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  1. All the Same The Words Don't Go Away : Essays on Authors, Heroes, Aesthetics, and Stage Adaptations from the Russian Tradition
    Author: Emerson, Caryl
    Published: 20111101
    Publisher:  Academic Studies Press

    Twenty-five years of essays and reviews, linked loosely by three themes. First is the creative potential inherent in transposing classic literary texts into other genres of media (operatic, dramatic) and the responsibilities, if any, that govern the... more

     

    Twenty-five years of essays and reviews, linked loosely by three themes. First is the creative potential inherent in transposing classic literary texts into other genres of media (operatic, dramatic) and the responsibilities, if any, that govern the transposer, audience, and critic. The practice of transposition, however, gives rise to a creative conflict: is there a limit to the amount of ornamentation, pressure, or dilution to which the “mediated” word can be subject? Finally, the more polemical of the essays included here are structured on the Bakhtinian notion of co-existing “plausibilities” and points of view. What a carnival approach can uncover in Pushkin that might have surprised and even pleased the poet, what a libretto or play script brings out that the “true original” hides: here the work of the creator and the critic can overlap in thrilling ways that respect the competencies of each. The book includes an original preface written by David Bethea.

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781618118479
    Other identifier:
    Subjects: Literary studies: general
    Other subjects: Literature; Literary criticism; Pushkin; Bakhtin; Dostoevsky; Media studies; Transposition; Russian Literature
  2. All the same the words don't go away
    essays on authors, heroes, aesthetics, and stage adaptations from the Russian tradition
    Author: Emerson, Caryl
    Published: [2020]
    Publisher:  [Verlag nicht ermittelbar], [Erscheinungsort nicht ermittelbar] ; OAPEN Foundation, The Hague

    All the Same the Words Don't Go Away brings together twenty-five years of essays and reviews, linked loosely by three themes. First is the creative potential inherent in transposing classic literary texts into other genres or media (operatic,... more

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    All the Same the Words Don't Go Away brings together twenty-five years of essays and reviews, linked loosely by three themes. First is the creative potential inherent in transposing classic literary texts into other genres or media (operatic, dramatic) and the responsibilities, if any, that govern the transposer, audience, and critic. The practice of transposition, however, gives rise to a creative conflict: is there a limit to the amount of ornamentation, pressure, or dilution to which the "mediated" word can be subject? Finally, the more polemical of the essays included here are structured on the Bakhtinian notion of coexisting "plausibilities" and points of view. What a carnival approach can uncover in Pushkin that might have surprised and even pleased the poet, what a libretto or play script brings out that the "true original" hides: here the work of the creator and the critic co-exist in exhilarating ways that respect the competencies of each. --Book Jacket

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1618111280; 1618118471; 1934843814; 9781618111289; 9781618118479; 9781934843819
    DDC Categories: 890
    Subjects: Russisch; Literatur
    Scope: 1 Online-Ressource (xxvi, 422 Seiten)
  3. All the same the words don't go away
    essays on authors, heroes, aesthetics, and stage adaptations from the Russian tradition
    Author: Emerson, Caryl
    Published: 2011
    Publisher:  Academic Studies Press, Boston

    Preface /Caryl Emerson --Great art should slow us down : “participative thinking” in the world and as the world of Caryl Emerson /David Bethea --I.On Mikhail Bakhtin : (Dialogue, Carnival, the Bakhtin Wars) --Polyphony and the carnivalesque :... more

