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This book examines a major modern turn in Francophone Caribbean literature towards the récit d'enfance, or childhood memoir, and asks why this occurred post-1990, connecting texts to recent changes in public policy and education policy concerning the commemoration of slavery and colonialism both in France and at a global level (for example, the UNESCO project 'La Route de l'esclave', the 'loi Taubira' and the 'Comité pour la mémoire de l'esclavage'). Combining approaches from Postcolonial Theory, Psychoanalysis, Trauma Theory and Gender Studies, and positing recognition as a central concept of postcolonial literature, it draws attention to a neglected body of récits d'enfance by contemporary bestselling, prize-winning Francophone Caribbean authors Patrick Chamoiseau, Maryse Condé, Gisèle Pineau, Daniel Maximin, Raphaël Confiant and Dany Laferrière, while also offering new readings of texts by Aimé Césaire, Frantz Fanon, Edouard Glissant, Joseph Zobel, Françoise Ega, Michèle Lacrosil, Maurice Virassamy and Mayotte Capécia. The study proposes an innovative methodological paradigm with which to read postcolonial childhoods in a comparative framework from areas as diverse as the Caribbean, North Africa, Sub-Saharan Africa and particularly the Haitian diaspora in North America Introduction : Childhood, genre and the scene of recognition -- The emergence of a tradition -- Apples and mimic men : Patrick Chamoiseau's Une Enfance créole -- The poetics of ethnicity in Raphaël Confiant's Ravines du devant-jour and Le Cahier de romances -- Alienation and estrangement in Maryse Condé's Le Cœur à rire et à pleurer -- Childhood, the environment and diaspora : Daniel Maximin's Tu, c'est l'enfance and Gisèle Pineau's L'Exil selon Julia -- Thwarted expectations? Stasis and change in Haiti in Dany Laferrière's L'Odeur du café and Le Charme des après-midi sans fin -- Parental paradigms and gender stereotypes
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