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  1. Perspectives on gender in post-1945 German literature
    Author: Paul, Georgina
    Published: 2009
    Publisher:  Boydell & Brewer, Suffolk ; Cambridge University Press, Cambridge, UK

    Rooted in Enlightenment rationalism, modernity tends to privilege masculine-connoted characteristics - conscious subjective agency, rational control and self-containment, the subjugation of nature - and has generated a conceptualization of human... more

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    Universität Frankfurt, Elektronische Ressourcen
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    Rooted in Enlightenment rationalism, modernity tends to privilege masculine-connoted characteristics - conscious subjective agency, rational control and self-containment, the subjugation of nature - and has generated a conceptualization of human subjectivity emphasizing these qualities. Yet the costs of this conception of human selfhood are high, and at modernity's most acute moments of historical crisis writers and artists can be seen turning to feminine-connoted figurations - nature, tradition, myth and spirituality, intuition, relationality, flux. In recent decades studies have examined the cultural crisis of German modernity, notably at the turn of the nineteenth to the twentieth century, as a crisis of masculinity. Feminist critiques, meanwhile, have viewed cultural history as male-generated and 'phallocentric,' in need of a feminine corrective. The innovation of this book is to examine these two gendered perspectives side by side, investigating the culturally symbolic significance of gender in post 1945 German language literature via a sequence of paired readings of major, thematically related texts by male and female authors, including Ingeborg Bachmann's novel 'Malina' (1971) and Max Frisch's 'Mein Name sei Gantenbein' (1964); Frisch's 'Homo Faber' (1957) and Christa Wolf's 'Störfall' (1987); Elfriede Jelinek's 'Die Klavierspielerin' and Rainald Goetz's 'Irre' (both 1983); and Heiner Müller's 'Die Hamletmaschine' (1977) and Christa Wolf's 'Kassandra' (1983). Finally, Barbara Köhler's eight-poem cycle 'Elektra. Spiegelungen' (written 1984-85; published 1991) is considered as offering a way past the 'impasse' of the male and female viewpoints. Georgina Paul is University Lecturer in German at the University of Oxford and a Fellow of St. Hilda's College.

     
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    Source: Union catalogues
    Language: English; German
    Media type: Ebook
    Format: Online
    ISBN: 9781571137463
    RVK Categories: GN 1701 ; GN 1411
    DDC Categories: 830
    Subjects: Deutsch; Literatur; Geschlechterrolle <Motiv>; Geschlecht <Motiv>
    Other subjects: Frisch, Max (1911-1991): Mein Name sei Gantenbein; Frisch, Max (1911-1991): Homo Faber; Wolf, Christa (1929-2011): Störfall; Jelinek, Elfriede (1946-): Die Klavierspielerin; Goetz, Rainald (1954-): Irre; Müller, Heiner (1929-1995): Die Hamletmaschine; Wolf, Christa (1929-2011): Kassandra; Köhler, Barbara (1959-2021)
    Scope: 1 Online-Ressource (257 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  2. Perspectives on gender in post-1945 German literature
    Author: Paul, Georgina
    Published: 2009
    Publisher:  Camden House, Rochester, NY

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    Universitätsbibliothek Augsburg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781571134233; 1571134239; 9781571137463
    RVK Categories: GN 1701
    Edition: 1. publ.
    Series: Studies in German literature, linguistics, and culture
    Subjects: German literature; Sex (Psychology) in literature; Identity (Psychology) in literature; Geschlecht <Motiv>; Deutsch; Geschlechterrolle <Motiv>; Literatur
    Scope: 1 Online-Ressource (257 S.)
  3. Perspectives on gender in post-1945 German literature
    Author: Paul, Georgina
    Published: 2009
    Publisher:  ebrary, Palo Alto, Calif. ; Camden House, Rochester, NY

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781571134233; 1571134239; 9781571137463
    RVK Categories: GN 1701
    Series: Studies in German literature, linguistics, and culture
    Subjects: German literature; Sex (Psychology) in literature; Identity (Psychology) in literature; Literatur; Geschlecht <Motiv>; Deutsch; Geschlechterrolle <Motiv>
    Scope: 1 Online-Ressource (257 S.)
  4. Perspectives on gender in post-1945 German literature
    Author: Paul, Georgina
    Published: 2009
    Publisher:  Boydell & Brewer, Suffolk

