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  1. The English clown tradition from the middle ages to Shakespeare
    Author: Hornback, Robert
    Published: 2009
    Publisher:  Boydell & Brewer, Suffolk ; Cambridge University Press, Cambridge, UK

    From the late-medieval period through to the seventeenth century, English theatrical clowns carried a weighty cultural significance, only to have it stripped from them, sometimes violently, by the close of the Renaissance when the famed "license" of... more

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    Universität Frankfurt, Elektronische Ressourcen
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    From the late-medieval period through to the seventeenth century, English theatrical clowns carried a weighty cultural significance, only to have it stripped from them, sometimes violently, by the close of the Renaissance when the famed "license" of fooling was effectively revoked. This groundbreaking survey of clown traditions in the period looks both at their history, and reveals their hidden cultural contexts and legacies; it has far-reaching implications not only for our general understanding of English clown types, but also their considerable role in defining social, religious and racial boundaries. It begins with an exploration of previously un-noted early representations of blackness in medieval psalters, cycle plays, and Tudor interludes, arguing that they are emblematic of folly and ignorance rather than of evil. Subsequent chapters show how protestants at Cambridge and at court, during the reigns of Henry VIII and Edward, patronised a clownish, iconoclastic Lord of Misrule; look at the Elizabethan puritan stage clown; and move on to a provocative reconsideration of the Fool in 'King Lear', drawing completely fresh conclusions. Finally, the epilogue points to the satirical clowning which took place surreptitiously in the Interregnum, and the (sometimes violent) end of "licensed" folly. Professor ROBERT HORNBACK teaches in the Departments of Literature and Theatre at Oglethorpe University.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781846157202
    RVK Categories: HG 627 ; HG 620 ; HI 1264
    Subjects: Theater; Clown; Drama; Clown <Motiv>
    Scope: 1 Online-Ressource (xiii, 240 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  2. The English clown tradition from the middle ages to Shakespeare
    Author: Hornback, Robert
    Published: 2009
    Publisher:  Boydell & Brewer, Suffolk

    From the late-medieval period through to the seventeenth century, English theatrical clowns carried a weighty cultural significance, only to have it stripped from them, sometimes violently, by the close of the Renaissance when the famed "license" of... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    From the late-medieval period through to the seventeenth century, English theatrical clowns carried a weighty cultural significance, only to have it stripped from them, sometimes violently, by the close of the Renaissance when the famed "license" of fooling was effectively revoked. This groundbreaking survey of clown traditions in the period looks both at their history, and reveals their hidden cultural contexts and legacies; it has far-reaching implications not only for our general understanding of English clown types, but also their considerable role in defining social, religious and racial boundaries. It begins with an exploration of previously un-noted early representations of blackness in medieval psalters, cycle plays, and Tudor interludes, arguing that they are emblematic of folly and ignorance rather than of evil. Subsequent chapters show how protestants at Cambridge and at court, during the reigns of Henry VIII and Edward, patronised a clownish, iconoclastic Lord of Misrule; look at the Elizabethan puritan stage clown; and move on to a provocative reconsideration of the Fool in 'King Lear', drawing completely fresh conclusions. Finally, the epilogue points to the satirical clowning which took place surreptitiously in the Interregnum, and the (sometimes violent) end of "licensed" folly. Professor ROBERT HORNBACK teaches in the Departments of Literature and Theatre at Oglethorpe University Introduction: Unearthing Yoricks : literary archeology and the ideologies of early English clowning -- Folly as proto-racism : blackface in the "natural" fool tradition -- "Sports and follies against the Pope" : Tudor evangelical lords of misrule -- "Verie devout asses" : ignorant Puritan clowns -- The fool "by art" : the all-licensed "artificial" fool in the King Lear quarto -- Epilogue: License revoked : ending an era

     
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  3. The English clown tradition from the middle ages to Shakespeare
    Author: Hornback, Robert
    Published: 2009
    Publisher:  Boydell & Brewer, Suffolk

