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  1. The art of the pose
    Oscar Wilde's performance theory
  2. The Art of the Pose
    Oscar Wilde's Performance Theory
    Published: 2011
    Publisher:  Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783035101102
    Other identifier:
    9783035101102
    RVK Categories: HL 4865
    Edition: 1st, New ed
    Subjects: Performativität <Kulturwissenschaften>; Theatertheorie; Selbst <Motiv>
    Other subjects: Wilde, Oscar (1854-1900)
    Scope: 1 Online-Ressource (222 Seiten)
    Notes:

    Online resource; title from title screen (viewed June 10, 2019)

    This book revisits Oscar Wilde's major writings through the field of performance studies. Wilde wrote about performance as a cultural dialectic, as a form of serious and critical play, and as the basis of a subversive poetics. In his studies at Oxford University, his famous lecture tour of the United States and Canada, his friendships with famous actresses Sarah Bernhardt and Lillie Langtry, the writing of his critical essays, The Picture of Dorian Gray, Salome, and his society comedies, and culminating in his post-prison writings De Profundis and The Ballad of Reading Gaol, Wilde develops a rich theory of performance that addresses aesthetics, ethics, identity and individualism. This book also traces Wilde's often-troubled relationship with late-Victorian society in terms of its attempts to define his public performances by stereotyping him as both irrelevant and dangerous, from the early newspaper caricatures to its later description of him as a sexual monster

  3. The Art of the Pose
    Published: 2011
    Publisher:  Peter Lang AG, Bern ; Peter Lang International Academic Publishers

    This book revisits Oscar Wilde’s major writings through the field of performance studies. Wilde wrote about performance as a cultural dialectic, as a form of serious and critical play, and as the basis of a subversive poetics. In his studies at... more

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    Universitätsbibliothek Gießen
    No inter-library loan

     

    This book revisits Oscar Wilde’s major writings through the field of performance studies. Wilde wrote about performance as a cultural dialectic, as a form of serious and critical play, and as the basis of a subversive poetics. In his studies at Oxford University, his famous lecture tour of the United States and Canada, his friendships with famous actresses Sarah Bernhardt and Lillie Langtry, the writing of his critical essays, The Picture of Dorian Gray, Salome, and his society comedies, and culminating in his post-prison writings De Profundis and The Ballad of Reading Gaol, Wilde develops a rich theory of performance that addresses aesthetics, ethics, identity and individualism. This book also traces Wilde’s often-troubled relationship with late-Victorian society in terms of its attempts to define his public performances by stereotyping him as both irrelevant and dangerous, from the early newspaper caricatures to its later description of him as a sexual monster.

     

    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783035101102
    Other identifier:
    RVK Categories: HL 4865
    DDC Categories: 820
    Edition: 1st, New ed.
    Subjects: Selbst <Motiv>; Performativität <Kulturwissenschaften>; Theatertheorie
    Other subjects: Wilde, Oscar (1854-1900)
    Scope: 1 Online-Ressource
  4. The Art of the Pose
    Oscar Wilde’s Performance Theory
    Published: 2011
    Publisher:  Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern

  5. <<The>> art of the pose
    Oscar Wilde's performance theory
    Published: 2010
    Publisher:  Peter Lang, Bern

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783035101102; 3035101108; 3034304390; 9783034304399
    Subjects: Self-presentation in literature; Self in literature; Identity (Philosophical concept) in literature; Persona (Psychoanalysis); Image (Philosophy); LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Aesthetics / (OCoLC)fst00798702; Identity (Philosophical concept) in literature / (OCoLC)fst00966891; Image (Philosophy) / (OCoLC)fst00967475; Performing arts / (OCoLC)fst01057887; Persona (Psychoanalysis) / (OCoLC)fst01058562; Philosophy / (OCoLC)fst01060777; Self in literature / (OCoLC)fst01111462; Self-presentation in literature / (OCoLC)fst01111879
    Other subjects: Wilde, Oscar / 1854-1900 / Criticism and interpretation; Wilde, Oscar / 1854-1900 / Knowledge / Performing arts; Wilde, Oscar / 1854-1900 / Aesthetics; Wilde, Oscar / 1854-1900 / Philosophy; Wilde, Oscar / 1854-1900 / Criticism and interpretation / Knowledge / Performing arts / Aesthetics / Philosophy; Wilde, Oscar / 1854-1900 / (OCoLC)fst00033910
    Scope: 1 online resource (222 pages)
    Notes:

    Includes bibliographical references (pages 213-222)

    Introduction. Oscar Wilde and performance theory -- Foundations and experiments: Oscar Wilde at Oxford -- Celebrity, caricatures and public performances in the 1880s -- Wilde's performance theory and the critical essays -- Decadent anxiety and negative capabilities: The picture of Dorian Gray and Salome -- The dialectic of persona and stereotypes in the society comedies -- Performance as redemption in De profundis and The ballad of reading Gaol

  6. The art of the pose
    Oscar Wilde's performance theory
    Published: 2010
    Publisher:  Peter Lang, Bern

    Includes bibliographical references (p. 213-222) This book revisits Oscar Wilde's major writings through the field of performance studies. Wilde wrote about performance as a cultural dialectic, as a form of serious and critical play, and as the basis... more

    Hochschulbibliothek Friedensau
    Online-Ressource
    No inter-library loan

     

    Includes bibliographical references (p. 213-222) This book revisits Oscar Wilde's major writings through the field of performance studies. Wilde wrote about performance as a cultural dialectic, as a form of serious and critical play, and as the basis of a subversive poetics. In his studies at Oxford University, his famous lecture tour of the United States and Canada, his friendships with famous actresses Sarah Bernhardt and Lillie Langtry, the writing of his critical essays, The Picture of Dorian Gray, Salome, and his society comedies, and culminating in his post-prison writings De Profundis and The Ballad of Reading Gaol, Wilde develops a r

     

    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783034304399; 9783035101102
    Scope: 222 p
    Notes:

    Description based upon print version of record

    Available via World Wide Web

    Table of Contents; Acknowledgements 7; Introduction Oscar Wilde and Performance Theory 9; Chapter One Foundations and Experiments: Oscar Wilde at Oxford 23; Chapter Two Celebrity, Caricatures and Public Performances in the 1880s 51; Chapter Three Wilde's Performance Theory and the Critical Essays 91; Chapter Four Decadent Anxiety and Negative Capabilities: The Picture of Dorian Gray and Salome 119; Chapter Five The Dialectic of Persona and Stereotypes in the Society Comedies 151; Chapter Six Performance as Redemption in De Profundis and The Ballad of Reading Gaol 185; Bibliography 213