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    Preface /Caryl Emerson --Great art should slow us down : “participative thinking” in the world and as the world of Caryl Emerson /David Bethea --I.On Mikhail Bakhtin : (Dialogue, Carnival, the Bakhtin Wars) --Polyphony and the carnivalesque : introducing the terms --The early philosophical essays --Coming to terms with Carnival --Gasparov and Bakhtin --II.On the master workers : (Pushkin, Dostoevsky, Tolstoy) --Four Pushkin biographies --Pushkin’s Tatiana --Pushkin’s Boris Godunov --George Steiner on Tolstoy or Dostoevsky --Tolstoy and Dostoevsky on evil-doing --Kundera on not liking Dostoevsky --Parini on Tolstoy, with a postscript on Tolstoy, Shakespeare, and the performing arts --Chekhov and the Annas --III.Musicalizing the literary classics : (Musorgsky, Tchaikovsky, Shostakovich, Prokofiev) --Foreword to Richard Taruskin’s Essays on Musorgsky – From “Boris Godunov” to “Khovanshchina” --Tumanov on Maria Olenina-D’Alheim --Tchaikovsky’s Tatiana --Little operas to Pushkin’s little tragedies --Playbill to Prokofiev’s “War and peace” at the Met – Shostakovich’s “Lady Macbeth of Mtsensk” –Princeton University’s Boris Godunov –”Eugene Onegin” on the Stalinist stage --In conclusion. All the Same the Words Don't Go Away brings together twenty-five years of essays and reviews, linked loosely by three themes. First is the creative potential inherent in transposing classic literary texts into other genres or media (operatic, dramatic) and the responsibilities, if any, that govern the transposer, audience, and critic. The practice of transposition, however, gives rise to a creative conflict: is there a limit to the amount of ornamentation, pressure, or dilution to which the "mediated" word can be subject? Finally, the more polemical of the essays included here are structured on the Bakhtinian notion of coexisting "plausibilities" and points of view. What a carnival approach can uncover in Pushkin that might have surprised and even pleased the poet, what a libretto or play script brings out that the "true original" hides: here the work of the creator and the critic co-exist in exhilarating ways that respect the competencies of each. --Book Jacket

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781618111289; 1618111280; 9781618118479; 1618118471; 9781934843819; 1934843814
    Series: Studies in Russian and Slavic literatures, cultures and history
    Subjects: Russian literature; Russian literature; Literary studies: general; LITERARY CRITICISM ; Russian & Former Soviet Union; DRAMA ; Russian & Former Soviet Union; Russian literature; Criticism, interpretation, etc
    Scope: 1 Online-Ressource (xxvi, 422 pages)
    Notes:

    Includes bibliographical references and index
  4. All the Same The Words Don't Go Away
    Essays on Authors, Heroes, Aesthetics, and Stage Adaptations from the Russian Tradition
    Author: Emerson, Caryl
    Published: [2016]
    Publisher:  Academic Studies Press, Boston, MA

    All the Same the Words Don't Go Away brings together twenty-five years of essays and reviews, linked loosely by three themes. The first explores the legacy of Mikhail Bakhtin: his ideas of dialogue and carnival, and the debates ignited by each. The... more

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    All the Same the Words Don't Go Away brings together twenty-five years of essays and reviews, linked loosely by three themes. The first explores the legacy of Mikhail Bakhtin: his ideas of dialogue and carnival, and the debates ignited by each. The second delves into three "master workers" of the Russian tradition: Pushkin, Tolstoy, and Dostoevsky. In this section, emphasis is comparative: the riddle of Pushkin's life, why "Tolstoy versus Dostoevsky," how Chekhov reads Tolstoy, why Kundera dislikes Doestoevsky and Tolstoy dislikes Shakespeare. The final section addresses the transposition of classic literary texts into other media through musical works by Musorgsky, Tchaikovsky, Shostakovich, and Prokofiev. Throughout, the fundamental heroes are Pushkin's Tatiana Larina and Boris Godunov. This volume will be of interest to comparativists and students in interdisciplinary humanities Frontmatter -- CONTENTS -- Preface -- Great Art Should Slow Us Down: "Participative Th inking" in the World and as the World of Caryl Emerson / Bethea, David -- I N MIKHAIL BAKHTIN (Dialogue, Carnival, the Bakhtin Wars) -- 1. Polyphony and the Carnivalesque: Introducing the Terms -- 2. The Early Philosophical Essays -- 3. Coming to Terms with Carnival -- 4. Gasparov and Bakhtin -- II ON THE MASTER WORKERS -- 5. Four Pushkin Biographies -- 6. Pushkin's Tatiana -- 7. Pushkin's Boris Godunov -- 8. George Steiner on Tolstoy or Dostoevsky -- 9. Tolstoy and Dostoevsky on Evil-Doing -- 10. Kundera on Not Liking Dostoevsky -- 11. Parini on Tolstoy, with a Postscript on Tolstoy, Shakespeare, and the Performing Arts -- 12. Chekhov and the Annas -- III MUSICALIZING THE LITERARY CLASSIC (Musorgsky, Tchaikovsky, Shostakovich, Prokofiev) -- 13. Foreword to Richard Taruskin's Essays on Musorgsky -- 14. From "Boris Godunov" to "Khovanshchina" -- 15. Tumanov on Maria Olenina-d'Alheim -- 16. Tchaikovsky's Tatiana -- 17. Little Operas to Pushkin's Little Tragedies -- 18. Playbill to Prokofi ev's "War and Peace" at the Met -- 19. Shostakovich's "Lady Macbeth of Mtsensk" -- 20. Princeton University's Boris Godunov -- 21. "Eugene Onegin" on the Stalinist Stage -- In Conclusion -- Index

