Skip to main navigation Skip to main content
info(at)avldigital.remove-this.de
Deutsch English
Narrow Search
Search narrowed by
Last searches

Results for *

Displaying results 1 to 8 of 8.

  1. Natasha's dress
    language of literature, language of fashion
    Author: Colaiacomo, Paola
    Published: [2018]; © 2018
    Publisher:  Peter Lang, Oxford ; Bern ; Berlin ; Bruxelles ; Frankfurt am Main ; New York ; Wien

    This book explores interconnections between high literary modernism and the revolution in dress design of the early twentieth century. During this time, new and 'liberated' lifestyles created a bond among figures as diverse as writers and fashion... more

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Universitätsbibliothek Regensburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    This book explores interconnections between high literary modernism and the revolution in dress design of the early twentieth century. During this time, new and 'liberated' lifestyles created a bond among figures as diverse as writers and fashion editors, painters and art critics, photographers and models, dancers and economists - all of whom were in different ways looking at new 'inventive clothes' (Vreeland) as life experiences. Starting points of the research are Pirandello's One, no one, and one hundred thousand, where the protagonist's disowning of his own image in the mirror ignites a tragedy, and Roger Fry's essays on the resuscitation of Victorianism at the end of the First World War, where the phantasmagoria of time is identified as the basis for modern illusion. Each chapter in the book explores a different facet of the same topic: the distance between self and image as the dispenser or destroyer of enchantment. This issue was actively pursued by philosophers (Benjamin), writers (Woolf, Mansfield, Fitzgerald), photographers (Man Ray, Cecil Beaton) and fashion critics (Vreeland). The evolution in fashion editing was meanwhile instructing the sophisticated readers of Vogue and Harper's Bazaar in the art of contemplating their own reflections in the mirror and seeing in them exactly what they wanted to see. The Natasha of the title is Tolstoy's heroine, a secret spring of creative energy for Katherine Mansfield, and the source of one of Diana Vreeland's most perceptive insights into the nature of fashion

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9783034322164
    RVK Categories: HM 1031 ; HM 1025
    Series: Cultural interactions ; volume 41
    Subjects: Mode <Motiv>; Englisch; Edition; Literatur; Amerikanisches Englisch
    Scope: x, 280 Seiten, Illustrationen
  2. Natasha's dress
    language of literature, language of fashion
    Author: Colaiacomo, Paola
    Published: [2018]
    Publisher:  Peter Lang, Oxford

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783034322164; 303432216X
    Other identifier:
    9783034322164
    DDC Categories: 820; 390; 740
    Series: Cultural interactions ; volume 41
    Subjects: Mode; Rezeption; Bloomsbury group; Literatur;
    Other subjects: ART / Design / Textile & Costume; LITERARY CRITICISM / American / General; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; LITERARY CRITICISM / European / French; LITERARY CRITICISM / European / German; Textile artworks; from c 1900 -; Fashion & society; Barrie; Bullen; Colaiacomo; distance; Dress; experience; fashion; Fashion; Language; Literature; literature; Modernism
    Scope: x, 280 Seiten, Illustrationen, 23 cm
    Notes:

    Literaturverzeichnis: Seite [265]-268
  3. Natasha's dress
    language of literature, language of fashion
    Author: Colaiacomo, Paola
    Published: [2018]
    Publisher:  Peter Lang, Oxford

    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2018 A 10380
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Mannheim
    Signature:
    2019 A 1593
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783034322164
    RVK Categories: HM 1031
    Series: Cultural interactions ; volume 41
    Subjects: Mode; Rezeption; Bloomsbury group; Literatur; ; Bloomsbury group; Literatur; Rezeption; Künste; Mode; Geschichte 1900-2000;
    Scope: x, 280 Seiten, Illustrationen
  4. Natasha's Dress
    language of literature, language of fashion
    Author: Colaiacomo, Paola
    Published: [2018]
    Publisher:  Peter Lang, Oxford

    Export to reference management software   RIS file
      BibTeX file
  5. Natasha's dress
    language of literature, language of fashion
    Author: Colaiacomo, Paola
    Published: [2018]; © 2018
    Publisher:  Peter Lang, Oxford

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signature:
    91.046.82
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783034322164
    Other identifier:
    9783034322164
    RVK Categories: HM 1031
    DDC Categories: 820; 390; 740
    Series: Cultural interactions ; volume 41
    Subjects: Literatur; Rezeption; Künste; Mode
    Scope: x, 280 Seiten, Illustrationen
    Notes:

    Auswahlbibliografie Seite 265-268
  6. Natasha's dress
    language of literature, language of fashion
    Author: Colaiacomo, Paola
    Published: [2018]; © 2018
    Publisher:  Peter Lang, Oxford ; Bern ; Berlin ; Bruxelles ; Frankfurt am Main ; New York ; Wien

