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Displaying results 1 to 7 of 7.

  1. Sonic possible worlds
    hearing the continuum of sound
    Author: Voegelin, Salomé
    Published: 2014
    Publisher:  Bloomsbury, New York, NY [u.a.]

    Inspired by its use in literary theory, film criticism and the discourse of game design, Salom Voegelin adapts and develops "possible world theory" in relation to sound. David K Lewis' Possible World is juxtaposed with Maurice Merleau-Ponty's... more

    Location:
    Musikwissenschaftliches Institut, Abteilung Historische Musikwissenschaft, Systematische Musikwissenschaft, Musikethnologie,, Collgium musicum, Bibliothek
    Signature:
    430/Vm5350
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Paderborn
    Signature:
    KHP3914
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Inspired by its use in literary theory, film criticism and the discourse of game design, Salom Voegelin adapts and develops "possible world theory" in relation to sound. David K Lewis' Possible World is juxtaposed with Maurice Merleau-Ponty's life-world, to produce a meeting of the semantic and the phenomenological at the place of listening. The central tenet of Sonic Possible Worlds is that at present traditional musical compositions and contemporary sonic outputs are approached and investigated through separate and distinct critical languages and histories. As a consequence, no continuous and comparative study of the field is possible. In Sonic Possible Worlds, Voegelin proposes a new analytical framework that can access and investigate works across genres and times, enabling a comparative engagement where composers such as Henry Purcell and Nadia Boulanger encounter sound art works by Shilpa Gupta and Christina Kubisch and where the soundscape compositions of Chris Watson and Francisco L pez resound in the visual worlds of Louise Bourgeois.

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781623565091; 9781623567040
    RVK Categories: AP 14900
    Subjects: Music; Sound (Philosophy); Sound in art; Experimentelle Musik; Klangkunst; Philosophie; Ästhetik; Klang
    Scope: 207 S.
  2. Sonic possible worlds
    hearing the continuum of sound
    Author: Voegelin, Salomé
    Published: 2014
    Publisher:  Bloomsbury Academic, New York, NY ; London ; New Delhi ; Sydney

    Inspired by its use in literary theory, film criticism and the discourse of game design, Salom Voegelin adapts and develops "possible world theory" in relation to sound. David K Lewis' Possible World is juxtaposed with Maurice Merleau-Ponty's... more

    Location:
    Universitätsbibliothek Bayreuth
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Inspired by its use in literary theory, film criticism and the discourse of game design, Salom Voegelin adapts and develops "possible world theory" in relation to sound. David K Lewis' Possible World is juxtaposed with Maurice Merleau-Ponty's life-world, to produce a meeting of the semantic and the phenomenological at the place of listening. The central tenet of Sonic Possible Worlds is that at present traditional musical compositions and contemporary sonic outputs are approached and investigated through separate and distinct critical languages and histories. As a consequence, no continuous and comparative study of the field is possible. In Sonic Possible Worlds, Voegelin proposes a new analytical framework that can access and investigate works across genres and times, enabling a comparative engagement where composers such as Henry Purcell and Nadia Boulanger encounter sound art works by Shilpa Gupta and Christina Kubisch and where the soundscape compositions of Chris Watson and Francisco L pez resound in the visual worlds of Louise Bourgeois.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781623565091; 9781623567040; 9781623566951; 9781623568009; 162356509X; 1623567041
    RVK Categories: AP 14900
    Edition: 1. publ.
    Subjects: Musik; Music; Sound (Philosophy); Sound in art; Philosophie; Klangkunst; Klang; Experimentelle Musik; Ästhetik
    Scope: VI, 207 S., 24 cm
    Notes:

    Literaturverz. S. 191 - 194. - Werkverz. S. 195 - 196

    The landscape as sonic possible world -- Into the world of the work : the possibility of sound art -- Sonic materialism : the sound of stones -- Hearing the continuum of sound -- Listening to the inaudible : the sound of unicorns
  3. Sonic possible worlds
    hearing the continuum of sound
    Author: Voegelin, Salomé
    Published: 2014
    Publisher:  Bloomsbury, New York, NY [u.a.]