    Rooted in Enlightenment rationalism, modernity tends to privilege masculine-connoted characteristics - conscious subjective agency, rational control and self-containment, the subjugation of nature - and has generated a conceptualization of human... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Rooted in Enlightenment rationalism, modernity tends to privilege masculine-connoted characteristics - conscious subjective agency, rational control and self-containment, the subjugation of nature - and has generated a conceptualization of human subjectivity emphasizing these qualities. Yet the costs of this conception of human selfhood are high, and at modernity's most acute moments of historical crisis writers and artists can be seen turning to feminine-connoted figurations - nature, tradition, myth and spirituality, intuition, relationality, flux. In recent decades studies have examined the cultural crisis of German modernity, notably at the turn of the nineteenth to the twentieth century, as a crisis of masculinity. Feminist critiques, meanwhile, have viewed cultural history as male-generated and 'phallocentric,' in need of a feminine corrective. The innovation of this book is to examine these two gendered perspectives side by side, investigating the culturally symbolic significance of gender in post 1945 German language literature via a sequence of paired readings of major, thematically related texts by male and female authors, including Ingeborg Bachmann's novel 'Malina' (1971) and Max Frisch's 'Mein Name sei Gantenbein' (1964); Frisch's 'Homo Faber' (1957) and Christa Wolf's 'Störfall' (1987); Elfriede Jelinek's 'Die Klavierspielerin' and Rainald Goetz's 'Irre' (both 1983); and Heiner Müller's 'Die Hamletmaschine' (1977) and Christa Wolf's 'Kassandra' (1983). Finally, Barbara Köhler's eight-poem cycle 'Elektra. Spiegelungen' (written 1984-85; published 1991) is considered as offering a way past the 'impasse' of the male and female viewpoints. Georgina Paul is University Lecturer in German at the University of Oxford and a Fellow of St. Hilda's College

     
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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781571137463
    RVK Categories: GN 1411
    Subjects: Sex (Psychology) in literature; Identity (Psychology) in literature; German literature; German literature ; 20th century ; History and criticism; Sex (Psychology) in literature; Identity (Psychology) in literature
    Scope: 1 Online-Ressource (257 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Gender, subjectivity, and cultural critique from the fin de siècle to fascism -- The post-1945 crisis of enlightenment and the emergence of the "other" sex -- Challenging masculine subjectivity : Ingeborg Bachmann's Malina -- From his point of view : Max Frisch's Mein Name sei Gantenbein -- The critique of instrumental reason : Max Frisch's Homo Faber and Christa Wolf's Störfall -- Pathologies : Elfriede Jelinek's Die Klavierspielerin and Rainald Goetz's Irre -- End visions : Heiner Müller's Die Hamletmaschine and Christa Wolf's Kassandra -- Beyond the impasse? : Barbara Köhler's "Elektra. Spiegelungen."
  5. Perspectives on gender in post-1945 German literature
    Author: Paul, Georgina
    Published: 2009
    Publisher:  Boydell & Brewer, Suffolk

    Rooted in Enlightenment rationalism, modernity tends to privilege masculine-connoted characteristics - conscious subjective agency, rational control and self-containment, the subjugation of nature - and has generated a conceptualization of human... more

