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  1. Forgotten dreams
    revisiting romanticism in the cinema of Werner Herzog
    Published: 2016
    Publisher:  Camden House, Rochester, New York

    Werner Herzog (b. 1942) is perhaps the most famous living German filmmaker, but his films have never been read in the context of German cultural history. And while there is a surfeit of film reviews,interviews, and scholarly articles on Herzog and... more

    Universitätsbibliothek Bamberg
    Unlimited inter-library loan, copies and loan
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Werner Herzog (b. 1942) is perhaps the most famous living German filmmaker, but his films have never been read in the context of German cultural history. And while there is a surfeit of film reviews,interviews, and scholarly articles on Herzog and his work, there are very few books devoted to his films, and none addressing his entire career to date. Until now."Forgotten Dreams" offersnot only an analytical study of Herzog's films but also a new reading of Romanticism's impact beyond the nineteenth century. It argues that his films re-envision and help us better understand a critical stream in Romanticism, and places the films in conversation with other filmmakers, authors, and philosophers in order to illuminate that critical stream. The result is a lively reconnection with Romantic themes and convictions that have been partly forgotten in the midst of Germany's postwar rejection of much of Romantic thought, yet are still operative in German culture today. The film analyses will interest scholars of film, German Studies, and Romanticism as well as a broader public interested in Herzog's films and contemporary German cultural debates. The book will also appeal to thoseinterested in the ongoing renegotiation - by Western and other cultures - of relationships between reason and passion, civilization and wild nature, knowledge and belief. Laurie Ruth Johnson is Associate Professor of German, Comparative and World Literature, and Criticism and Interpretive Theory at the University of Illinois at Urbana-Champaign

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781782046905
    Other identifier:
    RVK Categories: AP 51164
    Subjects: Film; Das Romantische
    Other subjects: Herzog, Werner / 1942- / Criticism and interpretation; Herzog, Werner (1942-)
    Scope: 1 Online-Ressource (xiii, 298 Seiten)
    Notes:

    Title from publisher's bibliographic system (viewed on 07 May 2021)

  2. Forgotten dreams
    revisiting romanticism in the cinema of Werner Herzog
    Published: 2016
    Publisher:  Camden House, Rochester, New York

    Offers not only an analytical study of the films of Herzog, perhaps the most famous living German filmmaker, but also a new reading of Romanticism's impact beyond the nineteenth century and in the present. Frontcover -- Contents -- List of... more

    Universitätsbibliothek Leipzig
    No inter-library loan
    Hochschulbibliothek Friedensau
    Online-Ressource
    No inter-library loan

     

    Offers not only an analytical study of the films of Herzog, perhaps the most famous living German filmmaker, but also a new reading of Romanticism's impact beyond the nineteenth century and in the present. Frontcover -- Contents -- List of Illustrations -- Acknowledgments -- List of Abbreviations -- Introduction: Werner Herzog's Films and the Other Discourse of Romanticism -- 1: Image and Knowledge -- Ironic Self-Consciousness in Cave of Forgotten Dreams (2010) -- Romantic Melancholy in The Wild Blue Yonder (2005) -- Aesthetic Others in Fitzcarraldo (1982) -- Traces of the Magical in Invincible (2000) -- Conclusion -- 2: Surface and Depth -- The Arabesque and the Secret in Encounters at the End of the World (2007) -- Surface and Depth, Secret and Memory in The White Diamond (2004) -- Trauma as Adventure in Little Dieter Needs to Fly (1997) -- Walking as Remembering in Wings of Hope (1999) -- Conclusion -- 3: Beauty and Sublimity -- Sublime Spaces in The Dark Glow of the Mountains (1984) -- Human Wrath and Sublime Nature in Aguirre, the Wrath of God (1972) -- Endless Approximation in The Great Ecstasy of Wood-Carver Steiner (1973) -- Sublime Risk in La Soufrière (1977) -- Conclusion -- 4: Man and Animal -- Aesthetic Vision Deferred in Grizzly Man (2005) -- Man and Chicken in Stroszek (1976) -- Monstrous Belief in Nosferatu (1978) -- Conclusion -- 5: Sound and Silence -- Listening in the Silence in Land of Silence and Darkness (1971) and Heart of Glass (1976) -- Sound and Nostalgia in Happy People: A Year in the Taiga (2010) -- The Critical Potential of Romantic Melancholy in Into the Abyss: A Tale of Death, A Tale of Life (2011) -- Conclusion -- Conclusion: Herzog's Romantic Cinema -- Notes -- Bibliography -- Index.

     

    Export to reference management software   RIS file
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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781782046905; 9781571139115
    RVK Categories: AP 51164
    Series: Screen cultures: German film and the visual
    Screen Cultures: German Film and the Visual Ser.
    Subjects: Herzog, Werner, 1942---Criticism and interpretation; Herzog, Werner; Electronic books
    Scope: 1 Online-Ressource (xiii, 298 Seiten)
    Notes:

    Description based upon print version of record