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781618118479
    Other identifier:
    Series: Studies in Russian and Slavic Literatures, Cultures, and History
    Subjects: Russian literature; Russian literature; LITERARY CRITICISM / Russian & Former Soviet Union
    Scope: 1 Online-Ressource (1 online resource)
    Notes:

    Open Access unrestricted online access star
  5. All the same the words don't go away
    essays on authors, heroes, aesthetics, and stage adaptations from the Russian tradition
    Author: Emerson, Caryl
    Published: 2011
    Publisher:  Academic Studies Press, Boston

    ""11 PARINI ON TOLSTOY, WITH A POSTSCRIPT ON TOLSTOY, SHAKESPEARE, AND THE PERFORMING ARTS""""12 CHEKHOV AND THE ANNAS""; ""13 FOREWORD TO RICHARD TARUSKIN�S ESSAYS ON MUSORGSKY""; ""14 FROM “BORIS GODUNOV� TO “KHOVANSHCHINA�""; ""15... more

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    ""11 PARINI ON TOLSTOY, WITH A POSTSCRIPT ON TOLSTOY, SHAKESPEARE, AND THE PERFORMING ARTS""""12 CHEKHOV AND THE ANNAS""; ""13 FOREWORD TO RICHARD TARUSKIN�S ESSAYS ON MUSORGSKY""; ""14 FROM “BORIS GODUNOV� TO “KHOVANSHCHINA�""; ""15 TUMANOV ON MARIA OLENINA D�ALHEIM""; ""16 TCHAIKOVSKY�S TATIANA""; ""17 LITTLE OPERAS TO PUSHKIN�S LITTLE TRAGEDIES""; ""18 PLAYBILL TO PROKOFIEV�S “WAR AND PEACE� AT THE MET""; ""19 SHOSTAKOVICH�S “LADY MACBETH OF MTSENSK�""; ""20 PRINCETON UNIVERSITY�S BORIS GODUNOV""; ""21 “EUGENE ONEGIN� ON THE STALINIST STAGE"" ""CONTENTS""; ""PREFACE""; ""GREAT ART SHOULD SLOW US DOWN: “PARTICIPATIVE THINKING� IN THE WORLD AND AS THE WORLD OF CARYL EMERSON David Bethea""; ""1 POLYPHONY AND THE CARNIVALESQUE: INTRODUCING THE TERMS""; ""2 THE EARLY PHILOSOPHICAL ESSAYS""; ""3 COMING TO TERMS WITH CARNIVAL""; ""4 GASPAROV AND BAKHTIN""; ""5 FOUR PUSHKIN BIOGRAPHIES""; ""6 PUSHKIN�S TATIANA""; ""7 PUSHKIN�S BORIS GODUNOV""; ""8 GEORGE STEINER ON TOLSTOY OR DOSTOEVSKY""; ""9 TOLSTOY AND DOSTOEVSKY ON EVIL DOING""; ""10 KUNDERA ON NOT LIKING DOSTOEVSKY"" All the Same the Words Don't Go Away brings together twenty-five years of essays and reviews, linked loosely by three themes. First is the creative potential inherent in transposing classic literary texts into other genres or media (operatic, dramatic) and the responsibilities, if any, that govern the transposer, audience, and critic. The practice of transposition, however, gives rise to a creative conflict: is there a limit to the amount of ornamentation, pressure, or dilution to which the "mediated" word can be subject? Finally, the more polemical of the essays included here are structured on the Bakhtinian notion of coexisting "plausibilities" and points of view. What a carnival approach can uncover in Pushkin that might have surprised and even pleased the poet, what a libretto or play script brings out that the "true original" hides: here the work of the creator and the critic co-exist in exhilarating ways that respect the competencies of each. --Book Jacket

