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  1. American drama and the postmodern
    fragmenting the realistic stage
    Author: Sauer, David K.
    Published: 2011
    Publisher:  Cambria Press, Amherst, NY

    Location:
    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Würzburg
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781604977578
    RVK Categories: HU 1770 ; HU 1778
    Subjects: American drama; Postmodernism (Literature); Postmoderne; Drama
    Scope: X, 350 S.
    Notes:

    Includes bibliographical references and index
  2. American drama and the postmodern
    fragmenting the realistic stage
    Author: Sauer, David K.
    Published: 2011
    Publisher:  Cambria Press, Amherst, NY

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781604977578
    RVK Categories: HU 1778
    Subjects: American drama; Postmodernism (Literature)
    Scope: X, 350 S.
    Notes:

    Includes bibliographical references and index

    ForewordTheorizing contemporary American drama: fractured plots, fragmented in time, in space -- (Post)modern feminism on the Broadway stage: Rachel Crothers and Wendy Wasserstein -- Six degree of separation: Philip Barry's mimetic holiday and John Guare's performative postmodernism -- Oleanna and The children's hour: misreading sexuality on the realistic stage -- The language of (post)modernist tragedy: Desire under the elms and Buried child -- Eugene O'Neill and August Wilson: comings and goings between past and present -- Magic realism: staging the invisible in (post)modern drama -- Conclusion-staging a new world.

    Foreword -- Theorizing contemporary American drama: fractured plots, fragmented in time, in space -- (Post)modern feminism on the Broadway stage: Rachel Crothers and Wendy Wasserstein -- Six degree of separation: Philip Barry's mimetic holiday and John Guare's performative postmodernism -- Oleanna and The children's hour: misreading sexuality on the realistic stage -- The language of (post)modernist tragedy: Desire under the elms and Buried child -- Eugene O'Neill and August Wilson: comings and goings between past and present -- Magic realism: staging the invisible in (post)modern drama -- Conclusion-staging a new world.
  3. American drama and the postmodern
    fragmenting the realistic stage
    Author: Sauer, David K.
    Published: 2011
    Publisher:  Cambria Press, Amherst, NY

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 A 819420
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staats- und Universitätsbibliothek Bremen
    Signature:
    a ang 950/737
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    Location:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    2013 A 10448
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    Location:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signature:
    A 2011/6398
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781604977578
    RVK Categories: HU 1778
    Subjects: American drama; Postmodernism (Literature)
    Scope: X, 350 S.
    Notes:

    Includes bibliographical references and index

    ForewordTheorizing contemporary American drama: fractured plots, fragmented in time, in space -- (Post)modern feminism on the Broadway stage: Rachel Crothers and Wendy Wasserstein -- Six degree of separation: Philip Barry's mimetic holiday and John Guare's performative postmodernism -- Oleanna and The children's hour: misreading sexuality on the realistic stage -- The language of (post)modernist tragedy: Desire under the elms and Buried child -- Eugene O'Neill and August Wilson: comings and goings between past and present -- Magic realism: staging the invisible in (post)modern drama -- Conclusion-staging a new world.

    Foreword -- Theorizing contemporary American drama: fractured plots, fragmented in time, in space -- (Post)modern feminism on the Broadway stage: Rachel Crothers and Wendy Wasserstein -- Six degree of separation: Philip Barry's mimetic holiday and John Guare's performative postmodernism -- Oleanna and The children's hour: misreading sexuality on the realistic stage -- The language of (post)modernist tragedy: Desire under the elms and Buried child -- Eugene O'Neill and August Wilson: comings and goings between past and present -- Magic realism: staging the invisible in (post)modern drama -- Conclusion-staging a new world.