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  1. The Origins of Transmedia Storytelling in Early Twentieth Century Adaptation
    Author: Weedon, Alexis
    Published: 2021
    Publisher:  Springer International Publishing, Cham ; Springer International Publishing AG

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030724764; 303072476X
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    Edition: 1st ed. 2021
    Subjects: Literature and technology; Mass media and literature; Literature, Modern; Communication; Motion pictures; Television broadcasting; Literature and Technology; Twentieth-Century Literature; Media and Communication; Film and Television Studies
    Scope: 1 Online-Ressource (XIX, 281 Seiten), 8 illus., 2 illus. in color.
  2. The Origins of Transmedia Storytelling in Early Twentieth Century Adaptation
    Author: Weedon, Alexis
    Published: 2021.
    Publisher:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    Chapter 1. Introduction -- Chapter 2. Storytellers and the participatory audience -- Chapter 3. Writing across media: the techniques of Clemence Dane -- Chapter 4. Adaptations of Elizabeth I and Shakespeare by Clemence Dane -- Chapter 5. Novelist as... more

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    Chapter 1. Introduction -- Chapter 2. Storytellers and the participatory audience -- Chapter 3. Writing across media: the techniques of Clemence Dane -- Chapter 4. Adaptations of Elizabeth I and Shakespeare by Clemence Dane -- Chapter 5. Novelist as a Pierrot: G.B. Stern on women and role-playing identity, etc. 'Impeccably researched and rigorously argued, Weedon’s book offers a precise historical study of a period and culture when adaptation practices and transmedia storytelling were just beginning to take shape as a fascinating anticipation of the twenty-first century.' – Timothy Corrigan, Professor Emeritus of English, Cinema Studies, and History of Art, University of Pennsylvania, USA. This book explores the significance of professional writers and their role in developing British storytelling in the 1920s and 1930s, and their influence on the poetics of today’s transmedia storytelling. Modern techniques can be traced back to the early twentieth century when film, radio and television provided professional writers with new formats and revenue streams for their fiction. The book explores the contribution of four British authors, household names in their day, who adapted work for film, television and radio. Although celebrities between the wars, Clemence Dane, G.B. Stern, Hugh Walpole and A.E.W Mason have fallen from view. The popular playwright Dane, witty novelist Stern and raconteur Walpole have been marginalised for being German, Jewish, female or gay and Mason’s contribution to film has been overlooked also. It argues that these and other vocational authors should be reassessed for their contribution to new media forms of storytelling. The book makes a significant contribution in the fields of media studies, adaptation studies, and the literary middlebrow.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030724764
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    Edition: 1st ed. 2021.
    Series: Springer eBook Collection
    Subjects: Technology in literature.; Literature, Modern—20th century.; Communication.; Motion pictures and television.
    Scope: 1 Online-Ressource(XIX, 281 p. 8 illus., 2 illus. in color.)
  3. The Origins of Transmedia Storytelling in Early Twentieth Century Adaptation
    Author: Weedon, Alexis
    Published: 2021.
    Publisher:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    Chapter 1. Introduction -- Chapter 2. Storytellers and the participatory audience -- Chapter 3. Writing across media: the techniques of Clemence Dane -- Chapter 4. Adaptations of Elizabeth I and Shakespeare by Clemence Dane -- Chapter 5. Novelist as... more

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    Chapter 1. Introduction -- Chapter 2. Storytellers and the participatory audience -- Chapter 3. Writing across media: the techniques of Clemence Dane -- Chapter 4. Adaptations of Elizabeth I and Shakespeare by Clemence Dane -- Chapter 5. Novelist as a Pierrot: G.B. Stern on women and role-playing identity, etc. 'Impeccably researched and rigorously argued, Weedon’s book offers a precise historical study of a period and culture when adaptation practices and transmedia storytelling were just beginning to take shape as a fascinating anticipation of the twenty-first century.' – Timothy Corrigan, Professor Emeritus of English, Cinema Studies, and History of Art, University of Pennsylvania, USA. This book explores the significance of professional writers and their role in developing British storytelling in the 1920s and 1930s, and their influence on the poetics of today’s transmedia storytelling. Modern techniques can be traced back to the early twentieth century when film, radio and television provided professional writers with new formats and revenue streams for their fiction. The book explores the contribution of four British authors, household names in their day, who adapted work for film, television and radio. Although celebrities between the wars, Clemence Dane, G.B. Stern, Hugh Walpole and A.E.W Mason have fallen from view. The popular playwright Dane, witty novelist Stern and raconteur Walpole have been marginalised for being German, Jewish, female or gay and Mason’s contribution to film has been overlooked also. It argues that these and other vocational authors should be reassessed for their contribution to new media forms of storytelling. The book makes a significant contribution in the fields of media studies, adaptation studies, and the literary middlebrow.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030724764
    Other identifier:
    Edition: 1st ed. 2021.
    Subjects: Technology in literature.; Literature, Modern—20th century.; Communication.; Motion pictures and television.
    Scope: 1 Online-Ressource(XIX, 281 p. 8 illus., 2 illus. in color.)
  4. The origins of transmedia storytelling in early twentieth century adaptation
    Author: Weedon, Alexis
    Published: 2021
    Publisher:  Palgrave Macmillan, Cham ; EBSCO Industries Inc, Birmingham, AL, USA

    This book explores the significance of professional writers and their role in developing British storytelling in the 1920s and 1930s, and their influence on the poetics of today's transmedia storytelling. Modern techniques can be traced back to the... more