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1618111280; 1618118471; 1934843814; 9781618111289; 9781934843819; 9781618118479
    Series: Studies in Russian and Slavic literatures, cultures and history
    Subjects: Russian literature; Russian literature; LITERARY CRITICISM ; Russian & Former Soviet Union; DRAMA ; Russian & Former Soviet Union; Russian literature; Criticism, interpretation, etc
    Scope: 1 Online-Ressource (xxvi, 422 pages)
    Notes:

    Includes bibliographical references and index
  6. All the same the words don't go away
    essays on authors, heroes, aesthetics, and stage adaptations from the Russian tradition
    Author: Emerson, Caryl
    Published: 2011
    Publisher:  Academic Studies Press, Boston

    All the Same the Words Don't Go Away brings together twenty-five years of essays and reviews, linked loosely by three themes. First is the creative potential inherent in transposing classic literary texts into other genres or media (operatic,... more

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    All the Same the Words Don't Go Away brings together twenty-five years of essays and reviews, linked loosely by three themes. First is the creative potential inherent in transposing classic literary texts into other genres or media (operatic, dramatic) and the responsibilities, if any, that govern the transposer, audience, and critic. The practice of transposition, however, gives rise to a creative conflict: is there a limit to the amount of ornamentation, pressure, or dilution to which the "mediated" word can be subject? Finally, the more polemical of the essays included here are structured on the Bakhtinian notion of coexisting "plausibilities" and points of view. What a carnival approach can uncover in Pushkin that might have surprised and even pleased the poet, what a libretto or play script brings out that the "true original" hides: here the work of the creator and the critic co-exist in exhilarating ways that respect the competencies of each. --Book Jacket.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781618111289; 1618111280; 9781618118479; 1618118471; 9781934843819; 1934843814
    Series: Studies in Russian and Slavic literatures, cultures and history
    Subjects: Russisch; Literatur; Russian literature; Russian literature; LITERARY CRITICISM; DRAMA; Russian literature; Literary studies: general
    Scope: 1 Online-Ressource (xxvi, 422 Seiten)
    Notes:

    Includes bibliographical references and index
  7. All the Same The Words Don't Go Away
    Essays on Authors, Heroes, Aesthetics, and Stage Adaptations from the Russian Tradition
    Author: Emerson, Caryl
    Published: [2016]
    Publisher:  Academic Studies Press, Boston, MA

