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  1. Religion in Contemporary German Drama
    Botho Strauss, George Tabori, Werner Fritsch, and Lukas Bärfuss
    Author: Crowe, Sinéad
    Published: 2013
    Publisher:  Boydell & Brewer, Suffolk ; Cambridge University Press, Cambridge, UK

    Critics often claim that the twenty-first century has seen a sudden "return" of religion to the German stage. But although drama scholarship has largely focused on politics, postmodernity, gender, ethnicity, and "postdramatic" performance, religious... more

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    Universität Frankfurt, Elektronische Ressourcen
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    Critics often claim that the twenty-first century has seen a sudden "return" of religion to the German stage. But although drama scholarship has largely focused on politics, postmodernity, gender, ethnicity, and "postdramatic" performance, religious themes, forms, and motifs have been a topic and a source of inspiration for German dramatists for several decades, as this study shows. Focusing on works by four major dramatists - Botho Strauß, George Tabori, Werner Fritsch, and Lukas Bärfuss - this book examines how, why, and to what effect religion is invoked in German drama since the late 1970s. It asks whether contemporary German drama succeeds in developing religious insights or is at most quasi-religious, exploiting religious signs for aesthetic, theatrical, or dramaturgical ends. It considers the performative and historical intersections between drama and religion, contextualizing the playwrights' treatments of religion by exploring how they lean on or repudiate the traditions of modern European drama, especially that of Strindberg, the Expressionists, Artaud, Grotowski, and Beckett. It also draws on the sociology, anthropology, and psychology of religion, exploring how these works reflect the changing place of religion and spirituality in the world, from secularization to the "alternative" modes of religiosity that have proliferated in Western society since the 1960s. Sinéad Crowe is a Teaching Assistant at the University of Limerick, Ireland.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781571138446
    RVK Categories: GN 1894
    DDC Categories: 830
    Subjects: Deutsch; Drama; Religion <Motiv>
    Other subjects: Strauß, Botho (1944-): Groß und klein; Strauß, Botho (1944-): Die eine und die andere; Tabori, George (1914-2007): Mein Kampf; Fritsch, Werner (1960-): Wondreber Totentanz; Fritsch, Werner (1960-): Aller Seelen; Bärfuss, Lukas (1971-): Der Bus
    Scope: 1 Online-Ressource (168 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  2. Religion in contemporary German drama
    Botho Strauss, George Tabori, Werner Fritsch, and Lukas Bärfuss
    Author: Crowe, Sinéad
    Published: 2013
    Publisher:  Camden House, Rochester, NY

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    Universitätsbibliothek Augsburg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781571135490; 9781571138446
    RVK Categories: GN 1701 ; GN 1873
    Series: Studies in German literature, linguistics, and culture
    Subjects: Deutsch; Drama; Religion <Motiv>
    Scope: 1 Online-Ressource (168 S.)
  3. Religion in contemporary German drama
    Botho Strauss, George Tabori, Werner Fritsch, and Lukas Bärfuss
    Author: Crowe, Sinéad
    Published: 2013
    Publisher:  Camden House, Rochester, NY

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781571135490; 9781571138446
    RVK Categories: GN 1701 ; GN 1873
    Series: Studies in German literature, linguistics, and culture
    Subjects: Deutsch; Drama; Religion <Motiv>
    Scope: 1 Online-Ressource (168 S.)
  4. Religion in Contemporary German Drama
    Botho Strauss, George Tabori, Werner Fritsch, and Lukas Bärfuss
    Author: Crowe, Sinéad
    Published: 2013
    Publisher:  Boydell & Brewer, Suffolk