    Inspired by its use in literary theory, film criticism and the discourse of game design, Salom Voegelin adapts and develops "possible world theory" in relation to sound. David K Lewis' Possible World is juxtaposed with Maurice Merleau-Ponty's... more

    Location:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Paderborn
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Inspired by its use in literary theory, film criticism and the discourse of game design, Salom Voegelin adapts and develops "possible world theory" in relation to sound. David K Lewis' Possible World is juxtaposed with Maurice Merleau-Ponty's life-world, to produce a meeting of the semantic and the phenomenological at the place of listening. The central tenet of Sonic Possible Worlds is that at present traditional musical compositions and contemporary sonic outputs are approached and investigated through separate and distinct critical languages and histories. As a consequence, no continuous and comparative study of the field is possible. In Sonic Possible Worlds, Voegelin proposes a new analytical framework that can access and investigate works across genres and times, enabling a comparative engagement where composers such as Henry Purcell and Nadia Boulanger encounter sound art works by Shilpa Gupta and Christina Kubisch and where the soundscape compositions of Chris Watson and Francisco L pez resound in the visual worlds of Louise Bourgeois

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781623565091; 9781623567040
    RVK Categories: AP 14900
    Subjects: Music; Sound (Philosophy); Sound in art
    Scope: 207 S.
  4. Sonic possible worlds
    hearing the continuum of sound
    Author: Voegelin, Salomé
    Published: 2014
    Publisher:  Bloomsbury Academic, New York, NY ; London ; New Delhi ; Sydney

    Inspired by its use in literary theory, film criticism and the discourse of game design, Salom Voegelin adapts and develops "possible world theory" in relation to sound. David K Lewis' Possible World is juxtaposed with Maurice Merleau-Ponty's... more

    Location:
    Universität der Künste Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Inspired by its use in literary theory, film criticism and the discourse of game design, Salom Voegelin adapts and develops "possible world theory" in relation to sound. David K Lewis' Possible World is juxtaposed with Maurice Merleau-Ponty's life-world, to produce a meeting of the semantic and the phenomenological at the place of listening. The central tenet of Sonic Possible Worlds is that at present traditional musical compositions and contemporary sonic outputs are approached and investigated through separate and distinct critical languages and histories. As a consequence, no continuous and comparative study of the field is possible. In Sonic Possible Worlds, Voegelin proposes a new analytical framework that can access and investigate works across genres and times, enabling a comparative engagement where composers such as Henry Purcell and Nadia Boulanger encounter sound art works by Shilpa Gupta and Christina Kubisch and where the soundscape compositions of Chris Watson and Francisco L pez resound in the visual worlds of Louise Bourgeois.

     
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781623565091; 9781623567040; 9781623566951; 9781623568009; 162356509X; 1623567041
    RVK Categories: AP 14900
    Edition: 1. publ.
    Subjects: Musik; Music; Sound (Philosophy); Sound in art; Philosophie; Klangkunst; Klang; Experimentelle Musik; Ästhetik
    Scope: VI, 207 S., 24 cm
    Notes:

    Literaturverz. S. 191 - 194. - Werkverz. S. 195 - 196

    The landscape as sonic possible world -- Into the world of the work : the possibility of sound art -- Sonic materialism : the sound of stones -- Hearing the continuum of sound -- Listening to the inaudible : the sound of unicorns
  5. Sonic possible worlds
    hearing the continuum of sound
    Author: Voegelin, Salomé
    Published: 2014
    Publisher:  Bloomsbury, New York, NY [u.a.]

