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Displaying results 1 to 3 of 3.

  1. More than one picture
    an art history of the hyperimage
    Author: Thürlemann, Felix
    Published: [2019]; © 2019
    Publisher:  The Getty Research Institute, Los Angeles

    "In this volume, the author develops a theory of the hyperimage, arguing that constellations of images on walls or pages have played a major role in the history of art since the seventeenth century"--Provided by publisher more

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Universitätsbibliothek der LMU München
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Deutsches Forum für Kunstgeschichte, Bibliothek

     

    "In this volume, the author develops a theory of the hyperimage, arguing that constellations of images on walls or pages have played a major role in the history of art since the seventeenth century"--Provided by publisher

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Contributor: Tucker, Elizabeth
    Language: English
    Media type: Book
    ISBN: 9781606066256; 1606066250
    RVK Categories: LH 39930 ; LH 60400 ; LH 61050 ; EC 2440
    Edition: English edition
    Subjects: Ästhetisches Urteil; Präsentation; Kunstgeschichtsschreibung; Kombination; Bild
    Other subjects: Visual communication in art; Art / Exhibition techniques; Art / Collectors and collecting
    Scope: vii, 220 Seiten, Illustrationen
    Notes:

    Introduction: Practices of the Hyperimage -- Chapter 1. Collectors' Arrangements -- Frans Francken the Younger, circa 1620: En Route to the Pendant Hanging -- Vivant Denon, 1802: The Wall of Pictures as Didactic Showpiece -- Johann Valentin Prehn, ca. 1820: The Collector's Nightmare -- Chapter 2. Art Historians' Image Practice -- Heinrich Wölfflin-1915: Exemplary Pairs -- Aby Warburg, 1929: An Overview of the Whole -- André Malraux, 1947: A Dialogue of Cultures -- Chapter 3. Artists' Hyperimages -- Pablo Picasso, 1912: The Painter Photographs the Sounds of a Cardboard Guitar -- Pierre Bonnard, 1944/46: The Studio Wall as Aesthetic Repository -- Wolfgang Tillmans, 2000: If One Thing Matters, Everything Matters
  2. More than one picture
    an art history of the hyperimage
    Author: Thürlemann, Felix
    Published: [2019]; © 2019
    Publisher:  The Getty Research Institute, Los Angeles

    "In this volume, the author develops a theory of the hyperimage, arguing that constellations of images on walls or pages have played a major role in the history of art since the seventeenth century"--Provided by publisher more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    TU Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "In this volume, the author develops a theory of the hyperimage, arguing that constellations of images on walls or pages have played a major role in the history of art since the seventeenth century"--Provided by publisher

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Tucker, Elizabeth
    Language: English
    Media type: Book
    ISBN: 9781606066256; 1606066250
    RVK Categories: LH 39930 ; LH 60400 ; LH 61050 ; EC 2440
    Edition: English edition
    Subjects: Ästhetisches Urteil; Präsentation; Kunstgeschichtsschreibung; Kombination; Bild
    Other subjects: Visual communication in art; Art / Exhibition techniques; Art / Collectors and collecting
    Scope: vii, 220 Seiten, Illustrationen
    Notes:

    Introduction: Practices of the Hyperimage -- Chapter 1. Collectors' Arrangements -- Frans Francken the Younger, circa 1620: En Route to the Pendant Hanging -- Vivant Denon, 1802: The Wall of Pictures as Didactic Showpiece -- Johann Valentin Prehn, ca. 1820: The Collector's Nightmare -- Chapter 2. Art Historians' Image Practice -- Heinrich Wölfflin-1915: Exemplary Pairs -- Aby Warburg, 1929: An Overview of the Whole -- André Malraux, 1947: A Dialogue of Cultures -- Chapter 3. Artists' Hyperimages -- Pablo Picasso, 1912: The Painter Photographs the Sounds of a Cardboard Guitar -- Pierre Bonnard, 1944/46: The Studio Wall as Aesthetic Repository -- Wolfgang Tillmans, 2000: If One Thing Matters, Everything Matters
  3. More than one picture
    an art history of the hyperimage
    Author: Thürlemann, Felix
    Published: [2019]; © 2019
    Publisher:  The Getty Research Institute, Los Angeles

    Zusammenfassung: "In this volume, the author develops a theory of the hyperimage, arguing that constellations of images on walls or pages have played a major role in the history of art since the seventeenth century"--Provided by publisher more

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Signature:
    LH 61050 114
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2020 C 239
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Herzog August Bibliothek Wolfenbüttel
    Signature:
    69.3883
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Zusammenfassung: "In this volume, the author develops a theory of the hyperimage, arguing that constellations of images on walls or pages have played a major role in the history of art since the seventeenth century"--Provided by publisher

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Contributor: Tucker, Elizabeth (ÜbersetzerIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781606066256
    RVK Categories: LH 61050
    Subjects: Visual communication in art; Art; Art
    Scope: vii, 220 Seiten, Illustrationen