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  1. Text and Tune
    Author: Proto, Teresa
    Published: 2015
    Publisher:  Peter Lang AG, Bern ; Peter Lang International Academic Publishers

    This book offers an overview of issues related to the regulated, formal organization of sound and speech in verse intended for singing. Particularly, it is concerned with the structural properties and underlying mechanisms involved in the association... more

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    Location:
    Universitätsbibliothek Gießen
    Inter-library loan:
    No inter-library loan

     

    This book offers an overview of issues related to the regulated, formal organization of sound and speech in verse intended for singing. Particularly, it is concerned with the structural properties and underlying mechanisms involved in the association of lyrics and music. While in spoken verse the underlying metrical scheme is grounded in the prosody of the language in which it is composed, in sung verse the structure is created by the mapping of specific prosodic units of the text (syllables, moras, tones, etc.) onto the rhythmic-melodic structure provided by the tune. Studying how this mapping procedure takes place across different musical genres and styles is valuable for what it can add to our knowledge of language and music in general, and also for what it can teach us about individual languages and poetic traditions. In terms of empirical coverage, the collection includes a wide variety of (Western) languages and metrical/musical forms, ranging from the Latin hexameter to the Norwegian stev, from the French chant courtois to the Sardinian mutetu longu. Readers interested in formal analyses of vocal music, or in metrics and linguistics, will find useful insights here.

     
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    Source: Union catalogues
    Contributor: Canettieri, Paolo; Valenti, Gianluca
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783035108385
    Other identifier:
    RVK Categories: LR 57710 ; EC 2440
    DDC Categories: 780
    Edition: 1st, New ed.
    Series: Varia Musicologica ; 21
    Subjects: Liedermachen; Komposition <Musik>
    Scope: 1 Online-Ressource
  2. Text and Tune
    On the Association of Music and Lyrics in Sung Verse
    Contributor: Proto, Teresa (HerausgeberIn); Valenti, Gianluca (HerausgeberIn); Canettieri, Paolo (HerausgeberIn)
    Published: [2015]
    Publisher:  Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern

    This book offers an overview of issues related to the regulated, formal organization of sound and speech in verse intended for singing. Particularly, it is concerned with the structural properties and underlying mechanisms involved in the association... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Inter-library loan:
    No inter-library loan

     

    This book offers an overview of issues related to the regulated, formal organization of sound and speech in verse intended for singing. Particularly, it is concerned with the structural properties and underlying mechanisms involved in the association of lyrics and music. While in spoken verse the underlying metrical scheme is grounded in the prosody of the language in which it is composed, in sung verse the structure is created by the mapping of specific prosodic units of the text (syllables, moras, tones, etc.) onto the rhythmic-melodic structure provided by the tune. Studying how this mapping procedure takes place across different musical genres and styles is valuable for what it can add to our knowledge of language and music in general, and also for what it can teach us about individual languages and poetic traditions. In terms of empirical coverage, the collection includes a wide variety of (Western) languages and metrical/musical forms, ranging from the Latin hexameter to the Norwegian stev, from the French chant courtois to the Sardinian mutetu longu. Readers interested in formal analyses of vocal music, or in metrics and linguistics, will find useful insights here Contents: Michele Napolitano: Poetry and music in archaic and classical Greece. Some thoughts – Antoni Rossell: Medieval liturgical drama, Carmina Burana and the Arnaut Daniel's sestina: Music and literature – Giorgio Monari: M’es belhs dous chans: Melody, metre and imagery in a «love verse» of early troubadours – Oliver Vogel: Poetic rhythm in musical notations of the 14th century: The amateur tradition of grand chant courtois under the patronage of the autonomous system of ars musicae – Fabio Sangiovanni: For the anisosyllabic whim of the romance Middle Ages: Disciplines and non-regularity in the lyric poetry – Nausica Morandi: Creation, appropriation and development of the «sung verse» in the medieval musico-liturgical drama Officium Stellae – Levente Seláf/Patrizia Noel Aziz Hanna: Textsetting of multilingual poems: The example of Bruder Hans’ Ave Maria – Jon Storm-Mathisen: Norwegian gamalstev: A millennium of sung verse – Paolo Bravi: Verse structure and time patterns in the a mutetus extemporary sung poetry of Southern Sardinia – Varu? DeCastro-Arrazola: The prosody of Basque songs: A methodological proposal – François Dell: Text-to-tune alignment and lineation in traditional French songs – Daniela Rossi: Stress-to-beat mismatches in French rap – Luca Zuliani: New directions in Italian song lyrics? – Clara Isabel Martínez Cantón: Traditional metrics in Javier Krahe’s lyrics: Accords and discords – Wencke Ophaug: The challenge of identifying vowel phonemes in singing – Annjo K. Greenall: Textsetting in translation: Rhythmical (non-)equivalence in the works of three Scandinavian «singer-translators» – Johan Franzon: Three dimensions of singability. An approach to subtitled and sung translations – Andy Arleo: What can the cross-cultural study of children's clapping games teach us about the universality of sung verse?

