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  1. Played out
    the Race Man in twenty-first-century satire
    Author: Manning, Brandon J.
    Published: [2022]
    Publisher:  Rutgers University Press, New Brunswick

    Please let me be misunderstood -- Of our satirical strivings -- Neoliberalism and the funny Race Man -- Ingergrationist intimacies -- The president and his translator -- Conclusion: Beyond the funny Race Man. "Dating back to the blackface minstrel... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Please let me be misunderstood -- Of our satirical strivings -- Neoliberalism and the funny Race Man -- Ingergrationist intimacies -- The president and his translator -- Conclusion: Beyond the funny Race Man. "Dating back to the blackface minstrel performances of Bert Williams and the trickster figure of Uncle Julius in Charles Chesnutt's Conjure Tales, black humorists have negotiated American racial ideologies as they reclaimed the ability to represent themselves in the changing landscape of the early 20th century. Marginalized communities routinely use humor, specifically satire, to subvert the political, social, and cultural realities of race and racism in America. Through contemporary examples in popular culture and politics, including the work of Kendrick Lamar, Key and Peele and the presidency of Barack Obama and many others, in Played Out: The Race Man in 21st Century Satire author Brandon J. Manning examines how Black satirists create vulnerability to highlight the inner emotional lives of Black men. In focusing on vulnerability these satirists attend to America's most basic assumptions about Black men. Contemporary Black satire is a highly visible and celebrated site of black masculine self-expression. Black satirists leverage this visibility to trouble discourses on race and gender in the Post-Civil Rights era. More specifically, contemporary Black satire uses laughter to decenter Black men from the socio-political tradition of the Race Man"--

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781978824249; 9781978824256
    RVK Categories: HV 17230
    Subjects: African Americans in the performing arts; American fiction; Satire, American; African Americans; African Americans
    Scope: vii, 180 Seiten, Illustrationen
    Notes:

    Includes bibliographical references
  2. Played out
    the Race Man in twenty-first-century satire
    Author: Manning, Brandon J.
    Published: [2022]
    Publisher:  Rutgers University Press, New Brunswick

    Please let me be misunderstood -- Of our satirical strivings -- Neoliberalism and the funny Race Man -- Ingergrationist intimacies -- The president and his translator -- Conclusion: Beyond the funny Race Man. "Dating back to the blackface minstrel... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    10 A 146346
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    2022 A 4372
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Please let me be misunderstood -- Of our satirical strivings -- Neoliberalism and the funny Race Man -- Ingergrationist intimacies -- The president and his translator -- Conclusion: Beyond the funny Race Man. "Dating back to the blackface minstrel performances of Bert Williams and the trickster figure of Uncle Julius in Charles Chesnutt's Conjure Tales, black humorists have negotiated American racial ideologies as they reclaimed the ability to represent themselves in the changing landscape of the early 20th century. Marginalized communities routinely use humor, specifically satire, to subvert the political, social, and cultural realities of race and racism in America. Through contemporary examples in popular culture and politics, including the work of Kendrick Lamar, Key and Peele and the presidency of Barack Obama and many others, in Played Out: The Race Man in 21st Century Satire author Brandon J. Manning examines how Black satirists create vulnerability to highlight the inner emotional lives of Black men. In focusing on vulnerability these satirists attend to America's most basic assumptions about Black men. Contemporary Black satire is a highly visible and celebrated site of black masculine self-expression. Black satirists leverage this visibility to trouble discourses on race and gender in the Post-Civil Rights era. More specifically, contemporary Black satire uses laughter to decenter Black men from the socio-political tradition of the Race Man"--

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781978824249; 9781978824256
    RVK Categories: HV 17230
    Subjects: African Americans in the performing arts; American fiction; Satire, American; African Americans; African Americans
    Scope: vii, 180 Seiten, Illustrationen
    Notes:

    Includes bibliographical references