    From the late-medieval period through to the seventeenth century, English theatrical clowns carried a weighty cultural significance, only to have it stripped from them, sometimes violently, by the close of the Renaissance when the famed "license" of... more

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    Bayerische Staatsbibliothek
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    From the late-medieval period through to the seventeenth century, English theatrical clowns carried a weighty cultural significance, only to have it stripped from them, sometimes violently, by the close of the Renaissance when the famed "license" of fooling was effectively revoked. This groundbreaking survey of clown traditions in the period looks both at their history, and reveals their hidden cultural contexts and legacies; it has far-reaching implications not only for our general understanding of English clown types, but also their considerable role in defining social, religious and racial boundaries. It begins with an exploration of previously un-noted early representations of blackness in medieval psalters, cycle plays, and Tudor interludes, arguing that they are emblematic of folly and ignorance rather than of evil. Subsequent chapters show how protestants at Cambridge and at court, during the reigns of Henry VIII and Edward, patronised a clownish, iconoclastic Lord of Misrule; look at the Elizabethan puritan stage clown; and move on to a provocative reconsideration of the Fool in 'King Lear', drawing completely fresh conclusions. Finally, the epilogue points to the satirical clowning which took place surreptitiously in the Interregnum, and the (sometimes violent) end of "licensed" folly. Professor ROBERT HORNBACK teaches in the Departments of Literature and Theatre at Oglethorpe University

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781846157202
    RVK Categories: HG 620 ; HG 627 ; HI 1264
    Subjects: Geschichte; English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; English drama (Comedy) / History and criticism; English drama / 17th century / History and criticism; Clowns / England / History / 16th century; Clowns / England / History / 17th century; Clowns in literature; Fools and jesters in literature; Comic, The, in literature; Theater / England / History / 16th century; Theater / England / History / 17th century; Clown
    Other subjects: Shakespeare, William / 1564-1616 / Characters / Clowns
    Scope: 1 online resource (xiii, 240 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Introduction: Unearthing Yoricks : literary archeology and the ideologies of early English clowning -- Folly as proto-racism : blackface in the "natural" fool tradition -- "Sports and follies against the Pope" : Tudor evangelical lords of misrule -- "Verie devout asses" : ignorant Puritan clowns -- The fool "by art" : the all-licensed "artificial" fool in the King Lear quarto -- Epilogue: License revoked : ending an era
  4. The English clown tradition from the middle ages to Shakespeare
    Author: Hornback, Robert
    Published: 2009
    Publisher:  Boydell & Brewer, Suffolk

    From the late-medieval period through to the seventeenth century, English theatrical clowns carried a weighty cultural significance, only to have it stripped from them, sometimes violently, by the close of the Renaissance when the famed "license" of... more

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    Universitätsbibliothek Bamberg
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    Unlimited inter-library loan, copies and loan

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    Bayerische Staatsbibliothek
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    Unlimited inter-library loan, copies and loan

     

    From the late-medieval period through to the seventeenth century, English theatrical clowns carried a weighty cultural significance, only to have it stripped from them, sometimes violently, by the close of the Renaissance when the famed "license" of fooling was effectively revoked. This groundbreaking survey of clown traditions in the period looks both at their history, and reveals their hidden cultural contexts and legacies; it has far-reaching implications not only for our general understanding of English clown types, but also their considerable role in defining social, religious and racial boundaries. It begins with an exploration of previously un-noted early representations of blackness in medieval psalters, cycle plays, and Tudor interludes, arguing that they are emblematic of folly and ignorance rather than of evil. Subsequent chapters show how protestants at Cambridge and at court, during the reigns of Henry VIII and Edward, patronised a clownish, iconoclastic Lord of Misrule; look at the Elizabethan puritan stage clown; and move on to a provocative reconsideration of the Fool in 'King Lear', drawing completely fresh conclusions. Finally, the epilogue points to the satirical clowning which took place surreptitiously in the Interregnum, and the (sometimes violent) end of "licensed" folly. Professor ROBERT HORNBACK teaches in the Departments of Literature and Theatre at Oglethorpe University

