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Displaying results 1 to 5 of 5.

  1. Visualising slavery
    art across the African diaspora
    Contributor: Bernier, Celeste-Marie (Publisher); Durkin, Hannah (Publisher)
    Published: 2016
    Publisher:  Liverpool University Press, Liverpool

    The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the... more

    Location:
    Universitätsbibliothek Bayreuth
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists' vast bodies of work testify, theirs is an ongoing fight for the right to art for art's sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-a-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study

     
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    Source: Union catalogues
    Contributor: Bernier, Celeste-Marie (Publisher); Durkin, Hannah (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781781382677
    RVK Categories: LO 94030
    Series: Liverpool studies in international slavery ; 9
    Subjects: Slavery in art; Slave trade in art; African diaspora in art; Sklaverei <Motiv>; Künste
    Scope: xvi, 291 Seiten, 16 ungezählte Seiten Bildtafeln, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references and index
  2. Visualising slavery
    art across the African diaspora
    Contributor: Bernier, Celeste-Marie (Herausgeber); Durkin, Hannah (Herausgeber)
    Published: 2021
    Publisher:  Liverpool University Press, Liverpool

    The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the... more

    Location:
    Universitäts- und Landesbibliothek Bonn
    Signature:
    BEY 331
    Inter-library loan:
    Loan of volumes, no copies

     

    The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists' vast bodies of work testify, theirs is an ongoing fight for the right to art for art's sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-a-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study

     
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    Content information
    Source: Union catalogues
    Contributor: Bernier, Celeste-Marie (Herausgeber); Durkin, Hannah (Herausgeber)
    Language: English
    Media type: Book
    ISBN: 9781781382677; 9781800349216
    RVK Categories: LO 94030 ; LO 94030
    Edition: Paperback edition
    Corporations / Congresses:
    visualising slavery (Verfasser)
    Series: Liverpool studies in international slavery ; 9
    Subjects: Sklaverei <Motiv>; Sklavenhandel <Motiv>; Diaspora <Religion>
    Other subjects: Slavery in art; Slave trade in art; African diaspora in art; African American art; Art, Caribbean; Art, African; Art, Black / Great Britain
    Scope: xvi, 291 Seiten, 16 ungezählte Seiten, Illustrationen, 24 cm
    Notes:

    "Visualising Slavery: Art Across the African Diaspora is the result of an international symposium generously funded by the Terra Foundation for American Art and held at the University of Oxford in 2013." - Seite xv.
  3. Visualising slavery
    art across the African diaspora
    Contributor: Bernier, Celeste-Marie (HerausgeberIn); Durkin, Hannah (HerausgeberIn)
    Published: [2016]
    Publisher:  Liverpool University Press, Liverpool

    The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists' vast bodies of work testify, theirs is an ongoing fight for the right to art for art's sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-a-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Bernier, Celeste-Marie (HerausgeberIn); Durkin, Hannah (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1781382670; 9781781382677
    RVK Categories: LO 94030
    Series: Liverpool Studies in International Slavery ; 9
    Subjects: Slavery in art; Slave trade in art; African diaspora in art; African American art; Art, Caribbean; Art, African; Art, Black
    Scope: xvi, 291 Seiten, 8 ungezählte Blätter, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references and index
  4. Visualising slavery
    art across the African diaspora
    Contributor: Bernier, Celeste-Marie (Herausgeber); Durkin, Hannah (Herausgeber)
    Published: 2021
    Publisher:  Liverpool University Press, Liverpool

    The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the... more

    Location:
    Universitäts- und Landesbibliothek Bonn
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists' vast bodies of work testify, theirs is an ongoing fight for the right to art for art's sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-a-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study

     
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Contributor: Bernier, Celeste-Marie (Herausgeber); Durkin, Hannah (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781781382677; 9781800349216
    RVK Categories: LO 94030 ; LO 94030
    Edition: Paperback edition
    Corporations / Congresses:
    visualising slavery (Verfasser)
    Series: Liverpool studies in international slavery ; 9
    Subjects: Slavery in art; Slave trade in art; African diaspora in art; African American art; Art, Caribbean; Art, African; Art, Black / Great Britain
    Scope: xvi, 291 Seiten, 16 ungezählte Seiten, Illustrationen, 24 cm
    Notes:

    "Visualising Slavery: Art Across the African Diaspora is the result of an international symposium generously funded by the Terra Foundation for American Art and held at the University of Oxford in 2013." - Seite xv
  5. Visualising slavery
    art across the African diaspora
    Contributor: Bernier, Celeste-Marie (HerausgeberIn); Durkin, Hannah (HerausgeberIn)
    Published: [2016]
    Publisher:  Liverpool University Press, Liverpool

    The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 A 975893
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2016 C 1549
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Leipzig
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists' vast bodies of work testify, theirs is an ongoing fight for the right to art for art's sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-a-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Bernier, Celeste-Marie (HerausgeberIn); Durkin, Hannah (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1781382670; 9781781382677
    RVK Categories: LO 94030
    Series: Liverpool Studies in International Slavery ; 9
    Subjects: Slavery in art; Slave trade in art; African diaspora in art; African American art; Art, Caribbean; Art, African; Art, Black
    Scope: xvi, 291 Seiten, 8 ungezählte Blätter, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references and index