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  1. Goethe's concept of the daemonic
    after the ancients
    Published: 2006
    Publisher:  Boydell & Brewer, Suffolk ; Cambridge University Press, Cambridge, UK

    For Plato, the daemonic is a sensibility that brings individuals into contact with divine knowledge; Socrates was also inspired by a 'divine voice' known as his 'daimonion.' Goethe was introduced to this ancient concept by Hamann and Herder, who... more

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    Universitätsbibliothek Gießen
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    For Plato, the daemonic is a sensibility that brings individuals into contact with divine knowledge; Socrates was also inspired by a 'divine voice' known as his 'daimonion.' Goethe was introduced to this ancient concept by Hamann and Herder, who associated it with the aesthetic category of genius. This book shows how the young Goethe depicted the idea of daemonic genius in works of the Storm and Stress period, before exploring the daemonic in a series of later poetic and autobiographical works. Reading Goethe's works on the daemonic through theorists such as Lukács, Benjamin, Gadamer, Adorno, and Blumenberg, Nicholls contends that they contain arguments concerning reason, nature, and subjectivity that are central to both European Romanticism and the Enlightenment. ANGUS NICHOLLS is Claussen-Simon Foundation Research Lecturer in German and Comparative Literature at the Centre for Anglo-German Cultural Relations in the Department of German, Queen Mary, University of London.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781571136749
    RVK Categories: GK 4211
    DDC Categories: 830
    Subjects: Dämonie; Philosophie
    Other subjects: Goethe, Johann Wolfgang von (1749-1832)
    Scope: 1 Online-Ressource (xii, 313 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

  2. Goethe's concept of the daemonic
    after the ancients
    Published: 2006
    Publisher:  Camden House, Rochester, NY

    Universität Potsdam, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1571136746; 9781571136749
    Series: Studies in German literature, linguistics, and culture
    Subjects: German literature; Genius in literature; Subjectivity in literature; German literature
    Other subjects: Goethe, Johann Wolfgang von (1749-1832); Goethe, Johann Wolfgang von (1749-1832)
    Scope: Online-Ressource (xii, 313 p)
    Notes:

    Includes bibliographical references (p. [271]-290) and index

    The ancients and their daemonsThe daemonic in the philosophy of the Sturm und Drang: Hamann and Herder -- Romanticism and unlimited subjectivity: "Mahomets Gesang" -- Werther: the pathology of an aesthetic idea -- Kantian science and the limits of subjectivity -- Schelling, Naturphilosophie, and "Mächtiges überraschen" -- After the ancients: Dichtung und Wahrheit and "Urworte. Orphisch" -- Eckermann, or the daemonic and the political -- Epilogue: Socrates and the cicadas.

  3. Goethe's concept of the daemonic
    after the ancients
    Published: 2006
    Publisher:  Boydell & Brewer, Suffolk

    For Plato, the daemonic is a sensibility that brings individuals into contact with divine knowledge; Socrates was also inspired by a 'divine voice' known as his 'daimonion.' Goethe was introduced to this ancient concept by Hamann and Herder, who... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    For Plato, the daemonic is a sensibility that brings individuals into contact with divine knowledge; Socrates was also inspired by a 'divine voice' known as his 'daimonion.' Goethe was introduced to this ancient concept by Hamann and Herder, who associated it with the aesthetic category of genius. This book shows how the young Goethe depicted the idea of daemonic genius in works of the Storm and Stress period, before exploring the daemonic in a series of later poetic and autobiographical works. Reading Goethe's works on the daemonic through theorists such as Lukács, Benjamin, Gadamer, Adorno, and Blumenberg, Nicholls contends that they contain arguments concerning reason, nature, and subjectivity that are central to both European Romanticism and the Enlightenment. ANGUS NICHOLLS is Claussen-Simon Foundation Research Lecturer in German and Comparative Literature at the Centre for Anglo-German Cultural Relations in the Department of German, Queen Mary, University of London The ancients and their daemons -- The daemonic in the philosophy of the Sturm und Drang: Hamann and Herder -- Romanticism and unlimited subjectivity: "Mahomets Gesang" -- Werther: the pathology of an aesthetic idea -- Kantian science and the limits of subjectivity -- Schelling, Naturphilosophie, and "Mächtiges überraschen" -- After the ancients: Dichtung und Wahrheit and "Urworte. Orphisch" -- Eckermann, or the daemonic and the political -- Epilogue: Socrates and the cicadas

