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Displaying results 1 to 4 of 4.

  1. Ambassadors of death
    the sister arts, Western canon & the silent lines of a Hebrew survivor
    Author: Bram, Shahar
    Published: 2011

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signature:
    89.579.04
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781845194505; 1845194500
    Subjects: Künste; Tod <Motiv>; Ekphrasis
    Other subjects: Ribner, Ṭoviyah (1924-2019)
    Scope: 197 S., Ill., 23x15 cm
    Notes:

    Hardback
  2. The ambassadors of death
    the sister arts, western canon and the silent lines of a Hebrew survivor
    Author: Bram, Shahar
    Published: 2011
    Publisher:  Sussex Acad. Press, Brighton [u.a.]

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek der LMU München
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781845194505
    Subjects: Kunst; Wissen; Ekphrasis; Painting in literature; Death in literature; Death in art; Ut pictura poesis (Aesthetics); Art and literature; Künste; Ekphrasis; Tod <Motiv>
    Other subjects: Ruebner, Tuvia (1924-)
    Scope: VIII, 192 S.
    Notes:

    Includes bibliographical references and index
  3. The ambassadors of death
    the sister arts, western canon and the silent lines of a Hebrew survivor
    Author: Bram, Shahar
    Published: c 2011
    Publisher:  Sussex Academic Pr., Brighton [u.a.]

    Introduction: Achilles' shield: Ekphrasis, ut pictura poesis, and Tuvia Rübner -- The fall: Peter Breughel's The fall of Icarus, Marc Chagall's The fall of Icarus, and Tuvia Rübner's The fall. Poetry and painting: basic questions of comparison; the... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Introduction: Achilles' shield: Ekphrasis, ut pictura poesis, and Tuvia Rübner -- The fall: Peter Breughel's The fall of Icarus, Marc Chagall's The fall of Icarus, and Tuvia Rübner's The fall. Poetry and painting: basic questions of comparison; the museum of words: Rübner's book -- The ambassadors of death: Hans Holbein's The ambassadors and Tuvia Rübner's The ambassadors. The portrait: The ambassador of death, a guide to the silent museum of words -- Horse and rider: Simone Martini's Guidoriccio da fogliano and Tuvia Rübner's Horse and rider. The paradoxical animation of death in poetry. Rübner's voyage towards death. The photograph in Rübner's world -- The silence of words: Tuvia Rübner's two zen paintings. Rübner's use of haiku and zen. The image in poetry. Imagism. Poetics of space -- The structure of narrative: Casper David Friedrich's Chalk cliffs on Rueben and Tuvia Rübner's Chalk cliffs on Rügen. Renaissance vs. romanticism. Narrative poetics in painting and poetry -- The chaos of colors and the order of words: Joseph Mallord William Turner's Peace - burial at sea and Tuvia Rübner's The ship. The language of paintings. Painting as text. The inseparable world of word and image -- The fallen angel and the survivor's burning eye: Rembrandt Harmensz Van Rijn's Descent from the cross and Tuvia Rübner's Descent from the cross. Word and image in the religious world. The survivor and the story of redemption. Past, memory and the survivor as a living dead. Walter Benjamin. The end of the journey is in the beginning: Rübner, the heavenly beauty of the dead image, and the fallen angel -- Epilogue: ekphrasis, mimesis, and the difference between word and image

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781845194505
    Subjects: Ekphrasis; Painting in literature; Death in literature; Death in art; Ut pictura poesis (Aesthetics); Art and literature
    Other subjects: Ruebner, Tuvia (1924-)
    Scope: VIII, 197 S.
    Notes:

    Includes bibliographical references (p. 180-192) and index

    Introduction: Achilles' shield: Ekphrasis, ut pictura poesis, and Tuvia Rübner -- The fall: Peter Breughel's The fall of Icarus, Marc Chagall's The fall of Icarus, and Tuvia Rübner's The fall. Poetry and painting: basic questions of comparison; the museum of words: Rübner's book -- The ambassadors of death: Hans Holbein's The ambassadors and Tuvia Rübner's The ambassadors. The portrait: The ambassador of death, a guide to the silent museum of words -- Horse and rider: Simone Martini's Guidoriccio da fogliano and Tuvia Rübner's Horse and rider. The paradoxical animation of death in poetry. Rübner's voyage towards death. The photograph in Rübner's world -- The silence of words: Tuvia Rübner's two zen paintings. Rübner's use of haiku and zen. The image in poetry. Imagism. Poetics of space -- The structure of narrative: Casper David Friedrich's Chalk cliffs on Rueben and Tuvia Rübner's Chalk cliffs on Rügen. Renaissance vs. romanticism. Narrative poetics in painting and poetry -- The chaos of colors and the order of words: Joseph Mallord William Turner's Peace - burial at sea and Tuvia Rübner's The ship. The language of paintings. Painting as text. The inseparable world of word and image -- The fallen angel and the survivor's burning eye: Rembrandt Harmensz Van Rijn's Descent from the cross and Tuvia Rübner's Descent from the cross. Word and image in the religious world. The survivor and the story of redemption. Past, memory and the survivor as a living dead. Walter Benjamin. The end of the journey is in the beginning: Rübner, the heavenly beauty of the dead image, and the fallen angel -- Epilogue: ekphrasis, mimesis, and the difference between word and image.
  4. The ambassadors of death
    the sister arts, western canon and the silent lines of a Hebrew survivor
    Author: Bram, Shahar
    Published: c 2011
    Publisher:  Sussex Academic Pr., Brighton [u.a.]

