
    ISBN: 9783034307345; 9783035307498
    Series: European connections ; Volume 38
    Subjects: French fiction; German fiction; Women in literature; Singers in literature; Women singers; Deutsch; Gesang <Motiv>; Geschlechterrolle; Prosa; Französisch; Sängerin <Motiv>
    Scope: 1 online resource (192 pages)
    Notes:

    Description based on print version record
  3. Songbirds on the Literary Stage
    The Woman Singer and her Song in French and German Prose Fiction, from Goethe to Berlioz
    Author: Effertz, Julia
    Published: 2015
    Publisher:  Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783035307498
    Other identifier:
    9783035307498
    RVK Categories: GE 5012 ; GE 5206 ; IE 2836 ; LR 11045
    Edition: 1st, New ed
    Subjects: Französisch; Sängerin <Motiv>; Deutsch; Gesang <Motiv>; Prosa; Geschlechterrolle
    Scope: 1 Online-Ressource (295 Seiten)
    Notes:

    Online resource; title from title screen (viewed June 27, 2019)

    This interdisciplinary study, situated at the cross-section of music, literature and gender, examines the woman singer and her song as a literary motif in French and German prose fiction from the 1790s to the mid-nineteenth century. Through selected case studies, this diachronic history of motifs offers a fresh perspective on canonical singer archetypes, such as Goethe's child singer Mignon and Madame de Staël's ground-breaking artist Corinne. The volume also examines lesser known narratives by authors including Caroline Auguste Fischer, E.T.A. Hoffmann, Hector Berlioz and Marceline Desbordes-Valmore, some of which have not been considered critically in this regard before. This allows for a re-evaluation of the significance of the singer motif in musical narratives from the Romantic era to the July Monarchy. The sometimes polemic, often ambivalent, yet always nuanced and multi-layered reflection on the woman singer in literature bears testimony to the complexity of the nineteenth-century musical-literary discourse and its fluid negotiation of gender relations and female performance, fitting well with that ineffable, enigmatic essence of the woman singer herself who, as a literary motif and a cultural icon, continues to resonate and fascinate well beyond the nineteenth century
  4. Songbirds on the literary stage
    the woman singer and her song in French and German prose fiction, from Goethe to Berlioz
    Author: Effertz, Julia
    Published: 2015
    Publisher:  Lang, Oxford [u.a.]

    Location:
    Universitäts- und Landesbibliothek Bonn
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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  5. Songbirds on the Literary Stage
    Author: Effertz, Julia
    Published: 2015
    Publisher:  Peter Lang AG, Bern ; Peter Lang International Academic Publishers

    This interdisciplinary study, situated at the cross-section of music, literature and gender, examines the woman singer and her song as a literary motif in French and German prose fiction from the 1790s to the mid-nineteenth century. Through selected... more

    Access:

    Location:
    Universitätsbibliothek Gießen
    Inter-library loan:
    No inter-library loan

     

    This interdisciplinary study, situated at the cross-section of music, literature and gender, examines the woman singer and her song as a literary motif in French and German prose fiction from the 1790s to the mid-nineteenth century. Through selected case studies, this diachronic history of motifs offers a fresh perspective on canonical singer archetypes, such as Goethe’s child singer Mignon and Madame de Staël’s ground-breaking artist Corinne. The volume also examines lesser known narratives by authors including Caroline Auguste Fischer, E.T.A. Hoffmann, Hector Berlioz and Marceline Desbordes-Valmore, some of which have not been considered critically in this regard before. This allows for a re-evaluation of the significance of the singer motif in musical narratives from the Romantic era to the July Monarchy. The sometimes polemic, often ambivalent, yet always nuanced and multi-layered reflection on the woman singer in literature bears testimony to the complexity of the nineteenth-century musical-literary discourse and its fluid negotiation of gender relations and female performance, fitting well with that ineffable, enigmatic essence of the woman singer herself who, as a literary motif and a cultural icon, continues to resonate and fascinate well beyond the nineteenth century.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783035307498
    Other identifier:
    DDC Categories: 830; 840
    Edition: 1st, New ed.
    Series: European Connections ; 38
    Subjects: Französisch; Deutsch; Prosa; Sängerin <Motiv>; Gesang <Motiv>
    Scope: 1 Online-Ressource
  6. Songbirds on the Literary Stage
    The Woman Singer and her Song in French and German Prose Fiction, from Goethe to Berlioz
    Author: Effertz, Julia
    Published: 2015
    Publisher:  Peter Lang AG, Internationaler Verlag der Wissenschaften, Oxford

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    Content information
  7. Songbirds on the Literary Stage
    The Woman Singer and her Song in French and German Prose Fiction, from Goethe to Berlioz
    Author: Effertz, Julia
    Published: [2015]
    Publisher:  Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern

    This interdisciplinary study, situated at the cross-section of music, literature and gender, examines the woman singer and her song as a literary motif in French and German prose fiction from the 1790s to the mid-nineteenth century. Through selected... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Inter-library loan:
    No inter-library loan

     