    All the Same the Words Don't Go Away brings together twenty-five years of essays and reviews, linked loosely by three themes. The first explores the legacy of Mikhail Bakhtin: his ideas of dialogue and carnival, and the debates ignited by each. The... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    All the Same the Words Don't Go Away brings together twenty-five years of essays and reviews, linked loosely by three themes. The first explores the legacy of Mikhail Bakhtin: his ideas of dialogue and carnival, and the debates ignited by each. The second delves into three "master workers" of the Russian tradition: Pushkin, Tolstoy, and Dostoevsky. In this section, emphasis is comparative: the riddle of Pushkin's life, why "Tolstoy versus Dostoevsky," how Chekhov reads Tolstoy, why Kundera dislikes Doestoevsky and Tolstoy dislikes Shakespeare. The final section addresses the transposition of classic literary texts into other media through musical works by Musorgsky, Tchaikovsky, Shostakovich, and Prokofiev. Throughout, the fundamental heroes are Pushkin's Tatiana Larina and Boris Godunov. This volume will be of interest to comparativists and students in interdisciplinary humanities Frontmatter -- CONTENTS -- Preface -- Great Art Should Slow Us Down: "Participative Th inking" in the World and as the World of Caryl Emerson / Bethea, David -- I N MIKHAIL BAKHTIN (Dialogue, Carnival, the Bakhtin Wars) -- 1. Polyphony and the Carnivalesque: Introducing the Terms -- 2. The Early Philosophical Essays -- 3. Coming to Terms with Carnival -- 4. Gasparov and Bakhtin -- II ON THE MASTER WORKERS -- 5. Four Pushkin Biographies -- 6. Pushkin's Tatiana -- 7. Pushkin's Boris Godunov -- 8. George Steiner on Tolstoy or Dostoevsky -- 9. Tolstoy and Dostoevsky on Evil-Doing -- 10. Kundera on Not Liking Dostoevsky -- 11. Parini on Tolstoy, with a Postscript on Tolstoy, Shakespeare, and the Performing Arts -- 12. Chekhov and the Annas -- III MUSICALIZING THE LITERARY CLASSIC (Musorgsky, Tchaikovsky, Shostakovich, Prokofiev) -- 13. Foreword to Richard Taruskin's Essays on Musorgsky -- 14. From "Boris Godunov" to "Khovanshchina" -- 15. Tumanov on Maria Olenina-d'Alheim -- 16. Tchaikovsky's Tatiana -- 17. Little Operas to Pushkin's Little Tragedies -- 18. Playbill to Prokofi ev's "War and Peace" at the Met -- 19. Shostakovich's "Lady Macbeth of Mtsensk" -- 20. Princeton University's Boris Godunov -- 21. "Eugene Onegin" on the Stalinist Stage -- In Conclusion -- Index

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781618118479
    Other identifier:
    Series: Studies in Russian and Slavic Literatures, Cultures, and History
    Subjects: Russian literature; Russian literature; LITERARY CRITICISM / Russian & Former Soviet Union
    Scope: 1 Online-Ressource (1 online resource)
    Notes:

    Open Access unrestricted online access star
  8. All the same the words don't go away
    essays on authors, heroes, aesthetics, and stage adaptations from the Russian tradition
    Author: Emerson, Caryl
    Published: 2011
    Publisher:  Academic Studies Press, Boston

    ""11 PARINI ON TOLSTOY, WITH A POSTSCRIPT ON TOLSTOY, SHAKESPEARE, AND THE PERFORMING ARTS""""12 CHEKHOV AND THE ANNAS""; ""13 FOREWORD TO RICHARD TARUSKIN�S ESSAYS ON MUSORGSKY""; ""14 FROM “BORIS GODUNOV� TO “KHOVANSHCHINA�""; ""15... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Unlimited inter-library loan, copies and loan

     