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Contributor: Proto, Teresa (HerausgeberIn); Valenti, Gianluca (HerausgeberIn); Canettieri, Paolo (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783035108385
    Other identifier:
    9783035108385
    RVK Categories: EC 2440
    Series: Varia Musicologica ; 21
    Subjects: Liedermachen; Komposition <Musik>; ; Lyrik;
    Scope: 1 Online-Ressource (371 Seiten)
  3. Text and Tune
    On the Association of Music and Lyrics in Sung Verse
    Contributor: Proto, Teresa (HerausgeberIn); Valenti, Gianluca (HerausgeberIn); Canettieri, Paolo (HerausgeberIn)
    Published: [2015]
    Publisher:  Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern

    This book offers an overview of issues related to the regulated, formal organization of sound and speech in verse intended for singing. Particularly, it is concerned with the structural properties and underlying mechanisms involved in the association... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    This book offers an overview of issues related to the regulated, formal organization of sound and speech in verse intended for singing. Particularly, it is concerned with the structural properties and underlying mechanisms involved in the association of lyrics and music. While in spoken verse the underlying metrical scheme is grounded in the prosody of the language in which it is composed, in sung verse the structure is created by the mapping of specific prosodic units of the text (syllables, moras, tones, etc.) onto the rhythmic-melodic structure provided by the tune. Studying how this mapping procedure takes place across different musical genres and styles is valuable for what it can add to our knowledge of language and music in general, and also for what it can teach us about individual languages and poetic traditions. In terms of empirical coverage, the collection includes a wide variety of (Western) languages and metrical/musical forms, ranging from the Latin hexameter to the Norwegian stev, from the French chant courtois to the Sardinian mutetu longu. Readers interested in formal analyses of vocal music, or in metrics and linguistics, will find useful insights here Contents: Michele Napolitano: Poetry and music in archaic and classical Greece. Some thoughts – Antoni Rossell: Medieval liturgical drama, Carmina Burana and the Arnaut Daniel's sestina: Music and literature – Giorgio Monari: M’es belhs dous chans: Melody, metre and imagery in a «love verse» of early troubadours – Oliver Vogel: Poetic rhythm in musical notations of the 14th century: The amateur tradition of grand chant courtois under the patronage of the autonomous system of ars musicae – Fabio Sangiovanni: For the anisosyllabic whim of the romance Middle Ages: Disciplines and non-regularity in the lyric poetry – Nausica Morandi: Creation, appropriation and development of the «sung verse» in the medieval musico-liturgical drama Officium Stellae – Levente Seláf/Patrizia Noel Aziz Hanna: Textsetting of multilingual poems: The example of Bruder Hans’ Ave Maria – Jon Storm-Mathisen: Norwegian gamalstev: A millennium of sung verse – Paolo Bravi: Verse structure and time patterns in the a mutetus extemporary sung poetry of Southern Sardinia – Varu? DeCastro-Arrazola: The prosody of Basque songs: A methodological proposal – François Dell: Text-to-tune alignment and lineation in traditional French songs – Daniela Rossi: Stress-to-beat mismatches in French rap – Luca Zuliani: New directions in Italian song lyrics? – Clara Isabel Martínez Cantón: Traditional metrics in Javier Krahe’s lyrics: Accords and discords – Wencke Ophaug: The challenge of identifying vowel phonemes in singing – Annjo K. Greenall: Textsetting in translation: Rhythmical (non-)equivalence in the works of three Scandinavian «singer-translators» – Johan Franzon: Three dimensions of singability. An approach to subtitled and sung translations – Andy Arleo: What can the cross-cultural study of children's clapping games teach us about the universality of sung verse?

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Contributor: Proto, Teresa (HerausgeberIn); Valenti, Gianluca (HerausgeberIn); Canettieri, Paolo (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783035108385
    Other identifier:
    9783035108385
    RVK Categories: EC 2440
    Series: Varia Musicologica ; 21
    Subjects: Liedermachen; Komposition <Musik>; ; Lyrik;
    Scope: 1 Online-Ressource (371 Seiten)
  4. Text and Tune
    On the Association of Music and Lyrics in Sung Verse
    Contributor: Proto, Teresa (Publisher); Canettieri, Paolo (Publisher); Valenti, Gianluca (Publisher)
    Published: 2015; ©2016
    Publisher:  Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Proto, Teresa (Publisher); Canettieri, Paolo (Publisher); Valenti, Gianluca (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783035108385
    Other identifier:
    9783035108385
    RVK Categories: EC 2440 ; LR 57710
    Edition: 1st, New ed
    Subjects: Komposition <Musik>; Liedermachen
    Scope: 1 Online-Ressource (371 Seiten)
    Notes:

    Online resource; title from title screen (viewed June 10, 2019)

    This book offers an overview of issues related to the regulated, formal organization of sound and speech in verse intended for singing. Particularly, it is concerned with the structural properties and underlying mechanisms involved in the association of lyrics and music. While in spoken verse the underlying metrical scheme is grounded in the prosody of the language in which it is composed, in sung verse the structure is created by the mapping of specific prosodic units of the text (syllables, moras, tones, etc.) onto the rhythmic-melodic structure provided by the tune. Studying how this mapping procedure takes place across different musical genres and styles is valuable for what it can add to our knowledge of language and music in general, and also for what it can teach us about individual languages and poetic traditions. In terms of empirical coverage, the collection includes a wide variety of (Western) languages and metrical/musical forms, ranging from the Latin hexameter to the Norwegian stev, from the French chant courtois to the Sardinian mutetu longu. Readers interested in formal analyses of vocal music, or in metrics and linguistics, will find useful insights here