    This book explores interconnections between high literary modernism and the revolution in dress design of the early twentieth century. During this time, new and 'liberated' lifestyles created a bond among figures as diverse as writers and fashion... more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    This book explores interconnections between high literary modernism and the revolution in dress design of the early twentieth century. During this time, new and 'liberated' lifestyles created a bond among figures as diverse as writers and fashion editors, painters and art critics, photographers and models, dancers and economists - all of whom were in different ways looking at new 'inventive clothes' (Vreeland) as life experiences. Starting points of the research are Pirandello's One, no one, and one hundred thousand, where the protagonist's disowning of his own image in the mirror ignites a tragedy, and Roger Fry's essays on the resuscitation of Victorianism at the end of the First World War, where the phantasmagoria of time is identified as the basis for modern illusion. Each chapter in the book explores a different facet of the same topic: the distance between self and image as the dispenser or destroyer of enchantment. This issue was actively pursued by philosophers (Benjamin), writers (Woolf, Mansfield, Fitzgerald), photographers (Man Ray, Cecil Beaton) and fashion critics (Vreeland). The evolution in fashion editing was meanwhile instructing the sophisticated readers of Vogue and Harper's Bazaar in the art of contemplating their own reflections in the mirror and seeing in them exactly what they wanted to see. The Natasha of the title is Tolstoy's heroine, a secret spring of creative energy for Katherine Mansfield, and the source of one of Diana Vreeland's most perceptive insights into the nature of fashion

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9783034322164
    RVK Categories: HM 1031 ; HM 1025
    Series: Cultural interactions ; volume 41
    Subjects: Mode <Motiv>; Englisch; Edition; Literatur; Amerikanisches Englisch
    Scope: x, 280 Seiten, Illustrationen
  7. Natasha's dress
    language of literature, language of fashion
    Author: Colaiacomo, Paola
    Published: [2018]; © 2018
    Publisher:  Peter Lang, Oxford

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signature:
    91.046.82
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Title in the local catalogue:
    https://hds.hebis.de/ubffm/Record/HEB438684907
    Export to reference management software   RIS file
      BibTeX file
    Source: Specialised Catalogue of Comparative Literature
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783034322164
    Other identifier:
    9783034322164
    RVK Categories: HM 1031
    DDC Categories: 820; 390; 740
    Series: Cultural interactions ; volume 41
    Subjects: Literatur; Rezeption; Künste; Mode
    Scope: x, 280 Seiten, Illustrationen
    Notes:

    Auswahlbibliografie Seite 265-268
  8. Natasha's dress
    language of literature, language of fashion
    Author: Colaiacomo, Paola
    Published: 2017
    Publisher:  Peter Lang, Berlin

    This book explores interconnections between high literary modernism and the revolution in dress design of the early twentieth century. During this time, new and 'liberated' lifestyles created a bond among figures as diverse as writers and fashion... more

    Location:
    Universität Freiburg, Romanisches Seminar, Bibliothek
    Signature:
    Frei 23: La 5, 114 a
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Hochschule für Angewandte Wissenschaften Hamburg, Hochschulinformations- und Bibliotheksservice (HIBS), Fachbibliothek Technik, Wirtschaft, Informatik
    Signature:
    Fd.b.83
    Inter-library loan:
    No inter-library loan

     

    This book explores interconnections between high literary modernism and the revolution in dress design of the early twentieth century. During this time, new and 'liberated' lifestyles created a bond among figures as diverse as writers and fashion editors, painters and art critics, photographers and models, dancers and economists ? all of whom were in different ways looking at new 'inventive clothes' (Vreeland) as life experiences.0Starting points of the research are Pirandello?s One, no one, and one hundred thousand, where the protagonist?s disowning of his own image in the mirror ignites a tragedy, and Roger Fry?s essays on the resuscitation of Victorianism at the end of the First World War, where the phantasmagoria of time is identified as the basis for modern illusion.0Each chapter in the book explores a different facet of the same topic: the distance between self and image as the dispenser or destroyer of enchantment. This issue was actively pursued by philosophers (Benjamin), writers (Woolf, Mansfield, Fitzgerald), photographers (Man Ray, Cecil Beaton) and fashion critics (Vreeland). The evolution in fashion editing was meanwhile instructing the sophisticated readers of Vogue and Harper?s Bazaar in the art of contemplating their own reflections in the mirror and seeing in them exactly what they wanted to see.0The Natasha of the title is Tolstoy?s heroine, a secret spring of creative energy for Katherine Mansfield, and the source of one of Diana Vreeland?s most perceptive insights into the nature of fashion

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783034322164
    RVK Categories: HM 1031
    Subjects: Mode; Rezeption; Bloomsbury group; Literatur;
    Scope: 280 Seiten