    Inspired by its use in literary theory, film criticism and the discourse of game design, Salom Voegelin adapts and develops "possible world theory" in relation to sound. David K Lewis' Possible World is juxtaposed with Maurice Merleau-Ponty's... more

     

    Inspired by its use in literary theory, film criticism and the discourse of game design, Salom Voegelin adapts and develops "possible world theory" in relation to sound. David K Lewis' Possible World is juxtaposed with Maurice Merleau-Ponty's life-world, to produce a meeting of the semantic and the phenomenological at the place of listening. The central tenet of Sonic Possible Worlds is that at present traditional musical compositions and contemporary sonic outputs are approached and investigated through separate and distinct critical languages and histories. As a consequence, no continuous and comparative study of the field is possible. In Sonic Possible Worlds, Voegelin proposes a new analytical framework that can access and investigate works across genres and times, enabling a comparative engagement where composers such as Henry Purcell and Nadia Boulanger encounter sound art works by Shilpa Gupta and Christina Kubisch and where the soundscape compositions of Chris Watson and Francisco López resound in the visual worlds of Louise Bourgeois. (Quelle: www.bloomsbury.com)

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781623565091; 9781623567040; 9781623566951; 9781623568009
    RVK Categories: AP 14900 ; LH 69230 ; LR 11370 ; LR 56700
    Subjects: Music; Sound (Philosophy); Sound in art
    Scope: VI, 207 S.
    Notes:

    Includes bibliographical references (pages 191-194) and index
  6. Sonic possible worlds
    hearing the continuum of sound
    Author: Voegelin, Salomé
    Published: 2014
    Publisher:  Bloomsbury Academic, New York ; London ; New Delhi ; Sydney

    Inspired by its use in literary theory, film criticism and the discourse of game design, Salom Voegelin adapts and develops "possible world theory" in relation to sound. David K Lewis' Possible World is juxtaposed with Maurice Merleau-Ponty's... more

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Inspired by its use in literary theory, film criticism and the discourse of game design, Salom Voegelin adapts and develops "possible world theory" in relation to sound. David K Lewis' Possible World is juxtaposed with Maurice Merleau-Ponty's life-world, to produce a meeting of the semantic and the phenomenological at the place of listening. The central tenet of Sonic Possible Worlds is that at present traditional musical compositions and contemporary sonic outputs are approached and investigated through separate and distinct critical languages and histories. As a consequence, no continuous and comparative study of the field is possible. In Sonic Possible Worlds, Voegelin proposes a new analytical framework that can access and investigate works across genres and times, enabling a comparative engagement where composers such as Henry Purcell and Nadia Boulanger encounter sound art works by Shilpa Gupta and Christina Kubisch and where the soundscape compositions of Chris Watson and Francisco L pez resound in the visual worlds of Louise Bourgeois.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781623566951; 1623566959; 9781623565091; 162356509X; 9781623567040; 1623567041
    RVK Categories: AP 14900
    Subjects: MUSIC / Instruction & Study / Theory; Music / Philosophy and aesthetics; Sound in art; Sound (Philosophy); Musik; Music; Sound (Philosophy); Sound in art; Ästhetik; Klang; Klangkunst; Philosophie; Experimentelle Musik
    Scope: 1 online resource (VI, 207 S.)
    Notes:

    Description based on print version record

    The landscape as sonic possible world -- Into the world of the work : the possibility of sound art -- Sonic materialism : the sound of stones -- Hearing the continuum of sound -- Listening to the inaudible : the sound of unicorns
  7. Sonic possible worlds
    hearing the continuum of sound
    Author: Voegelin, Salomé
    Published: 2014
    Publisher:  Bloomsbury, New York

    Location:
    Haus der Kulturen der Welt, HKW.Bibliothek
    Signature:
    MA 200 Voe
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Universitätsbibliothek Hildesheim
    Signature:
    KUL 507 : V55
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule für Grafik und Buchkunst, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Signature:
    Mus 140.077
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Rostock
    Signature:
    Sbc 45, Voege, Son
    Inter-library loan:
    No inter-library loan
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781623565091; 9781623567040; 9781623566951; 9781623568009
    RVK Categories: AP 14900
    Edition: First published
    Subjects: Music; Sound (Philosophy); Sound in art; Music; Sound (Philosophy); Sound in art
    Scope: 207 Seiten, 24 cm
    Notes:

    Includes bibliographical references (pages 191-194) and index

    The landscape as sonic possible worldInto the world of the work : the possibility of sound art -- Sonic materialism : the sound of stones -- Hearing the continuum of sound -- Listening to the inaudible : the sound of unicorns.