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    Universität Mainz, Zentralbibliothek
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    This book explores the significance of professional writers and their role in developing British storytelling in the 1920s and 1930s, and their influence on the poetics of today's transmedia storytelling. Modern techniques can be traced back to the early twentieth century when film, radio and television provided professional writers with new formats and revenue streams for their fiction. The book explores the contribution of four British authors, household names in their day, who adapted work for film, television and radio. Although celebrities between the wars, Clemence Dane, G.B. Stern, Hugh Walpole and A.E.W Mason have fallen from view. The popular playwright Dane, witty novelist Stern and raconteur Walpole have been marginalised for being German, Jewish, female or gay and Mason's contribution to film has been overlooked also. It argues that these and other vocational authors should be reassessed for their contribution to new media forms of storytelling. The book makes a significant contribution in the fields of media studies, adaptation studies, and the literary middlebrow

     
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  5. The origins of transmedia storytelling in early twentieth century adaptation
    Author: Weedon, Alexis
    Published: 2021
    Publisher:  Palgrave Macmillan, Cham

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    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030724764
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    RVK Categories: AP 34400 ; AP 47600 ; HM 1293 ; HM 4695 ; HM 4850 ; HN 2995
    Edition: 1st ed. 2021
    Subjects: Literature and Technology/Media; Twentieth-Century Literature; Media and Communication; Screen Studies; Technology in literature; Literature, Modern—20th century; Communication; Motion pictures and television; Literatur; Fernsehen; Adaption <Literatur>; Hörfunk; Verfilmung; Englisch; Erzählen
    Scope: 1 Online-Ressource (xix, 281 Seiten), Illustrationen
  6. The Origins of Transmedia Storytelling in Early Twentieth Century Adaptation
    Author: Weedon, Alexis
    Published: 2021
    Publisher:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

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    Edition: 1st ed. 2021
    Subjects: Technology in literature; Literature, Modern—20th century; Communication; Motion pictures and television
    Scope: 1 Online-Ressource (XIX, 281 p. 8 illus., 2 illus. in color)
  7. The Origins of Transmedia Storytelling in Early Twentieth Century Adaptation
    Author: Weedon, Alexis
    Published: 2021
    Publisher:  Springer International Publishing, Cham

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    Source: Union catalogues
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    ISBN: 9783030724764
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    Edition: 1st ed. 2021
    Subjects: Technology in literature; Literature, Modern—20th century; Communication; Motion pictures and television
    Scope: 1 Online-Ressource (XIX, 281 p. 8 illus., 2 illus. in color)
  8. The origins of transmedia storytelling in early twentieth century adaptation
    Author: Weedon, Alexis
    Published: 2021
    Publisher:  Palgrave Macmillan, Cham

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  9. The Origins of Transmedia Storytelling in Early Twentieth Century Adaptation
    Author: Weedon, Alexis
    Published: 2021; ©2021
    Publisher:  Springer International Publishing AG, Cham

    Intro -- Preface and Acknowledgments -- Contents -- List of Figures -- List of Tables -- 1 Introduction -- Works Cited -- 2 Storytellers and the Participatory Audience -- Economic Drivers: The Commercial Attraction of Cross-Media Storytelling --... more

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    Intro -- Preface and Acknowledgments -- Contents -- List of Figures -- List of Tables -- 1 Introduction -- Works Cited -- 2 Storytellers and the Participatory Audience -- Economic Drivers: The Commercial Attraction of Cross-Media Storytelling -- Bricoleurs: Transforming an Aesthetic Form into a Pragmatic Writing Process -- Writers as Fans -- Story Genealogies Across Media -- Conclusion -- Works cited -- 3 Writing Across Media: the Techniques of Clemence Dane -- Clemence Dane as an Adapter and Versatile Artist -- Dane's Writing for Films -- Dane's Storytelling -- Works Cited -- 4 Adaptations of Elizabeth I and Shakespeare by Clemence Dane -- Elizabeth in Dane's Radio Plays and the Lessons of Collaborative and Co-authorship -- Dane's Legacy -- Works Cited -- 5 Novelist as a Pierrot: G.B. Stern on Women and Role-Playing Identity -- Reclaiming the Pierrot for Gender Role-Play -- Changing Places, One of the Seven Themes of Fiction -- Conclusion -- Works Cited -- 6 Race and Migration in Fiction, on Stage and Film: G.B. Stern -- 'What is the Love of One's Land?' -- Stern's Jewish Family Saga -- Stern's Jewish Play -- G.B. Stern's Writing in Hollywood -- Stern's British Film-Making and R.L. Stevenson -- Stern's Legacy -- Works Cited -- 7 Live Radio and Film Dialogue: Hugh Walpole's Creation of Fictional Friends -- Walpole and Traditive Storytelling -- Walpole's Film Adaptations -- Walpole's Contribution -- Works Cited -- 8 A Story in Pictures: A.E.W. Mason's Film Writing -- Early Career and Opinion of the Film Industry -- Adaptation of Mason's Novels -- Writing for Film in The Drum and the Success of The Four Feathers -- Conclusion -- Works Cited -- 9 A Collaborative Radio Serial with Clemence Dane and Hugh Walpole -- 'Behind the Screen' and 'The Scoop' Radio Serials -- The Success of the Experiment.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030724764
    Subjects: Stern, G. B.-(Gladys Bronwyn),-1890-1973-Adaptations; English fiction-20th century-History and criticism; Dane, Clemence-Adaptations; Electronic books
    Scope: 1 online resource (289 pages)
    Notes:

    Description based on publisher supplied metadata and other sources