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  1. British music and literary context
    artistic connections in the long nineteenth century
    Author: Allis, Michael
    Published: 2012
    Publisher:  Boydell & Brewer, Suffolk

    Despite several recent monographs, editions and recordings devoted to the reassessment of British music in the late nineteenth and early twentieth century, some negative perceptions still remain - particularly a sense that British composers in this... more

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Despite several recent monographs, editions and recordings devoted to the reassessment of British music in the late nineteenth and early twentieth century, some negative perceptions still remain - particularly a sense that British composers in this period somehow lacked literary credentials. ‘British Music and Literary Context’ counters this perception by showing that these composers displayed a real confidence and assurance in refiguring literary texts in their music. The book explores how literary context might offer modern audiences and listeners a 'way in' to appreciate specific works that have traditionally been viewed as problematic. Each chapter of this interdisciplinary study juxtaposes a British composer with a particular literary counterpart or genre. Chapter one focuses upon the artistic collaboration between Hubert Parry and Robert Bridges; chapter two explores how Charles Villiers Stanford consistently returned to Tennyson's texts throughout his compositional career; chapters three and four suggest how an orchestral drama by Granville Bantock might represent a close reading of a poem by Robert Browning, and how structure and imagery in a novel by Edward Bulwer Lytton might inform a reading of Edward Elgar's Piano Quintet Op.84. The final chapter offers parallels between narrative strategies in Victorian travel literature (including works by Charles Dickens and George Gissing) and the nature of musical events in Elgar's concert overture ‘In the South’ Op.50. Issues highlighted in the book include the vexed relationship between words and music, the refiguring of literary narratives as musical structures, and the ways in which musical settings or representations of literary texts might be seen as critical 'readings' of those texts. Anyone interested in nineteenth century British music, literature and Victorian studies will find this book most stimulating. Michael Allis is a Senior Lecturer in the School of Music, University of Leeds

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781846159558
    RVK Categories: HL 1031 ; LQ 84005
    Subjects: Geschichte; Musik; Music and literature / Great Britain / History / 19th century; Music and literature / Great Britain / History / 20th century; Music / Great Britain / 19th century / History and criticism; Music / Great Britain / 20th century / History and criticism; English literature / Musical settings / History and criticism; English poetry / Musical settings / History and criticism; Musik; Literatur
    Scope: 1 online resource (x, 320 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Parry and Bridges : Music and poetry in the Invocation to Music -- Stanford and Tennyson : The musical promotion of a poet -- Bantock and Browning : Reformulated dramatic monologue in Fifine at the Fair -- Elgar and Bulwer Lytton : Hidden narrative and the piano quintet -- Elgar and travel literature : In the south and 'Imaginative Topography'
  2. British music and literary context
    artistic connections in the long nineteenth century
    Author: Allis, Michael
    Published: 2012
    Publisher:  Boydell & Brewer, Suffolk

    Despite several recent monographs, editions and recordings devoted to the reassessment of British music in the late nineteenth and early twentieth century, some negative perceptions still remain - particularly a sense that British composers in this... more

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Despite several recent monographs, editions and recordings devoted to the reassessment of British music in the late nineteenth and early twentieth century, some negative perceptions still remain - particularly a sense that British composers in this period somehow lacked literary credentials. ‘British Music and Literary Context’ counters this perception by showing that these composers displayed a real confidence and assurance in refiguring literary texts in their music. The book explores how literary context might offer modern audiences and listeners a 'way in' to appreciate specific works that have traditionally been viewed as problematic. Each chapter of this interdisciplinary study juxtaposes a British composer with a particular literary counterpart or genre. Chapter one focuses upon the artistic collaboration between Hubert Parry and Robert Bridges; chapter two explores how Charles Villiers Stanford consistently returned to Tennyson's texts throughout his compositional career; chapters three and four suggest how an orchestral drama by Granville Bantock might represent a close reading of a poem by Robert Browning, and how structure and imagery in a novel by Edward Bulwer Lytton might inform a reading of Edward Elgar's Piano Quintet Op.84. The final chapter offers parallels between narrative strategies in Victorian travel literature (including works by Charles Dickens and George Gissing) and the nature of musical events in Elgar's concert overture ‘In the South’ Op.50. Issues highlighted in the book include the vexed relationship between words and music, the refiguring of literary narratives as musical structures, and the ways in which musical settings or representations of literary texts might be seen as critical 'readings' of those texts. Anyone interested in nineteenth century British music, literature and Victorian studies will find this book most stimulating. Michael Allis is a Senior Lecturer in the School of Music, University of Leeds

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781846159558
    RVK Categories: HL 1031 ; LQ 84005
    Subjects: Geschichte; Musik; Music and literature / Great Britain / History / 19th century; Music and literature / Great Britain / History / 20th century; Music / Great Britain / 19th century / History and criticism; Music / Great Britain / 20th century / History and criticism; English literature / Musical settings / History and criticism; English poetry / Musical settings / History and criticism; Musik; Literatur
    Scope: 1 online resource (x, 320 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Parry and Bridges : Music and poetry in the Invocation to Music -- Stanford and Tennyson : The musical promotion of a poet -- Bantock and Browning : Reformulated dramatic monologue in Fifine at the Fair -- Elgar and Bulwer Lytton : Hidden narrative and the piano quintet -- Elgar and travel literature : In the south and 'Imaginative Topography'