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  1. Framing French culture
    Contributor: Poiana, Peter; McCann, Ben; Edwards, Natalie
    Published: 2015
    Publisher:  University of Adelaide Press, Adelaide ; JSTOR, New York

    Throughout this book, the concept of framing is used to look at art, photography, scientific drawings and cinema as visually constituted, spatially bounded productions. The way these genres relate to that which exists beyond the frame, by means of... more

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    Throughout this book, the concept of framing is used to look at art, photography, scientific drawings and cinema as visually constituted, spatially bounded productions. The way these genres relate to that which exists beyond the frame, by means of plastic, chemically transposed, pencil-sketched or moving images allows us to decipher the particular language of the visual and at the same time circumscribe the dialectic between presence and absence that is proper to all visual media. Yet, these kinds of re-framing owe their existence to the ruptures and upheavals that marked the demise of certain discursive systems in the past, announcing the emergence of others that were in turn overturned.

     
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  2. Framing French culture
    Published: 2015
    Publisher:  University of Adelaide Press, Adelaide

    The doubling of the frame-visual art and discourse / Natalie Edwards, Ben McCann and Peter Poiana -- Colonial vision: French voyager-artists, aboriginal subjects and the British Colony at Port Jackson / Nicole Starbuck -- An artist in the making: the... more

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    The doubling of the frame-visual art and discourse / Natalie Edwards, Ben McCann and Peter Poiana -- Colonial vision: French voyager-artists, aboriginal subjects and the British Colony at Port Jackson / Nicole Starbuck -- An artist in the making: the early drawings of Charles-Alexandre Lesueur during the Baudin expedition to Australia / John West-Sooby -- Framing New Holland for framing a narrative? a representation of Sydney according to Charles-Alexandre Lesueur / Jean Fornasiero -- The artwork of the Baudin expedition to Australia (1800-1804): Nicolas-Martin Petit’s 1802 portrait of an aboriginal woman and child from Van Diemen’s Land / Jane Southwood -- Framing the Eiffel Tower: from postcards to postmodernism / Sonya Stephens -- The return of Trauner: late style in 1970s and 1980s French film design / Ben McCann -- Annie Ernaux’s phototextual archives: Ecrire la vie / Natalie Edwards -- The image of self-effacement: the revendication of the autonomous author in Marie NDiaye’s Autoportrait en vert / Christopher Hogarth -- Accumulating Algeria: recurrent images in Pied-Noir visual works / Amy L. Hubbell -- Georges Bataille’s Manet and the ‘strange impression of an absence’ / Caroline Sheaffer-Jones -- Entropy and osmosis in conceptualisations of the Surrealist frame / Klem James -- Art and origin: Bataille and Blanchot’s return to Lascaux / Peter Poiana Throughout this book, the concept of framing is used to look at art, photography, scientific drawings and cinema as visually constituted, spatially bounded productions. The way these genres relate to that which exists beyond the frame, by means of plastic, chemically transposed, pencil-sketched or moving images allows us to decipher the particular language of the visual and at the same time circumscribe the dialectic between presence and absence that is proper to all visual media. Yet, these kinds of re-framing owe their existence to the ruptures and upheavals that marked the demise of certain discursive systems in the past, announcing the emergence of others that were in turn overturned

     
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    Content information
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781922064882; 1922064882; 9781922064899; 1922064890; 9781922064868; 1922064874
    Other identifier:
    Subjects: Motion pictures; French literature
    Scope: 1 Online-Ressource (vi, 290 pages)
  3. Framing French culture
    Published: 2015
    Publisher:  University of Adelaide Press, Adelaide

    The doubling of the frame-visual art and discourse / Natalie Edwards, Ben McCann and Peter Poiana -- Colonial vision: French voyager-artists, aboriginal subjects and the British Colony at Port Jackson / Nicole Starbuck -- An artist in the making: the... more

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    The doubling of the frame-visual art and discourse / Natalie Edwards, Ben McCann and Peter Poiana -- Colonial vision: French voyager-artists, aboriginal subjects and the British Colony at Port Jackson / Nicole Starbuck -- An artist in the making: the early drawings of Charles-Alexandre Lesueur during the Baudin expedition to Australia / John West-Sooby -- Framing New Holland for framing a narrative? a representation of Sydney according to Charles-Alexandre Lesueur / Jean Fornasiero -- The artwork of the Baudin expedition to Australia (1800-1804): Nicolas-Martin Petit’s 1802 portrait of an aboriginal woman and child from Van Diemen’s Land / Jane Southwood -- Framing the Eiffel Tower: from postcards to postmodernism / Sonya Stephens -- The return of Trauner: late style in 1970s and 1980s French film design / Ben McCann -- Annie Ernaux’s phototextual archives: Ecrire la vie / Natalie Edwards -- The image of self-effacement: the revendication of the autonomous author in Marie NDiaye’s Autoportrait en vert / Christopher Hogarth -- Accumulating Algeria: recurrent images in Pied-Noir visual works / Amy L. Hubbell -- Georges Bataille’s Manet and the ‘strange impression of an absence’ / Caroline Sheaffer-Jones -- Entropy and osmosis in conceptualisations of the Surrealist frame / Klem James -- Art and origin: Bataille and Blanchot’s return to Lascaux / Peter Poiana Throughout this book, the concept of framing is used to look at art, photography, scientific drawings and cinema as visually constituted, spatially bounded productions. The way these genres relate to that which exists beyond the frame, by means of plastic, chemically transposed, pencil-sketched or moving images allows us to decipher the particular language of the visual and at the same time circumscribe the dialectic between presence and absence that is proper to all visual media. Yet, these kinds of re-framing owe their existence to the ruptures and upheavals that marked the demise of certain discursive systems in the past, announcing the emergence of others that were in turn overturned

