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  1. Queer Ventennio
    Italian fascism, homoerotic art, and the nonmodern in the modern
  2. Queer Ventennio
    Italian fascism, homoerotic art, and the nonmodern in the modern
    Published: [2019]; © 2019
    Publisher:  Peter Lang, Oxford ; Bern ; Berlin

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek der LMU München
    Unlimited inter-library loan, copies and loan
    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781789972245; 1789972248
    Other identifier:
    9781789972245
    RVK Categories: LN 10300
    DDC Categories: 700
    Series: Italian modernities ; vol. 34
    Subjects: Homosexualität; Künste; Faschismus; Kunst; Homosexualität <Motiv>
    Other subjects: Comisso, Giovanni (1895-1969); De Pisis, Filippo (1896-1956); Cagli, Corrado (1910-1976); Antonello; Champagne; Fascism; Gordon; Homoerotic; Italian; Italian fascist art and literature; Italian Modernist painting and literature; John; Modern; Nonmodern; Pierpaulo; Queer; Queer Italian Artists of the Fascist Years; Robert; Ventennio
    Scope: x, 303 Seiten, Illustrationen, 22.9 cm x 15.2 cm, 467 g
  3. Queer ventennio
    Italian fascism, homoerotic art, and the nonmodern in the modern
    Published: [2019]
    Publisher:  Peter Lang, Oxford

    Queer unhistoricism -- Giovanni Comisso -- Filippo de Pisis -- Corrado Cagli -- "Quasi una conclusione" : on Saba's Ernesto "Given fascist proscriptions against homosexuality, a surprising number of artists under Mussolini's regime were queer.... more

    Universitäts- und Landesbibliothek Bonn
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Duisburg-Essen
    Unlimited inter-library loan, copies and loan

     

    Queer unhistoricism -- Giovanni Comisso -- Filippo de Pisis -- Corrado Cagli -- "Quasi una conclusione" : on Saba's Ernesto "Given fascist proscriptions against homosexuality, a surprising number of artists under Mussolini's regime were queer. Exploring the contribution of Italy to our understanding of both the history of homosexuality and European modernism, this ground-breaking study analyses three queer modernists-writer Giovanni Comisso, painter and writer Filippo de Pisis, and painter Corrado Cagli. None self-identified as fascists; none, however, were consistent critics of the regime. All understood their own sexuality via the idea of the primitive - a discourse fascism also employed in its efforts to secure consent for the dictatorship. What happens when we return to these men and their work minus the assumption that our most urgent task is identifying their fascist tendencies or political quietism? Variously infantilized, pathologized, marginalized, and stigmatized, treated as both cause and effect of fascism, queer ventennio artists are an easy target, not brave or selfless or savvy enough to see their common struggle with fascism's other victims. Revisiting their works and lives with an eye toward neither rehabilitation nor condemnation allows us to ponder more carefully the relationship between art and politics, how homophobia has structured art criticism, the need to further bring queer perspectives to Italian cultural analysis, and how such men disrupt our sense of modern homo/heterosexual definition" (Klappentext)

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781789972245
    Series: Italian modernities ; vol. 34
    Subjects: Fascism and art / Italy / History / 20th century; Gay erotic art / Italy / History / 20th century; Modernism (Aesthetics) / Italy
    Other subjects: Comisso, Giovanni / 1895-1969 / Criticism and interpretation; De Pisis, Filippo / 1896-1956 / Criticism and interpretation; Cagli, Corrado / 1910-1976 / Criticism and interpretation
    Scope: x, 303 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

  4. Queer Ventennio
    Italian fascism, homoerotic art, and the nonmodern in the modern
    Published: [2019]
    Publisher:  Peter Lang, Oxford

  5. Queer ventennio
    Italian fascism, homoerotic art, and the nonmodern in the modern
    Published: [2019]
    Publisher:  Peter Lang, Oxford

    Queer unhistoricism -- Giovanni Comisso -- Filippo de Pisis -- Corrado Cagli -- "Quasi una conclusione" : on Saba's Ernesto. "Given fascist proscriptions against homosexuality, a surprising number of artists under Mussolini's regime were queer.... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 90098
    Unlimited inter-library loan, copies and loan
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    F VII y 109
    No inter-library loan
    Universitätsbibliothek Heidelberg
    2020 A 7236
    Unlimited inter-library loan, copies and loan

     

    Queer unhistoricism -- Giovanni Comisso -- Filippo de Pisis -- Corrado Cagli -- "Quasi una conclusione" : on Saba's Ernesto. "Given fascist proscriptions against homosexuality, a surprising number of artists under Mussolini's regime were queer. Exploring the contribution of Italy to our understanding of both the history of homosexuality and European modernism, this ground-breaking study analyses three queer modernists-writer Giovanni Comisso, painter and writer Filippo de Pisis, and painter Corrado Cagli. None self-identified as fascists; none, however, were consistent critics of the regime. All understood their own sexuality via the idea of the primitive - a discourse fascism also employed in its efforts to secure consent for the dictatorship. What happens when we return to these men and their work minus the assumption that our most urgent task is identifying their fascist tendencies or political quietism? Variously infantilized, pathologized, marginalized, and stigmatized, treated as both cause and effect of fascism, queer ventennio artists are an easy target, not brave or selfless or savvy enough to see their common struggle with fascism's other victims. Revisiting their works and lives with an eye toward neither rehabilitation nor condemnation allows us to ponder more carefully the relationship between art and politics, how homophobia has structured art criticism, the need to further bring queer perspectives to Italian cultural analysis, and how such men disrupt our sense of modern homo/heterosexual definition"--