    Critics often claim that the twenty-first century has seen a sudden "return" of religion to the German stage. But although drama scholarship has largely focused on politics, postmodernity, gender, ethnicity, and "postdramatic" performance, religious... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Critics often claim that the twenty-first century has seen a sudden "return" of religion to the German stage. But although drama scholarship has largely focused on politics, postmodernity, gender, ethnicity, and "postdramatic" performance, religious themes, forms, and motifs have been a topic and a source of inspiration for German dramatists for several decades, as this study shows. Focusing on works by four major dramatists - Botho Strauß, George Tabori, Werner Fritsch, and Lukas Bärfuss - this book examines how, why, and to what effect religion is invoked in German drama since the late 1970s. It asks whether contemporary German drama succeeds in developing religious insights or is at most quasi-religious, exploiting religious signs for aesthetic, theatrical, or dramaturgical ends. It considers the performative and historical intersections between drama and religion, contextualizing the playwrights' treatments of religion by exploring how they lean on or repudiate the traditions of modern European drama, especially that of Strindberg, the Expressionists, Artaud, Grotowski, and Beckett. It also draws on the sociology, anthropology, and psychology of religion, exploring how these works reflect the changing place of religion and spirituality in the world, from secularization to the "alternative" modes of religiosity that have proliferated in Western society since the 1960s. Sinéad Crowe is a Teaching Assistant at the University of Limerick, Ireland The relationship between theater and religion -- Religion in modern European theater and drama -- "No one wants to get to God anymore"? Botho Strauss's Gross und klein and Die eine und die andere -- Theological farce: George Tabori's Mein Kampf -- "The last refuge for metaphysics": Werner Fritsch's theater theory -- "The feeling of faith": Fritsch's Wondreber Totentanz and Aller Seelen -- Belief and unbelief in the twenty-first century: Lukas Bärfuss's Der Bus (Das Zeug einer Heiligen)

     
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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781571138446
    RVK Categories: GN 1701 ; GN 1873 ; GN 9284
    Subjects: Theater; Religion in literature; German drama; German drama ; 21st century ; History and criticism; Theater ; Religious aspects; Religion in literature
    Scope: 1 Online-Ressource (168 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  5. Religion in Contemporary German Drama
    Botho Strauss, George Tabori, Werner Fritsch, and Lukas Bärfuss
    Author: Crowe, Sinéad
    Published: 2013
    Publisher:  Boydell & Brewer, Suffolk

    Critics often claim that the twenty-first century has seen a sudden "return" of religion to the German stage. But although drama scholarship has largely focused on politics, postmodernity, gender, ethnicity, and "postdramatic" performance, religious... more

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Critics often claim that the twenty-first century has seen a sudden "return" of religion to the German stage. But although drama scholarship has largely focused on politics, postmodernity, gender, ethnicity, and "postdramatic" performance, religious themes, forms, and motifs have been a topic and a source of inspiration for German dramatists for several decades, as this study shows. Focusing on works by four major dramatists - Botho Strauß, George Tabori, Werner Fritsch, and Lukas Bärfuss - this book examines how, why, and to what effect religion is invoked in German drama since the late 1970s. It asks whether contemporary German drama succeeds in developing religious insights or is at most quasi-religious, exploiting religious signs for aesthetic, theatrical, or dramaturgical ends. It considers the performative and historical intersections between drama and religion, contextualizing the playwrights' treatments of religion by exploring how they lean on or repudiate the traditions of modern European drama, especially that of Strindberg, the Expressionists, Artaud, Grotowski, and Beckett. It also draws on the sociology, anthropology, and psychology of religion, exploring how these works reflect the changing place of religion and spirituality in the world, from secularization to the "alternative" modes of religiosity that have proliferated in Western society since the 1960s. Sinéad Crowe is a Teaching Assistant at the University of Limerick, Ireland

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781571138446
    RVK Categories: GN 1701 ; GN 1873
    Subjects: Religion; German drama / 21st century / History and criticism; Theater / Religious aspects; Religion in literature; Religion <Motiv>; Deutsch; Drama
    Scope: 1 online resource (168 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    The relationship between theater and religion -- Religion in modern European theater and drama -- "No one wants to get to God anymore"? Botho Strauss's Gross und klein and Die eine und die andere -- Theological farce: George Tabori's Mein Kampf -- "The last refuge for metaphysics": Werner Fritsch's theater theory -- "The feeling of faith": Fritsch's Wondreber Totentanz and Aller Seelen -- Belief and unbelief in the twenty-first century: Lukas Bärfuss's Der Bus (Das Zeug einer Heiligen)
  6. Religion in Contemporary German Drama
    Botho Strauss, George Tabori, Werner Fritsch, and Lukas Bärfuss
    Author: Crowe, Sinéad
    Published: 2013
    Publisher:  Boydell & Brewer, Suffolk

    Critics often claim that the twenty-first century has seen a sudden "return" of religion to the German stage. But although drama scholarship has largely focused on politics, postmodernity, gender, ethnicity, and "postdramatic" performance, religious... more

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    Bayerische Staatsbibliothek
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    Unlimited inter-library loan, copies and loan

     