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Rooted in Enlightenment rationalism, modernity tends to privilege masculine-connoted characteristics - conscious subjective agency, rational control and self-containment, the subjugation of nature - and has generated a conceptualization of human subjectivity emphasizing these qualities. Yet the costs of this conception of human selfhood are high, and at modernity's most acute moments of historical crisis writers and artists can be seen turning to feminine-connoted figurations - nature, tradition, myth and spirituality, intuition, relationality, flux. In recent decades studies have examined the cultural crisis of German modernity, notably at the turn of the nineteenth to the twentieth century, as a crisis of masculinity. Feminist critiques, meanwhile, have viewed cultural history as male-generated and 'phallocentric,' in need of a feminine corrective. The innovation of this book is to examine these two gendered perspectives side by side, investigating the culturally symbolic significance of gender in post 1945 German language literature via a sequence of paired readings of major, thematically related texts by male and female authors, including Ingeborg Bachmann's novel 'Malina' (1971) and Max Frisch's 'Mein Name sei Gantenbein' (1964); Frisch's 'Homo Faber' (1957) and Christa Wolf's 'Störfall' (1987); Elfriede Jelinek's 'Die Klavierspielerin' and Rainald Goetz's 'Irre' (both 1983); and Heiner Müller's 'Die Hamletmaschine' (1977) and Christa Wolf's 'Kassandra' (1983). Finally, Barbara Köhler's eight-poem cycle 'Elektra. Spiegelungen' (written 1984-85; published 1991) is considered as offering a way past the 'impasse' of the male and female viewpoints. Georgina Paul is University Lecturer in German at the University of Oxford and a Fellow of St. Hilda's College

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781571137463
    RVK Categories: GN 1701
    Subjects: German literature / 20th century / History and criticism; Sex (Psychology) in literature; Identity (Psychology) in literature; Geschlecht <Motiv>; Geschlechterrolle <Motiv>; Literatur; Deutsch
    Scope: 1 online resource (257 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  6. Perspectives on gender in post-1945 German literature
    Author: Paul, Georgina
    Published: 2009
    Publisher:  Boydell & Brewer, Suffolk

    Rooted in Enlightenment rationalism, modernity tends to privilege masculine-connoted characteristics - conscious subjective agency, rational control and self-containment, the subjugation of nature - and has generated a conceptualization of human... more

    Location:
    Bayerische Staatsbibliothek
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    Unlimited inter-library loan, copies and loan

     

    Rooted in Enlightenment rationalism, modernity tends to privilege masculine-connoted characteristics - conscious subjective agency, rational control and self-containment, the subjugation of nature - and has generated a conceptualization of human subjectivity emphasizing these qualities. Yet the costs of this conception of human selfhood are high, and at modernity's most acute moments of historical crisis writers and artists can be seen turning to feminine-connoted figurations - nature, tradition, myth and spirituality, intuition, relationality, flux. In recent decades studies have examined the cultural crisis of German modernity, notably at the turn of the nineteenth to the twentieth century, as a crisis of masculinity. Feminist critiques, meanwhile, have viewed cultural history as male-generated and 'phallocentric,' in need of a feminine corrective. The innovation of this book is to examine these two gendered perspectives side by side, investigating the culturally symbolic significance of gender in post 1945 German language literature via a sequence of paired readings of major, thematically related texts by male and female authors, including Ingeborg Bachmann's novel 'Malina' (1971) and Max Frisch's 'Mein Name sei Gantenbein' (1964); Frisch's 'Homo Faber' (1957) and Christa Wolf's 'Störfall' (1987); Elfriede Jelinek's 'Die Klavierspielerin' and Rainald Goetz's 'Irre' (both 1983); and Heiner Müller's 'Die Hamletmaschine' (1977) and Christa Wolf's 'Kassandra' (1983). Finally, Barbara Köhler's eight-poem cycle 'Elektra. Spiegelungen' (written 1984-85; published 1991) is considered as offering a way past the 'impasse' of the male and female viewpoints. Georgina Paul is University Lecturer in German at the University of Oxford and a Fellow of St. Hilda's College

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781571137463
    RVK Categories: GN 1701
    Subjects: German literature / 20th century / History and criticism; Sex (Psychology) in literature; Identity (Psychology) in literature; Literatur; Geschlecht <Motiv>; Geschlechterrolle <Motiv>; Deutsch
    Scope: 1 online resource (257 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  7. Perspectives on gender in post-1945 German literature
    Author: Paul, Georgina
    Published: 2009
    Publisher:  Camden House, Rochester, N.Y

    Location:
    Hochschulbibliothek Friedensau
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    Online-Ressource
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 128279566X; 9781282795662; 9781571137463
    Series: Studies in German literature, linguistics, and culture
    Subjects: Sex (Psychology) in literature; Identity (Psychology) in literature; German literature
    Scope: Online-Ressource (257 p)
    Notes:

