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  1. First impressions
    Sefer ḥasidim and early modern Hebrew printing
    Published: [2023]
    Publisher:  Brandeis University Press, Waltham, Massachusetts

    "In 1538, a partnership of Jewish silk makers in the city of Bologna published a book entitled Sefer Ḥasidim, a compendium of rituals, stories, and religious instruction that primarily originated in medieval Franco-Germany. This book tells the story... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    "In 1538, a partnership of Jewish silk makers in the city of Bologna published a book entitled Sefer Ḥasidim, a compendium of rituals, stories, and religious instruction that primarily originated in medieval Franco-Germany. This book tells the story of how these men came to produce such a book"--

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781684581498; 9781684581504
    Series: The Tauber Institute series for the study of European Jewry
    Subjects: Textgeschichte; Buchdruck
    Other subjects: Yehudah ben Shemuʾel he-Ḥasid: Sefer ḥasidim; Judah ben Samuel / approximately 1150-1217 / Sefer ḥasidim / Criticism, Textual; Judah ben Samuel / approximately 1150-1217 / Sefer ḥasidim / First editions; Froben, Ambrosius / 1537-1602; Printing, Hebrew / Italy / Bologna; Printing, Hebrew / Switzerland / Basel; Hebrew imprints / Italy / Bologna; Hebrew imprints / Switzerland / Basel; Sefer ḥasidim (Judah ben Samuel); First editions; Hebrew imprints; Printing, Hebrew; Italy / Bologna; Switzerland / Basel; Criticism, interpretation, etc
    Scope: xiii, 240 Seiten, 11 ungezählte Seiten Tafeln, Illustrationen, 23 cm
    Notes:

    Sefer ḥasidim in the Middle Ages -- The Partners of Bologna -- The Partners' Sefer ḥasidim: Paratexts and Text -- Ambrosius Froben of Basel -- Froben's Sefer ḥasidim: Paratexts -- Froben's Sefer ḥasidim: Text

  2. First impressions
    Sefer ḥasidim and early modern Hebrew printing
    Published: [2023]
    Publisher:  Brandeis University Press, Waltham

    Uncovers the history of creative adaptation and transformation through a close analysis of the creation of the Sefer Hasidim book. In 1538, a partnership of Jewish silk makers in the city of Bologna published a book entitled Sefer Hasidim, a... more

    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Uncovers the history of creative adaptation and transformation through a close analysis of the creation of the Sefer Hasidim book. In 1538, a partnership of Jewish silk makers in the city of Bologna published a book entitled Sefer Hasidim, a compendium of rituals, stories, and religious instruction that primarily originated in medieval Franco-Germany. How these men, of Italian and Spanish descent, came to produce a book that would come to shape Ashkenazic culture, and Jewish culture more broadly, over the next four centuries is the basis of this kaleidoscopic study of the history of Hebrew printing in the sixteenth century. During these early years of printing, the classic works of ancient and medieval Hebrew and Jewish literature became widely available to Jewish (and non-Jewish) readers for the first time. Printing, though, was not merely the duplication and distribution of pre-existing manuscripts, it was the creative adaptation and transformation of those manuscripts by printers. Ranging from Catholic Bologna to Protestant Basel to the Jewish heartland of the Polish-Lithuanian Commonwealth, Joseph A. Skloot uncovers the history of that creativity by examining the first two print editions of Sefer Hasidim. Along the way, he demonstrates how volumes that were long thought to be eternal and unchanging were in fact artifacts of historical agency and contingency, created by and for human beings

     

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    Content information
    Cover (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781684581498; 9781684581504
    Series: The Tauber Institute series for the study of European Jewry
    Subjects: Printing, Hebrew; Printing, Hebrew; Hebrew imprints; Hebrew imprints; Geschichte allgemein und Weltgeschichte; HISTORY / Jewish; HISTORY / Modern / 16th Century; History; LITERARY CRITICISM / Books & Reading; Literatur: Geschichte und Kritik; Sozial- und Kulturgeschichte
    Other subjects: Judah ben Samuel (approximately 1150-1217): Sefer ḥasidim; Judah ben Samuel (approximately 1150-1217): Sefer ḥasidim; Froben, Ambrosius (1537-1602)
    Scope: xiii, 240 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

    Zielgruppe: 5PGJ, Bezug zu Juden und jüdischen Gruppen

    Sefer ḥasidim in the Middle Ages -- The Partners of Bologna -- The Partners' Sefer ḥasidim: Paratexts and Text -- Ambrosius Froben of Basel -- Froben's Sefer ḥasidim: Paratexts -- Froben's Sefer ḥasidim: Text.

  3. First impressions
    Sefer ḥasidim and early modern Hebrew printing
    Published: [2023]
    Publisher:  Brandeis University Press, Waltham

    Uncovers the history of creative adaptation and transformation through a close analysis of the creation of the Sefer Hasidim book. In 1538, a partnership of Jewish silk makers in the city of Bologna published a book entitled Sefer Hasidim, a... more

    Diözesanbibliothek Münster
    24:2108
    Unlimited inter-library loan, copies and loan
    Universität Potsdam, Universitätsbibliothek
    BD 4980 SKL
    Unlimited inter-library loan, copies and loan

     

    Uncovers the history of creative adaptation and transformation through a close analysis of the creation of the Sefer Hasidim book. In 1538, a partnership of Jewish silk makers in the city of Bologna published a book entitled Sefer Hasidim, a compendium of rituals, stories, and religious instruction that primarily originated in medieval Franco-Germany. How these men, of Italian and Spanish descent, came to produce a book that would come to shape Ashkenazic culture, and Jewish culture more broadly, over the next four centuries is the basis of this kaleidoscopic study of the history of Hebrew printing in the sixteenth century. During these early years of printing, the classic works of ancient and medieval Hebrew and Jewish literature became widely available to Jewish (and non-Jewish) readers for the first time. Printing, though, was not merely the duplication and distribution of pre-existing manuscripts, it was the creative adaptation and transformation of those manuscripts by printers. Ranging from Catholic Bologna to Protestant Basel to the Jewish heartland of the Polish-Lithuanian Commonwealth, Joseph A. Skloot uncovers the history of that creativity by examining the first two print editions of Sefer Hasidim. Along the way, he demonstrates how volumes that were long thought to be eternal and unchanging were in fact artifacts of historical agency and contingency, created by and for human beings

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781684581498; 9781684581504
    Series: The Tauber Institute series for the study of European Jewry
    Subjects: Printing, Hebrew; Printing, Hebrew; Hebrew imprints; Hebrew imprints; Geschichte allgemein und Weltgeschichte; HISTORY / Jewish; HISTORY / Modern / 16th Century; History; LITERARY CRITICISM / Books & Reading; Literatur: Geschichte und Kritik; Sozial- und Kulturgeschichte
    Other subjects: Judah ben Samuel (approximately 1150-1217): Sefer ḥasidim; Judah ben Samuel (approximately 1150-1217): Sefer ḥasidim; Froben, Ambrosius (1537-1602)
    Scope: xiii, 240 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

    Zielgruppe: 5PGJ, Bezug zu Juden und jüdischen Gruppen

    Sefer ḥasidim in the Middle Ages -- The Partners of Bologna -- The Partners' Sefer ḥasidim: Paratexts and Text -- Ambrosius Froben of Basel -- Froben's Sefer ḥasidim: Paratexts -- Froben's Sefer ḥasidim: Text.