    Critics often claim that the twenty-first century has seen a sudden "return" of religion to the German stage. But although drama scholarship has largely focused on politics, postmodernity, gender, ethnicity, and "postdramatic" performance, religious themes, forms, and motifs have been a topic and a source of inspiration for German dramatists for several decades, as this study shows. Focusing on works by four major dramatists - Botho Strauß, George Tabori, Werner Fritsch, and Lukas Bärfuss - this book examines how, why, and to what effect religion is invoked in German drama since the late 1970s. It asks whether contemporary German drama succeeds in developing religious insights or is at most quasi-religious, exploiting religious signs for aesthetic, theatrical, or dramaturgical ends. It considers the performative and historical intersections between drama and religion, contextualizing the playwrights' treatments of religion by exploring how they lean on or repudiate the traditions of modern European drama, especially that of Strindberg, the Expressionists, Artaud, Grotowski, and Beckett. It also draws on the sociology, anthropology, and psychology of religion, exploring how these works reflect the changing place of religion and spirituality in the world, from secularization to the "alternative" modes of religiosity that have proliferated in Western society since the 1960s. Sinéad Crowe is a Teaching Assistant at the University of Limerick, Ireland

     
    Export to reference management software   RIS file
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781571138446
    RVK Categories: GN 1701 ; GN 1873
    Subjects: Religion; German drama / 21st century / History and criticism; Theater / Religious aspects; Religion in literature; Deutsch; Drama; Religion <Motiv>
    Scope: 1 online resource (168 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    The relationship between theater and religion -- Religion in modern European theater and drama -- "No one wants to get to God anymore"? Botho Strauss's Gross und klein and Die eine und die andere -- Theological farce: George Tabori's Mein Kampf -- "The last refuge for metaphysics": Werner Fritsch's theater theory -- "The feeling of faith": Fritsch's Wondreber Totentanz and Aller Seelen -- Belief and unbelief in the twenty-first century: Lukas Bärfuss's Der Bus (Das Zeug einer Heiligen)
  7. Religion in Contemporary German Drama
    Botho Strauss, George Tabori, Werner Fritsch, and Lukas Bärfuss
    Author: Crowe, Sinéad
    Published: 2013
    Publisher:  Boydell & Brewer, Suffolk

    Critics often claim that the twenty-first century has seen a sudden "return" of religion to the German stage. But although drama scholarship has largely focused on politics, postmodernity, gender, ethnicity, and "postdramatic" performance, religious... more

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    Critics often claim that the twenty-first century has seen a sudden "return" of religion to the German stage. But although drama scholarship has largely focused on politics, postmodernity, gender, ethnicity, and "postdramatic" performance, religious themes, forms, and motifs have been a topic and a source of inspiration for German dramatists for several decades, as this study shows. Focusing on works by four major dramatists - Botho Strauß, George Tabori, Werner Fritsch, and Lukas Bärfuss - this book examines how, why, and to what effect religion is invoked in German drama since the late 1970s. It asks whether contemporary German drama succeeds in developing religious insights or is at most quasi-religious, exploiting religious signs for aesthetic, theatrical, or dramaturgical ends. It considers the performative and historical intersections between drama and religion, contextualizing the playwrights' treatments of religion by exploring how they lean on or repudiate the traditions of modern European drama, especially that of Strindberg, the Expressionists, Artaud, Grotowski, and Beckett. It also draws on the sociology, anthropology, and psychology of religion, exploring how these works reflect the changing place of religion and spirituality in the world, from secularization to the "alternative" modes of religiosity that have proliferated in Western society since the 1960s. Sinéad Crowe is a Teaching Assistant at the University of Limerick, Ireland The relationship between theater and religion -- Religion in modern European theater and drama -- "No one wants to get to God anymore"? Botho Strauss's Gross und klein and Die eine und die andere -- Theological farce: George Tabori's Mein Kampf -- "The last refuge for metaphysics": Werner Fritsch's theater theory -- "The feeling of faith": Fritsch's Wondreber Totentanz and Aller Seelen -- Belief and unbelief in the twenty-first century: Lukas Bärfuss's Der Bus (Das Zeug einer Heiligen)

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781571138446
    RVK Categories: GN 1701 ; GN 1873 ; GN 9284
    Subjects: Theater; Religion in literature; German drama; German drama ; 21st century ; History and criticism; Theater ; Religious aspects; Religion in literature
    Scope: 1 Online-Ressource (168 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)