    This interdisciplinary study, situated at the cross-section of music, literature and gender, examines the woman singer and her song as a literary motif in French and German prose fiction from the 1790s to the mid-nineteenth century. Through selected case studies, this diachronic history of motifs offers a fresh perspective on canonical singer archetypes, such as Goethe’s child singer Mignon and Madame de Staël’s ground-breaking artist Corinne. The volume also examines lesser known narratives by authors including Caroline Auguste Fischer, E.T.A. Hoffmann, Hector Berlioz and Marceline Desbordes-Valmore, some of which have not been considered critically in this regard before. This allows for a re-evaluation of the significance of the singer motif in musical narratives from the Romantic era to the July Monarchy. The sometimes polemic, often ambivalent, yet always nuanced and multi-layered reflection on the woman singer in literature bears testimony to the complexity of the nineteenth-century musical-literary discourse and its fluid negotiation of gender relations and female performance, fitting well with that ineffable, enigmatic essence of the woman singer herself who, as a literary motif and a cultural icon, continues to resonate and fascinate well beyond the nineteenth century Contents: Into the Sublime Unknown: Writing Female Song in the 1800s – Archetype or Cliché? Goethe and the Child Singer Mignon in Wilhelm Meisters Lehrjahre – The Plight of the First Woman: Madame de Staël and the Female Performer in Corinne, ou l’Italie – Beyond the Canon: Singing Strategies in the Works of Caroline Auguste Fischer – Between Entgrenzung and Realism: The Romantic Twilight of E.T.A. Hoffmann and George Sand – Realistic Divas: The Singer in the Works of Balzac and Sophie Ulliac-Trémadeure – Finding a Female Narrative: Madame de Thélusson, Madame de Taunay and Marceline Desbordes-Valmore – Hoffmannesque Dénouements: The Nightmare of the Romantic Singer in Hector Berlioz’s Euphonia, ou la ville musicale

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783035307498
    Other identifier:
    9783035307498
    RVK Categories: GE 5012 ; LR 11045 ; GE 5206 ; IE 2836
    Series: European Connections ; 38
    Subjects: Französisch; Deutsch; Prosa; Sängerin <Motiv>; Gesang <Motiv>; Geschichte 1790-1850; ; Frau <Motiv>; Sängerin <Motiv>; Lied <Motiv>; Geschichte 1795-1844;
    Scope: 1 Online-Ressource (x, 285 pages)
  8. Songbirds on the Literary Stage
    The Woman Singer and her Song in French and German Prose Fiction, from Goethe to Berlioz
    Author: Effertz, Julia
    Published: [2015]
    Publisher:  Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern

    This interdisciplinary study, situated at the cross-section of music, literature and gender, examines the woman singer and her song as a literary motif in French and German prose fiction from the 1790s to the mid-nineteenth century. Through selected... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    This interdisciplinary study, situated at the cross-section of music, literature and gender, examines the woman singer and her song as a literary motif in French and German prose fiction from the 1790s to the mid-nineteenth century. Through selected case studies, this diachronic history of motifs offers a fresh perspective on canonical singer archetypes, such as Goethe’s child singer Mignon and Madame de Staël’s ground-breaking artist Corinne. The volume also examines lesser known narratives by authors including Caroline Auguste Fischer, E.T.A. Hoffmann, Hector Berlioz and Marceline Desbordes-Valmore, some of which have not been considered critically in this regard before. This allows for a re-evaluation of the significance of the singer motif in musical narratives from the Romantic era to the July Monarchy. The sometimes polemic, often ambivalent, yet always nuanced and multi-layered reflection on the woman singer in literature bears testimony to the complexity of the nineteenth-century musical-literary discourse and its fluid negotiation of gender relations and female performance, fitting well with that ineffable, enigmatic essence of the woman singer herself who, as a literary motif and a cultural icon, continues to resonate and fascinate well beyond the nineteenth century Contents: Into the Sublime Unknown: Writing Female Song in the 1800s – Archetype or Cliché? Goethe and the Child Singer Mignon in Wilhelm Meisters Lehrjahre – The Plight of the First Woman: Madame de Staël and the Female Performer in Corinne, ou l’Italie – Beyond the Canon: Singing Strategies in the Works of Caroline Auguste Fischer – Between Entgrenzung and Realism: The Romantic Twilight of E.T.A. Hoffmann and George Sand – Realistic Divas: The Singer in the Works of Balzac and Sophie Ulliac-Trémadeure – Finding a Female Narrative: Madame de Thélusson, Madame de Taunay and Marceline Desbordes-Valmore – Hoffmannesque Dénouements: The Nightmare of the Romantic Singer in Hector Berlioz’s Euphonia, ou la ville musicale

     
    Export to reference management software   RIS file
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    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783035307498
    Other identifier:
    9783035307498
    RVK Categories: GE 5012 ; LR 11045 ; GE 5206 ; IE 2836
    Series: European Connections ; 38
    Subjects: Französisch; Deutsch; Prosa; Sängerin <Motiv>; Gesang <Motiv>; Geschichte 1790-1850; ; Frau <Motiv>; Sängerin <Motiv>; Lied <Motiv>; Geschichte 1795-1844;
    Scope: 1 Online-Ressource (x, 285 pages)
  9. Songbirds on the literary stage
    the woman singer and her song in French and German prose fiction, from Goethe to Berlioz
    Author: Effertz, Julia
    Published: [2015]
    Publisher:  Peter Lang, Oxford

  10. Songbirds on the literary stage
    the woman singer and her song in French and German prose fiction, from Goethe to Berlioz
    Author: Effertz, Julia
    Published: 2015
    Publisher:  Peter Lang Verlag, Oxford

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783034307345; 3034307349; 9783035307498
    Other identifier:
    9783034307345
    DDC Categories: 800
    Series: European Connections ; volume 38
    Subjects: Französisch; Deutsch; Prosa; Sängerin; Frauenlied; Geschichte;
    Other subjects: 18.01.01.05: Romanistik; 19. Jahrhundert; 15.01.13: Germanistik; Frauen- und Geschlechterstudien; First of Woman; 15.01.04: Germanistik; Stoff- und Motivforschung; 15.01.03.07: Germanistik; Romantik; Carline Auguste Fischer; 18.07: Romanistik; Frauen- und Geschlechterstudien; Entgrenzung; Goethe; Realism
    Scope: X, 285 Seiten, 22.5 cm x 15 cm, 430 g
    Notes:

    Literaturverzeichnis: Seite [263]-280