    Includes bibliographical references and index

    ""Contents""; ""Acknowledgments""; ""Note on the Translations""; ""Introduction""; ""Part I: Gender, Subjectivity, and the Cultural Critique of Modernity: Twentieth- Century Perspectives""; ""1: Gender, Subjectivity, and Cultural Critique from the Fin de Si�cle to Fascism""; ""2: The Post-1945 Crisis of Enlightenment and the Emergence of the “ Other� Sex""; ""Part II: Readings in Post-1945 German Literature""; ""3: Challenging Masculine Subjectivity: Ingeborg Bachmann�s Malina""; ""4: From His Point of View: Max Frisch�s Mein Name sei Gantenbein""

    ""5: The Critique of Instrumental Reason: Max Frisch�s Homo faber and Christa Wolf�s Störfall""""6: Pathologies: Elfriede Jelinek�s Die Klavierspielerin and Rainald Goetz�s Irre""; ""7: End Visions: Heiner M�ller�s Die Hamletmaschine and Christa Wolf�s Kassandra""; ""8: Beyond the Impasse?: Barbara Köhler�s “ Elektra. Spiegelungen�""; ""Bibliography""; ""Index""
  8. Perspectives on gender in post-1945 German literature
    Author: Paul, Georgina
    Published: 2009
    Publisher:  Boydell & Brewer, Suffolk

    Rooted in Enlightenment rationalism, modernity tends to privilege masculine-connoted characteristics - conscious subjective agency, rational control and self-containment, the subjugation of nature - and has generated a conceptualization of human... more

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    Rooted in Enlightenment rationalism, modernity tends to privilege masculine-connoted characteristics - conscious subjective agency, rational control and self-containment, the subjugation of nature - and has generated a conceptualization of human subjectivity emphasizing these qualities. Yet the costs of this conception of human selfhood are high, and at modernity's most acute moments of historical crisis writers and artists can be seen turning to feminine-connoted figurations - nature, tradition, myth and spirituality, intuition, relationality, flux. In recent decades studies have examined the cultural crisis of German modernity, notably at the turn of the nineteenth to the twentieth century, as a crisis of masculinity. Feminist critiques, meanwhile, have viewed cultural history as male-generated and 'phallocentric,' in need of a feminine corrective. The innovation of this book is to examine these two gendered perspectives side by side, investigating the culturally symbolic significance of gender in post 1945 German language literature via a sequence of paired readings of major, thematically related texts by male and female authors, including Ingeborg Bachmann's novel 'Malina' (1971) and Max Frisch's 'Mein Name sei Gantenbein' (1964); Frisch's 'Homo Faber' (1957) and Christa Wolf's 'Störfall' (1987); Elfriede Jelinek's 'Die Klavierspielerin' and Rainald Goetz's 'Irre' (both 1983); and Heiner Müller's 'Die Hamletmaschine' (1977) and Christa Wolf's 'Kassandra' (1983). Finally, Barbara Köhler's eight-poem cycle 'Elektra. Spiegelungen' (written 1984-85; published 1991) is considered as offering a way past the 'impasse' of the male and female viewpoints. Georgina Paul is University Lecturer in German at the University of Oxford and a Fellow of St. Hilda's College

     
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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781571137463
    RVK Categories: GN 1411
    Subjects: Sex (Psychology) in literature; Identity (Psychology) in literature; German literature; German literature ; 20th century ; History and criticism; Sex (Psychology) in literature; Identity (Psychology) in literature
    Scope: 1 Online-Ressource (257 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Gender, subjectivity, and cultural critique from the fin de siècle to fascism -- The post-1945 crisis of enlightenment and the emergence of the "other" sex -- Challenging masculine subjectivity : Ingeborg Bachmann's Malina -- From his point of view : Max Frisch's Mein Name sei Gantenbein -- The critique of instrumental reason : Max Frisch's Homo Faber and Christa Wolf's Störfall -- Pathologies : Elfriede Jelinek's Die Klavierspielerin and Rainald Goetz's Irre -- End visions : Heiner Müller's Die Hamletmaschine and Christa Wolf's Kassandra -- Beyond the impasse? : Barbara Köhler's "Elektra. Spiegelungen."