    ""11 PARINI ON TOLSTOY, WITH A POSTSCRIPT ON TOLSTOY, SHAKESPEARE, AND THE PERFORMING ARTS""""12 CHEKHOV AND THE ANNAS""; ""13 FOREWORD TO RICHARD TARUSKIN�S ESSAYS ON MUSORGSKY""; ""14 FROM “BORIS GODUNOV� TO “KHOVANSHCHINA�""; ""15 TUMANOV ON MARIA OLENINA D�ALHEIM""; ""16 TCHAIKOVSKY�S TATIANA""; ""17 LITTLE OPERAS TO PUSHKIN�S LITTLE TRAGEDIES""; ""18 PLAYBILL TO PROKOFIEV�S “WAR AND PEACE� AT THE MET""; ""19 SHOSTAKOVICH�S “LADY MACBETH OF MTSENSK�""; ""20 PRINCETON UNIVERSITY�S BORIS GODUNOV""; ""21 “EUGENE ONEGIN� ON THE STALINIST STAGE"" ""CONTENTS""; ""PREFACE""; ""GREAT ART SHOULD SLOW US DOWN: “PARTICIPATIVE THINKING� IN THE WORLD AND AS THE WORLD OF CARYL EMERSON David Bethea""; ""1 POLYPHONY AND THE CARNIVALESQUE: INTRODUCING THE TERMS""; ""2 THE EARLY PHILOSOPHICAL ESSAYS""; ""3 COMING TO TERMS WITH CARNIVAL""; ""4 GASPAROV AND BAKHTIN""; ""5 FOUR PUSHKIN BIOGRAPHIES""; ""6 PUSHKIN�S TATIANA""; ""7 PUSHKIN�S BORIS GODUNOV""; ""8 GEORGE STEINER ON TOLSTOY OR DOSTOEVSKY""; ""9 TOLSTOY AND DOSTOEVSKY ON EVIL DOING""; ""10 KUNDERA ON NOT LIKING DOSTOEVSKY"" All the Same the Words Don't Go Away brings together twenty-five years of essays and reviews, linked loosely by three themes. First is the creative potential inherent in transposing classic literary texts into other genres or media (operatic, dramatic) and the responsibilities, if any, that govern the transposer, audience, and critic. The practice of transposition, however, gives rise to a creative conflict: is there a limit to the amount of ornamentation, pressure, or dilution to which the "mediated" word can be subject? Finally, the more polemical of the essays included here are structured on the Bakhtinian notion of coexisting "plausibilities" and points of view. What a carnival approach can uncover in Pushkin that might have surprised and even pleased the poet, what a libretto or play script brings out that the "true original" hides: here the work of the creator and the critic co-exist in exhilarating ways that respect the competencies of each. --Book Jacket

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1618111280; 1618118471; 1934843814; 9781618111289; 9781934843819; 9781618118479
    Series: Studies in Russian and Slavic literatures, cultures and history
    Subjects: Russian literature; Russian literature; LITERARY CRITICISM ; Russian & Former Soviet Union; DRAMA ; Russian & Former Soviet Union; Russian literature; Criticism, interpretation, etc
    Scope: 1 Online-Ressource (xxvi, 422 pages)
    Notes:

    Includes bibliographical references and index
  9. All the Same The Words Don't Go Away :
    Essays on Authors, Heroes, Aesthetics, and Stage Adaptations from the Russian Tradition.
    Author: Emerson, Caryl.
    Published: 2010.
    Publisher:  Academic Studies Press,

    Twenty-five years of essays and reviews, linked loosely by three themes. First is the creative potential inherent in transposing classic literary texts into other genres of media (operatic, dramatic) and the responsibilities, if any, that govern the... more

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    Hochschule der Polizei des Landes Brandenburg, Hochschulbibliothek
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    Unlimited inter-library loan, copies and loan

     

    Twenty-five years of essays and reviews, linked loosely by three themes. First is the creative potential inherent in transposing classic literary texts into other genres of media (operatic, dramatic) and the responsibilities, if any, that govern the transposer, audience, and critic. The practice of transposition, however, gives rise to a creative conflict: is there a limit to the amount of ornamentation, pressure, or dilution to which the "mediated" word can be subject? Finally, the more polemical of the essays included here are structured on the Bakhtinian notion of co-existing "plausibilities" and points of view. What a carnival approach can uncover in Pushkin that might have surprised and even pleased the poet, what a libretto or play script brings out that the "true original" hides: here the work of the creator and the critic can overlap in thrilling ways that respect the competencies of each. The book includes an original preface written by David Bethea

     
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    Source: Union catalogues
    Media type: Ebook
    Format: Online
    ISBN: 1306152852; 9781306152853; 9781618118479; 1618118471
    Subjects: Russian literature; Russian literature; Littérature russe; Literary Criticism; Russian literature.
    Scope: 1 online resource