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  1. Performance and spectatorship in Edwardian art writing
    Published: 2019
    Publisher:  Springer International Publishing, Cham ; Palgrave Pivot

    Universitätsbibliothek Bayreuth
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Passau
    Unlimited inter-library loan, copies and loan
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030170240
    Other identifier:
    RVK Categories: HM 1023 ; HL 1063
    Series: Bernard Shaw and His Contemporaries
    Subjects: Performing Arts; Theatre History; Drama; Performing arts; Theater-History; Drama; Darstellende Kunst; Publikum; Ästhetik
    Scope: 1 Online-Ressource (xi, 126 Seiten), Illustrationen
  2. Performance and Spectatorship in Edwardian Art Writing
    Published: 2019
    Publisher:  Springer International Publishing AG, Cham ; ProQuest, Ann Arbor, Michigan

    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    No inter-library loan
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030170240
    Series: Bernard Shaw and His Contemporaries Ser.
    Scope: 1 Online-Ressource (138 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

  3. Performance and spectatorship in Edwardian art writing
    Published: [2019]; © 2019
    Publisher:  Palgrave Macmillan, Cham ; Springer Nature Switzerland AG

    This book explores how Edwardian art writing shaped and narrated embodied, performative forms of aesthetic spectatorship. It argues that we need to expand the range of texts we think of as art writing, and features a diverse array of critical and... more

     

    This book explores how Edwardian art writing shaped and narrated embodied, performative forms of aesthetic spectatorship. It argues that we need to expand the range of texts we think of as art writing, and features a diverse array of critical and fictional works, often including texts that are otherwise absent from art-historical study. Multi-disciplinary in scope, this book proposes a methodology for analyzing the aesthetic encounter within and through art writing, adapting and reworking a form of phenomenological-semiotic analysis found conventionally in performance studies. It focuses on moments where theories of spectatorship meet practice, moving between the varied spaces of Edwardian art viewing, from the critical text, to the lecture hall, the West End theatre and gallery, middle-class home, and fictional novel. It contributes to a rethinking of Edwardian culture by exploring the intriguing heterogeneity and self-consciousness of viewing practices in a period more commonly associated with the emergence of formalism

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030170240
    Other identifier:
    Series: Bernard Shaw and his contemporaries
    Palgrave Pivot
    Subjects: Performing arts; Theater—History; Drama; Performing Arts; Theatre History; Drama
    Scope: 1 Online-Ressource (xi, 126 Seiten), Illustrationen
    Notes:

    1. Introduction: An Invitation -- 2. Characterising the Viewer -- 3. Spectatorship and Ekphrasis -- 4. Staging Spectatorship -- 5. Staging Art -- 6. Domesticity, Decoration and Role Play -- 7. Conclusion

  4. Performance and spectatorship in Edwardian art writing
    Published: 2019
    Publisher:  Springer International Publishing, Cham ; Palgrave Pivot

    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
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    Volltext (URL des Erstveröffentlichers)
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030170240
    Other identifier:
    RVK Categories: HM 1023 ; HL 1063
    Series: Bernard Shaw and His Contemporaries
    Subjects: Performing Arts; Theatre History; Drama; Performing arts; Theater-History; Drama; Darstellende Kunst; Publikum; Ästhetik
    Scope: 1 Online-Ressource (xi, 126 Seiten), Illustrationen
  5. Performance and Spectatorship in Edwardian Art Writing
    Published: 2019; ©2019
    Publisher:  Springer International Publishing AG, Cham

    Intro -- Acknowledgements -- Contents -- List of Figures -- 1 Introduction: An Invitation -- Spectatorship -- Theatricality and Performance -- The Edwardian -- Modernist Teleology -- 2 Characterising the Audience -- Characterising the Critic, Artist... more

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    Hochschulbibliothek Friedensau
    Online-Ressource
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    Intro -- Acknowledgements -- Contents -- List of Figures -- 1 Introduction: An Invitation -- Spectatorship -- Theatricality and Performance -- The Edwardian -- Modernist Teleology -- 2 Characterising the Audience -- Characterising the Critic, Artist and Viewer -- Scripting Spectatorship -- Self-Conscious Performance -- 3 Spectatorship and Ekphrasis -- Affect-Oriented Ekphrasis -- The Embodied Spectator -- Imaginative Space -- 4 Staging Spectatorship -- The Auditorium -- Lyricism, Self-Projection and Emotional Response -- The Unknown God -- 5 Staging Art -- Art in the Theatre -- Active Spectatorship -- Disinterested Commercialism -- 6 Domesticity, Decoration and Role Play -- Immersive Experience -- A Drawing Room Rendezvous -- Individual Expression -- 7 Conclusion -- Index.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030170240
    Series: Bernard Shaw and His Contemporaries Ser.
    Subjects: Art and literature-England-History-18th century..; Literature-Aesthetics; Electronic books
    Scope: 1 online resource (138 pages)
    Notes:

    Description based on publisher supplied metadata and other sources