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781846157202
    RVK Categories: HG 620 ; HG 627 ; HI 1264
    Subjects: Geschichte; English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; English drama (Comedy) / History and criticism; English drama / 17th century / History and criticism; Clowns / England / History / 16th century; Clowns / England / History / 17th century; Clowns in literature; Fools and jesters in literature; Comic, The, in literature; Theater / England / History / 16th century; Theater / England / History / 17th century; Clown
    Other subjects: Shakespeare, William / 1564-1616 / Characters / Clowns
    Scope: 1 online resource (xiii, 240 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Introduction: Unearthing Yoricks : literary archeology and the ideologies of early English clowning -- Folly as proto-racism : blackface in the "natural" fool tradition -- "Sports and follies against the Pope" : Tudor evangelical lords of misrule -- "Verie devout asses" : ignorant Puritan clowns -- The fool "by art" : the all-licensed "artificial" fool in the King Lear quarto -- Epilogue: License revoked : ending an era
  5. The English clown tradition from the Middle Ages to Shakespeare
    Author: Hornback, Robert
    Published: [2009]; © 2009
    Publisher:  Boydell & Brewer, Woodbridge

    From the late-medieval period through to the seventeenth century, English theatrical clowns carried a weighty cultural significance, only to have it stripped from them, sometimes violently, by the close of the Renaissance when the famed `license' of... more

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    Universitätsbibliothek Leipzig
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    From the late-medieval period through to the seventeenth century, English theatrical clowns carried a weighty cultural significance, only to have it stripped from them, sometimes violently, by the close of the Renaissance when the famed `license' of fooli

     
    Export to reference management software   RIS file
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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781846157202; 9781282988064
    RVK Categories: HI 1161
    Series: Studies in renaissance literature ; volume 26
    Subjects: Englisch; Literatur; Clown <Motiv>; Geschichte;
    Other subjects: Array; Array; Array; Array; Array; Clowns in literature; Fools and jesters in literature; Comic, The, in literature; Array; Array
    Scope: 1 Online-Ressource (XIII, 240 Seiten)
    Notes:

    Description based upon print version of record
  6. The English clown tradition from the middle ages to Shakespeare
    Author: Hornback, Robert
    Published: 2009
    Publisher:  Boydell & Brewer, Suffolk

    From the late-medieval period through to the seventeenth century, English theatrical clowns carried a weighty cultural significance, only to have it stripped from them, sometimes violently, by the close of the Renaissance when the famed "license" of... more

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    From the late-medieval period through to the seventeenth century, English theatrical clowns carried a weighty cultural significance, only to have it stripped from them, sometimes violently, by the close of the Renaissance when the famed "license" of fooling was effectively revoked. This groundbreaking survey of clown traditions in the period looks both at their history, and reveals their hidden cultural contexts and legacies; it has far-reaching implications not only for our general understanding of English clown types, but also their considerable role in defining social, religious and racial boundaries. It begins with an exploration of previously un-noted early representations of blackness in medieval psalters, cycle plays, and Tudor interludes, arguing that they are emblematic of folly and ignorance rather than of evil. Subsequent chapters show how protestants at Cambridge and at court, during the reigns of Henry VIII and Edward, patronised a clownish, iconoclastic Lord of Misrule; look at the Elizabethan puritan stage clown; and move on to a provocative reconsideration of the Fool in 'King Lear', drawing completely fresh conclusions. Finally, the epilogue points to the satirical clowning which took place surreptitiously in the Interregnum, and the (sometimes violent) end of "licensed" folly. Professor ROBERT HORNBACK teaches in the Departments of Literature and Theatre at Oglethorpe University Introduction: Unearthing Yoricks : literary archeology and the ideologies of early English clowning -- Folly as proto-racism : blackface in the "natural" fool tradition -- "Sports and follies against the Pope" : Tudor evangelical lords of misrule -- "Verie devout asses" : ignorant Puritan clowns -- The fool "by art" : the all-licensed "artificial" fool in the King Lear quarto -- Epilogue: License revoked : ending an era

     
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