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  1. Real objects in unreal situations
    modern art in fiction films
    Published: 2014
    Publisher:  Intellect, Bristol

    This book is a lucid account of a much neglected subject in art and cinema studies: the material significance of the art object incorporated into the fiction film. By examining the historical, political, and personal realities that situate the art... more

     

    This book is a lucid account of a much neglected subject in art and cinema studies: the material significance of the art object incorporated into the fiction film. By examining the historical, political, and personal realities that situate the art works, Susan Felleman offers an incisive account of how they operate not as objects but as powerful players within the films, thereby exceeding the narrative function of mere props, copies, pastiches, or reproductions. The book consists of a series of interconnected case studies of movies, including Pride & Prejudice, The Trouble with Harry, and The Player, ultimately showing that when real art works enter into fiction films, they embody themes and discourses in a way that other objects often cannot

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781783202508
    RVK Categories: AP 45100
    Subjects: Art in motion pictures; Motion pictures / Setting and scenery
    Scope: XI, 203, [16] S., Ill., 23 cm
    Notes:

    Literaturverz. S. [179] - 190

  2. Real objects in unreal situations
    modern art in fiction films
    Published: 2014
    Publisher:  Intellect, Bristol ; Chicago, Ill.

    This book is a lucid account of a much neglected subject in art and cinema studies: the material significance of the art object incorporated into the fiction film. By examining the historical, political, and personal realities that situate the art... more

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Unlimited inter-library loan, copies and loan
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule für Fernsehen und Film, Bibliothek
    No loan of volumes, only paper copies will be sent

     

    This book is a lucid account of a much neglected subject in art and cinema studies: the material significance of the art object incorporated into the fiction film. By examining the historical, political, and personal realities that situate the art works, Susan Felleman offers an incisive account of how they operate not as objects but as powerful players within the films, thereby exceeding the narrative function of mere props, copies, pastiches, or reproductions. The book consists of a series of interconnected case studies of movies, including ‘Pride & Prejudice’, ‘The Trouble with Harry’, and ‘The Player’, ultimately showing that when real art works enter into fiction films, they embody themes and discourses in a way that other objects often cannot

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781783202508
    RVK Categories: AP 45100
    Subjects: Art in motion pictures; Motion pictures / Setting and scenery; Film; Film; Kunstwerk <Motiv>
    Scope: XI, 203, [16] S., Ill., 24 cm
    Notes:

    Literaturverz. S. 179 - 190

  3. Real objects in unreal situations
    modern art in fiction films
    Published: 2014
    Publisher:  Intellect, Bristol ; Chicago, Ill.

    This book is a lucid account of a much neglected subject in art and cinema studies: the material significance of the art object incorporated into the fiction film. By examining the historical, political, and personal realities that situate the art... more

    Universität der Künste Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    This book is a lucid account of a much neglected subject in art and cinema studies: the material significance of the art object incorporated into the fiction film. By examining the historical, political, and personal realities that situate the art works, Susan Felleman offers an incisive account of how they operate not as objects but as powerful players within the films, thereby exceeding the narrative function of mere props, copies, pastiches, or reproductions. The book consists of a series of interconnected case studies of movies, including ‘Pride & Prejudice’, ‘The Trouble with Harry’, and ‘The Player’, ultimately showing that when real art works enter into fiction films, they embody themes and discourses in a way that other objects often cannot

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781783202508
    RVK Categories: AP 45100
    Subjects: Art in motion pictures; Motion pictures / Setting and scenery; Film; Film; Kunstwerk <Motiv>
    Scope: XI, 203, [16] S., Ill., 24 cm
    Notes:

    Literaturverz. S. 179 - 190