     

    Export to reference management software   RIS file
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781789972245
    Series: Italian modernities ; 34
    Subjects: Fascism and art; Gay erotic art; Modernism (Aesthetics)
    Other subjects: Comisso, Giovanni (1895-1969); De Pisis, Filippo (1896-1956); Cagli, Corrado (1910-1976)
    Scope: X, 303 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

  6. Queer ventennio
    Italian fascism, homoerotic art, and the nonmodern in the modern
    Published: [2019]
    Publisher:  Peter Lang, Oxford

    Queer unhistoricism -- Giovanni Comisso -- Filippo de Pisis -- Corrado Cagli -- "Quasi una conclusione" : on Saba's Ernesto. "Given fascist proscriptions against homosexuality, a surprising number of artists under Mussolini's regime were queer.... more

    Universitäts- und Landesbibliothek Bonn
    W 2019/5035
    Loan of volumes, no copies
    Universitätsbibliothek Duisburg-Essen
    FIZ1092
    Unlimited inter-library loan, copies and loan

     

    Queer unhistoricism -- Giovanni Comisso -- Filippo de Pisis -- Corrado Cagli -- "Quasi una conclusione" : on Saba's Ernesto. "Given fascist proscriptions against homosexuality, a surprising number of artists under Mussolini's regime were queer. Exploring the contribution of Italy to our understanding of both the history of homosexuality and European modernism, this ground-breaking study analyses three queer modernists-writer Giovanni Comisso, painter and writer Filippo de Pisis, and painter Corrado Cagli. None self-identified as fascists; none, however, were consistent critics of the regime. All understood their own sexuality via the idea of the primitive - a discourse fascism also employed in its efforts to secure consent for the dictatorship. What happens when we return to these men and their work minus the assumption that our most urgent task is identifying their fascist tendencies or political quietism? Variously infantilized, pathologized, marginalized, and stigmatized, treated as both cause and effect of fascism, queer ventennio artists are an easy target, not brave or selfless or savvy enough to see their common struggle with fascism's other victims. Revisiting their works and lives with an eye toward neither rehabilitation nor condemnation allows us to ponder more carefully the relationship between art and politics, how homophobia has structured art criticism, the need to further bring queer perspectives to Italian cultural analysis, and how such men disrupt our sense of modern homo/heterosexual definition" (Klappentext)

     

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    Content information
  7. Queer ventennio
    Italian fascism, homoerotic art, and the nonmodern in the modern
    Published: [2019]
    Publisher:  Peter Lang, Oxford

    Queer unhistoricism -- Giovanni Comisso -- Filippo de Pisis -- Corrado Cagli -- "Quasi una conclusione" : on Saba's Ernesto. "Given fascist proscriptions against homosexuality, a surprising number of artists under Mussolini's regime were queer.... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    Queer unhistoricism -- Giovanni Comisso -- Filippo de Pisis -- Corrado Cagli -- "Quasi una conclusione" : on Saba's Ernesto. "Given fascist proscriptions against homosexuality, a surprising number of artists under Mussolini's regime were queer. Exploring the contribution of Italy to our understanding of both the history of homosexuality and European modernism, this ground-breaking study analyses three queer modernists-writer Giovanni Comisso, painter and writer Filippo de Pisis, and painter Corrado Cagli. None self-identified as fascists; none, however, were consistent critics of the regime. All understood their own sexuality via the idea of the primitive - a discourse fascism also employed in its efforts to secure consent for the dictatorship. What happens when we return to these men and their work minus the assumption that our most urgent task is identifying their fascist tendencies or political quietism? Variously infantilized, pathologized, marginalized, and stigmatized, treated as both cause and effect of fascism, queer ventennio artists are an easy target, not brave or selfless or savvy enough to see their common struggle with fascism's other victims. Revisiting their works and lives with an eye toward neither rehabilitation nor condemnation allows us to ponder more carefully the relationship between art and politics, how homophobia has structured art criticism, the need to further bring queer perspectives to Italian cultural analysis, and how such men disrupt our sense of modern homo/heterosexual definition"--

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781789972245
    Series: Italian modernities ; 34
    Subjects: Fascism and art; Gay erotic art; Modernism (Aesthetics)
    Other subjects: Comisso, Giovanni (1895-1969); De Pisis, Filippo (1896-1956); Cagli, Corrado (1910-1976)
    Scope: X, 303 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index