     

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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781571136749
    RVK Categories: GK 4211 ; GK 4441
    Subjects: German literature; German literature; Genius in literature; Subjectivity in literature; Goethe, Johann Wolfgang von ; 1749-1832 ; Philosophy; German literature ; 18th century ; Classical influences; German literature ; 19th century ; Classical influences; Genius in literature; Subjectivity in literature
    Other subjects: Goethe, Johann Wolfgang von (1749-1832)
    Scope: 1 Online-Ressource (xii, 313 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

  4. Goethe's concept of the daemonic
    after the ancients
    Published: 2006
    Publisher:  Boydell & Brewer, Suffolk

    For Plato, the daemonic is a sensibility that brings individuals into contact with divine knowledge; Socrates was also inspired by a 'divine voice' known as his 'daimonion.' Goethe was introduced to this ancient concept by Hamann and Herder, who... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    For Plato, the daemonic is a sensibility that brings individuals into contact with divine knowledge; Socrates was also inspired by a 'divine voice' known as his 'daimonion.' Goethe was introduced to this ancient concept by Hamann and Herder, who associated it with the aesthetic category of genius. This book shows how the young Goethe depicted the idea of daemonic genius in works of the Storm and Stress period, before exploring the daemonic in a series of later poetic and autobiographical works. Reading Goethe's works on the daemonic through theorists such as Lukács, Benjamin, Gadamer, Adorno, and Blumenberg, Nicholls contends that they contain arguments concerning reason, nature, and subjectivity that are central to both European Romanticism and the Enlightenment. ANGUS NICHOLLS is Claussen-Simon Foundation Research Lecturer in German and Comparative Literature at the Centre for Anglo-German Cultural Relations in the Department of German, Queen Mary, University of London

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781571136749
    RVK Categories: GK 4211 ; GK 4441
    Subjects: Philosophie; German literature / 18th century / Classical influences; German literature / 19th century / Classical influences; Genius in literature; Subjectivity in literature; Dämonie
    Other subjects: Goethe, Johann Wolfgang von / 1749-1832 / Philosophy; Goethe, Johann Wolfgang von (1749-1832)
    Scope: 1 online resource (xii, 313 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    The ancients and their daemons -- The daemonic in the philosophy of the Sturm und Drang: Hamann and Herder -- Romanticism and unlimited subjectivity: "Mahomets Gesang" -- Werther: the pathology of an aesthetic idea -- Kantian science and the limits of subjectivity -- Schelling, Naturphilosophie, and "Mächtiges überraschen" -- After the ancients: Dichtung und Wahrheit and "Urworte. Orphisch" -- Eckermann, or the daemonic and the political -- Epilogue: Socrates and the cicadas

  5. Goethe's concept of the daemonic
    after the ancients
    Published: 2006
    Publisher:  Boydell & Brewer, Suffolk

    For Plato, the daemonic is a sensibility that brings individuals into contact with divine knowledge; Socrates was also inspired by a 'divine voice' known as his 'daimonion.' Goethe was introduced to this ancient concept by Hamann and Herder, who... more

    Universitätsbibliothek Bamberg
    Unlimited inter-library loan, copies and loan
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    For Plato, the daemonic is a sensibility that brings individuals into contact with divine knowledge; Socrates was also inspired by a 'divine voice' known as his 'daimonion.' Goethe was introduced to this ancient concept by Hamann and Herder, who associated it with the aesthetic category of genius. This book shows how the young Goethe depicted the idea of daemonic genius in works of the Storm and Stress period, before exploring the daemonic in a series of later poetic and autobiographical works. Reading Goethe's works on the daemonic through theorists such as Lukács, Benjamin, Gadamer, Adorno, and Blumenberg, Nicholls contends that they contain arguments concerning reason, nature, and subjectivity that are central to both European Romanticism and the Enlightenment. ANGUS NICHOLLS is Claussen-Simon Foundation Research Lecturer in German and Comparative Literature at the Centre for Anglo-German Cultural Relations in the Department of German, Queen Mary, University of London

