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  1. Endings in the cinema
    thresholds, water and the beach
    Author: Walker, Michael
    Published: 2020
    Publisher:  Palgrave Macmillan, Cham

    Location:
    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Passau
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030316570
    Other identifier:
    RVK Categories: AP 50300
    Subjects: Film Theory; Close Reading; Motion pictures; Strand <Motiv>; Grenze <Motiv>; Ende; Film; Wasser <Motiv>
    Scope: 1 Online-Ressource (xvi, 316 Seiten), Illustrationen
  2. Endings in the Cinema
    Thresholds, Water and the Beach
    Author: Walker, Michael
    Published: 2020.
    Publisher:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    Introduction -- THRESHOLDS AND BOUNDARIES -- Stations -- i. The station as stage -- ii. Lovers’ separations -- iii. World War 2 -- Wartime homecoming -- iv. Stations and death -- WATER -- i. The waterside -- Ship and boat departure -- ii. On water --... more

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    Universität Potsdam, Universitätsbibliothek
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    Introduction -- THRESHOLDS AND BOUNDARIES -- Stations -- i. The station as stage -- ii. Lovers’ separations -- iii. World War 2 -- Wartime homecoming -- iv. Stations and death -- WATER -- i. The waterside -- Ship and boat departure -- ii. On water -- iii. In and under water -- KEY ENDING TROPES AND MOTIFS -- i. Sunsets -- ii. Voice-overs -- iii. ‘Let’s go home’ -- iv. Looking at or addressing the camera -- v. Emblematic shots -- vi. Theatricality -- BEACHES -- Introduction -- Early History -- i. Silent Cinema -- ii. The 1930s -- iii. World War 2 -- Concepts and development -- i. The Woman on the Beach -- 1954 and after -- ii. Beach holidays -- iii. Tabula rasa -- iv. Empty beach -- v. Renewal -- Auteurist inflections -- i. La nouvelle vague and after -- ii. Beach auteurs: Fellini, Kurys, Ozon, Kitano -- Themes and motifs -- i. Death -- Dying -- Suicides -- ii. War -- iii. Hallucination, breakdown and insanity -- iv. The family and childhood -- v. Mourning and solitary reflection -- vi. Home movies -- vii. Fantasy -- viii. Apocalypse and post-apocalypse -- ix. Paradise and lost paradise -- x. Other categories and Conclusion -- Appendix: Films with beach endings -- Bibliography. This book offers a new way of thinking about film endings. Whereas existing works on the subject concentrate on narrative resolution, this book explores the way film endings blend together a complex of motifs, tropes and other elements to create the sense of an ending­—that is, it looks at ‘endings as endings’. Drawing on a wide range of examples taken from films of different periods and national cinemas, the author identifies three key features which structure the work: thresholds and boundaries, water, and, above all, the beach. The beach combines water and a boundary and is the most resonant of the key sites to which film endings gravitate. Although beach endings go back to at least 1910, they have increased markedly in post-classical cinema, and can be found across all genres and in films from many different countries. As the leading example of the book’s argument, they illustrate both the aesthetic richness and the structural complexity of film endings. .

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030316570
    Other identifier:
    RVK Categories: AP 50300
    Edition: 1st ed. 2020.
    Series: Springer eBook Collection
    Subjects: Motion pictures.
    Scope: 1 Online-Ressource(XVI, 316 p. 31 illus., 23 illus. in color.)
  3. Endings in the cinema
    thresholds, water and the beach
    Author: Walker, Michael
    Published: 2020
    Publisher:  Palgrave Macmillan, Cham

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
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    Volltext (URL des Erstveröffentlichers)
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030316570
    Other identifier:
    RVK Categories: AP 50300
    Subjects: Film Theory; Close Reading; Motion pictures; Strand <Motiv>; Grenze <Motiv>; Ende; Film; Wasser <Motiv>
    Scope: 1 Online-Ressource (xvi, 316 Seiten), Illustrationen
  4. Endings in the Cinema
    Thresholds, Water and the Beach
    Author: Walker, Michael
    Published: 2020.
    Publisher:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    Introduction -- THRESHOLDS AND BOUNDARIES -- Stations -- i. The station as stage -- ii. Lovers’ separations -- iii. World War 2 -- Wartime homecoming -- iv. Stations and death -- WATER -- i. The waterside -- Ship and boat departure -- ii. On water --... more

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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Bibliotheksservice-Zentrum Baden-Württemberg (BSZ)
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Otto-von-Guericke-Universität, Universitätsbibliothek
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    Otto-von-Guericke-Universität, Universitätsbibliothek, Medizinische Zentralbibliothek
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    eBook Springer
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    Universitätsbibliothek Mannheim
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    Universitätsbibliothek Mannheim
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Universitätsbibliothek Stuttgart
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    Introduction -- THRESHOLDS AND BOUNDARIES -- Stations -- i. The station as stage -- ii. Lovers’ separations -- iii. World War 2 -- Wartime homecoming -- iv. Stations and death -- WATER -- i. The waterside -- Ship and boat departure -- ii. On water -- iii. In and under water -- KEY ENDING TROPES AND MOTIFS -- i. Sunsets -- ii. Voice-overs -- iii. ‘Let’s go home’ -- iv. Looking at or addressing the camera -- v. Emblematic shots -- vi. Theatricality -- BEACHES -- Introduction -- Early History -- i. Silent Cinema -- ii. The 1930s -- iii. World War 2 -- Concepts and development -- i. The Woman on the Beach -- 1954 and after -- ii. Beach holidays -- iii. Tabula rasa -- iv. Empty beach -- v. Renewal -- Auteurist inflections -- i. La nouvelle vague and after -- ii. Beach auteurs: Fellini, Kurys, Ozon, Kitano -- Themes and motifs -- i. Death -- Dying -- Suicides -- ii. War -- iii. Hallucination, breakdown and insanity -- iv. The family and childhood -- v. Mourning and solitary reflection -- vi. Home movies -- vii. Fantasy -- viii. Apocalypse and post-apocalypse -- ix. Paradise and lost paradise -- x. Other categories and Conclusion -- Appendix: Films with beach endings -- Bibliography. This book offers a new way of thinking about film endings. Whereas existing works on the subject concentrate on narrative resolution, this book explores the way film endings blend together a complex of motifs, tropes and other elements to create the sense of an ending­—that is, it looks at ‘endings as endings’. Drawing on a wide range of examples taken from films of different periods and national cinemas, the author identifies three key features which structure the work: thresholds and boundaries, water, and, above all, the beach. The beach combines water and a boundary and is the most resonant of the key sites to which film endings gravitate. Although beach endings go back to at least 1910, they have increased markedly in post-classical cinema, and can be found across all genres and in films from many different countries. As the leading example of the book’s argument, they illustrate both the aesthetic richness and the structural complexity of film endings. .

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030316570
    Other identifier:
    RVK Categories: AP 50300
    Edition: 1st ed. 2020.
    Series: Springer eBook Collection
    Subjects: Motion pictures.
    Scope: 1 Online-Ressource(XVI, 316 p. 31 illus., 23 illus. in color.)