    Introduction: Achilles' shield: Ekphrasis, ut pictura poesis, and Tuvia Rübner -- The fall: Peter Breughel's The fall of Icarus, Marc Chagall's The fall of Icarus, and Tuvia Rübner's The fall. Poetry and painting: basic questions of comparison; the... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 A 826831
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Introduction: Achilles' shield: Ekphrasis, ut pictura poesis, and Tuvia Rübner -- The fall: Peter Breughel's The fall of Icarus, Marc Chagall's The fall of Icarus, and Tuvia Rübner's The fall. Poetry and painting: basic questions of comparison; the museum of words: Rübner's book -- The ambassadors of death: Hans Holbein's The ambassadors and Tuvia Rübner's The ambassadors. The portrait: The ambassador of death, a guide to the silent museum of words -- Horse and rider: Simone Martini's Guidoriccio da fogliano and Tuvia Rübner's Horse and rider. The paradoxical animation of death in poetry. Rübner's voyage towards death. The photograph in Rübner's world -- The silence of words: Tuvia Rübner's two zen paintings. Rübner's use of haiku and zen. The image in poetry. Imagism. Poetics of space -- The structure of narrative: Casper David Friedrich's Chalk cliffs on Rueben and Tuvia Rübner's Chalk cliffs on Rügen. Renaissance vs. romanticism. Narrative poetics in painting and poetry -- The chaos of colors and the order of words: Joseph Mallord William Turner's Peace - burial at sea and Tuvia Rübner's The ship. The language of paintings. Painting as text. The inseparable world of word and image -- The fallen angel and the survivor's burning eye: Rembrandt Harmensz Van Rijn's Descent from the cross and Tuvia Rübner's Descent from the cross. Word and image in the religious world. The survivor and the story of redemption. Past, memory and the survivor as a living dead. Walter Benjamin. The end of the journey is in the beginning: Rübner, the heavenly beauty of the dead image, and the fallen angel -- Epilogue: ekphrasis, mimesis, and the difference between word and image

     
    Export to reference management software   RIS file
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781845194505
    Subjects: Ekphrasis; Painting in literature; Death in literature; Death in art; Ut pictura poesis (Aesthetics); Art and literature
    Other subjects: Ruebner, Tuvia (1924-)
    Scope: VIII, 197 S.
    Notes:

    Includes bibliographical references (p. 180-192) and index

    Introduction: Achilles' shield: Ekphrasis, ut pictura poesis, and Tuvia Rübner -- The fall: Peter Breughel's The fall of Icarus, Marc Chagall's The fall of Icarus, and Tuvia Rübner's The fall. Poetry and painting: basic questions of comparison; the museum of words: Rübner's book -- The ambassadors of death: Hans Holbein's The ambassadors and Tuvia Rübner's The ambassadors. The portrait: The ambassador of death, a guide to the silent museum of words -- Horse and rider: Simone Martini's Guidoriccio da fogliano and Tuvia Rübner's Horse and rider. The paradoxical animation of death in poetry. Rübner's voyage towards death. The photograph in Rübner's world -- The silence of words: Tuvia Rübner's two zen paintings. Rübner's use of haiku and zen. The image in poetry. Imagism. Poetics of space -- The structure of narrative: Casper David Friedrich's Chalk cliffs on Rueben and Tuvia Rübner's Chalk cliffs on Rügen. Renaissance vs. romanticism. Narrative poetics in painting and poetry -- The chaos of colors and the order of words: Joseph Mallord William Turner's Peace - burial at sea and Tuvia Rübner's The ship. The language of paintings. Painting as text. The inseparable world of word and image -- The fallen angel and the survivor's burning eye: Rembrandt Harmensz Van Rijn's Descent from the cross and Tuvia Rübner's Descent from the cross. Word and image in the religious world. The survivor and the story of redemption. Past, memory and the survivor as a living dead. Walter Benjamin. The end of the journey is in the beginning: Rübner, the heavenly beauty of the dead image, and the fallen angel -- Epilogue: ekphrasis, mimesis, and the difference between word and image.