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781571136749
    RVK Categories: GK 4211 ; GK 4441
    Subjects: Philosophie; German literature / 18th century / Classical influences; German literature / 19th century / Classical influences; Genius in literature; Subjectivity in literature; Dämonie
    Other subjects: Goethe, Johann Wolfgang von / 1749-1832 / Philosophy; Goethe, Johann Wolfgang von (1749-1832)
    Scope: 1 online resource (xii, 313 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    The ancients and their daemons -- The daemonic in the philosophy of the Sturm und Drang: Hamann and Herder -- Romanticism and unlimited subjectivity: "Mahomets Gesang" -- Werther: the pathology of an aesthetic idea -- Kantian science and the limits of subjectivity -- Schelling, Naturphilosophie, and "Mächtiges überraschen" -- After the ancients: Dichtung und Wahrheit and "Urworte. Orphisch" -- Eckermann, or the daemonic and the political -- Epilogue: Socrates and the cicadas

  6. Goethe's concept of the daemonic
    after the ancients
    Published: 2006
    Publisher:  Boydell & Brewer, Suffolk

    For Plato, the daemonic is a sensibility that brings individuals into contact with divine knowledge; Socrates was also inspired by a 'divine voice' known as his 'daimonion.' Goethe was introduced to this ancient concept by Hamann and Herder, who... more

    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Universitätsbibliothek Rostock
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    Württembergische Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
    No loan of volumes, only paper copies will be sent

     

    For Plato, the daemonic is a sensibility that brings individuals into contact with divine knowledge; Socrates was also inspired by a 'divine voice' known as his 'daimonion.' Goethe was introduced to this ancient concept by Hamann and Herder, who associated it with the aesthetic category of genius. This book shows how the young Goethe depicted the idea of daemonic genius in works of the Storm and Stress period, before exploring the daemonic in a series of later poetic and autobiographical works. Reading Goethe's works on the daemonic through theorists such as Lukács, Benjamin, Gadamer, Adorno, and Blumenberg, Nicholls contends that they contain arguments concerning reason, nature, and subjectivity that are central to both European Romanticism and the Enlightenment. ANGUS NICHOLLS is Claussen-Simon Foundation Research Lecturer in German and Comparative Literature at the Centre for Anglo-German Cultural Relations in the Department of German, Queen Mary, University of London The ancients and their daemons -- The daemonic in the philosophy of the Sturm und Drang: Hamann and Herder -- Romanticism and unlimited subjectivity: "Mahomets Gesang" -- Werther: the pathology of an aesthetic idea -- Kantian science and the limits of subjectivity -- Schelling, Naturphilosophie, and "Mächtiges überraschen" -- After the ancients: Dichtung und Wahrheit and "Urworte. Orphisch" -- Eckermann, or the daemonic and the political -- Epilogue: Socrates and the cicadas

     

    Export to reference management software   RIS file
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    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781571136749
    RVK Categories: GK 4211 ; GK 4441
    Subjects: German literature; German literature; Genius in literature; Subjectivity in literature; Goethe, Johann Wolfgang von ; 1749-1832 ; Philosophy; German literature ; 18th century ; Classical influences; German literature ; 19th century ; Classical influences; Genius in literature; Subjectivity in literature
    Other subjects: Goethe, Johann Wolfgang von (1749-1832)
    Scope: 1 Online-Ressource (xii, 313 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

  7. Goethe's concept of the daemonic
    after the ancients
    Published: 2006
    Publisher:  Camden House, Rochester, NY

    Universität Potsdam, Universitätsbibliothek
    No inter-library loan
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1571136746; 9781571136749
    Series: Studies in German literature, linguistics, and culture
    Subjects: German literature; Genius in literature; Subjectivity in literature; German literature
    Other subjects: Goethe, Johann Wolfgang von (1749-1832); Goethe, Johann Wolfgang von (1749-1832)
    Scope: Online-Ressource (xii, 313 p)
    Notes:

    Includes bibliographical references (p. [271]-290) and index

    The ancients and their daemonsThe daemonic in the philosophy of the Sturm und Drang: Hamann and Herder -- Romanticism and unlimited subjectivity: "Mahomets Gesang" -- Werther: the pathology of an aesthetic idea -- Kantian science and the limits of subjectivity -- Schelling, Naturphilosophie, and "Mächtiges überraschen" -- After the ancients: Dichtung und Wahrheit and "Urworte. Orphisch" -- Eckermann, or the daemonic and the political -- Epilogue: Socrates and the cicadas.