     
    Export to reference management software   RIS file
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    Content information
    Volltext (Kostenfrei)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781922064882; 1922064882; 9781922064899; 1922064890; 9781922064868; 1922064874
    Other identifier:
    Subjects: Literatur; Kultur; Film
    Other subjects: Motion pictures; French literature
    Scope: 1 Online-Ressource (vi, 290 pages)
  4. Framing French culture
    Contributor: McCann, Ben (HerausgeberIn); Edwards, Natalie (HerausgeberIn); Poiana, Peter (HerausgeberIn)
    Published: 2015
    Publisher:  University of Adelaide Press, Adelaide

    The doubling of the frame-visual art and discourse / Natalie Edwards, Ben McCann and Peter Poiana -- Colonial vision: French voyager-artists, aboriginal subjects and the British Colony at Port Jackson / Nicole Starbuck -- An artist in the making: the... more

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    The doubling of the frame-visual art and discourse / Natalie Edwards, Ben McCann and Peter Poiana -- Colonial vision: French voyager-artists, aboriginal subjects and the British Colony at Port Jackson / Nicole Starbuck -- An artist in the making: the early drawings of Charles-Alexandre Lesueur during the Baudin expedition to Australia / John West-Sooby -- Framing New Holland for framing a narrative? a representation of Sydney according to Charles-Alexandre Lesueur / Jean Fornasiero -- The artwork of the Baudin expedition to Australia (1800-1804): Nicolas-Martin Petit’s 1802 portrait of an aboriginal woman and child from Van Diemen’s Land / Jane Southwood -- Framing the Eiffel Tower: from postcards to postmodernism / Sonya Stephens -- The return of Trauner: late style in 1970s and 1980s French film design / Ben McCann -- Annie Ernaux’s phototextual archives: Ecrire la vie / Natalie Edwards -- The image of self-effacement: the revendication of the autonomous author in Marie NDiaye’s Autoportrait en vert / Christopher Hogarth -- Accumulating Algeria: recurrent images in Pied-Noir visual works / Amy L. Hubbell -- Georges Bataille’s Manet and the ‘strange impression of an absence’ / Caroline Sheaffer-Jones -- Entropy and osmosis in conceptualisations of the Surrealist frame / Klem James -- Art and origin: Bataille and Blanchot’s return to Lascaux / Peter Poiana

     
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  5. Framing French culture
    Contributor: McCann, Ben (HerausgeberIn); Edwards, Natalie (HerausgeberIn); Poiana, Peter (HerausgeberIn)
    Published: 2015
    Publisher:  University of Adelaide Press, Adelaide

    The doubling of the frame-visual art and discourse / Natalie Edwards, Ben McCann and Peter Poiana -- Colonial vision: French voyager-artists, aboriginal subjects and the British Colony at Port Jackson / Nicole Starbuck -- An artist in the making: the... more

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    The doubling of the frame-visual art and discourse / Natalie Edwards, Ben McCann and Peter Poiana -- Colonial vision: French voyager-artists, aboriginal subjects and the British Colony at Port Jackson / Nicole Starbuck -- An artist in the making: the early drawings of Charles-Alexandre Lesueur during the Baudin expedition to Australia / John West-Sooby -- Framing New Holland for framing a narrative? a representation of Sydney according to Charles-Alexandre Lesueur / Jean Fornasiero -- The artwork of the Baudin expedition to Australia (1800-1804): Nicolas-Martin Petit’s 1802 portrait of an aboriginal woman and child from Van Diemen’s Land / Jane Southwood -- Framing the Eiffel Tower: from postcards to postmodernism / Sonya Stephens -- The return of Trauner: late style in 1970s and 1980s French film design / Ben McCann -- Annie Ernaux’s phototextual archives: Ecrire la vie / Natalie Edwards -- The image of self-effacement: the revendication of the autonomous author in Marie NDiaye’s Autoportrait en vert / Christopher Hogarth -- Accumulating Algeria: recurrent images in Pied-Noir visual works / Amy L. Hubbell -- Georges Bataille’s Manet and the ‘strange impression of an absence’ / Caroline Sheaffer-Jones -- Entropy and osmosis in conceptualisations of the Surrealist frame / Klem James -- Art and origin: Bataille and Blanchot’s return to Lascaux / Peter Poiana

     
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