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  1. Unsettled remains
    Canadian literature and the postcolonial gothic
    Published: 2009
    Publisher:  Wilfrid Laurier University Press, Waterloo, Ont. ; EBSCO Industries, Inc., Birmingham, AL, USA

    "Unsettled Remains: Canadian Literature and the Postcolonial Gothic examines how Canadian writers have combined a postcolonial awareness with gothic metaphors of monstrosity and haunting in their response to Canadian history. The essays gathered here... more

    Bibliothek der Hochschule Mainz, Untergeschoss
    No inter-library loan

     

    "Unsettled Remains: Canadian Literature and the Postcolonial Gothic examines how Canadian writers have combined a postcolonial awareness with gothic metaphors of monstrosity and haunting in their response to Canadian history. The essays gathered here range from treatments of early postcolonial gothic expression in Canadian literature to attempts to define a Canadian postcolonial gothic mode. Many of these texts wrestle with Canada's colonial past and with the voices and histories that were repressed in the push for national consolidation but emerge now as uncanny reminders of that contentious history. The haunting effect can be unsettling and enabling at the same time. In recent years, many Canadian authors have turned to the gothic to challenge dominant literary, political, and social narratives. In Canadian literature, the "postcolonial gothic" has been put to multiple uses, above all to figure experiences of ambivalence that have emerged from a colonial context and persisted into the present. As these essays demonstrate, formulations of a Canadian postcolonial gothic differ radically from one another, depending on the social and cultural positioning of who is positing it. Given the preponderance, in colonial discourse, of accounts that demonize otherness, it is not surprising that many minority writers have avoided gothic metaphors. In recent years, however, minority authors have shown an interest in the gothic, signalling an emerging critical discourse. This "spectral turn" sees minority writers reversing long-standing characterizations of their identity as "monstrous" or invisible in order to show their connections to and disconnection from stories of the nation."--Book cover.

     

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    Source: Union catalogues
    Contributor: Turcotte, Gerry; Sugars, Cynthia Conchita
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781554582945; 1554582946
    RVK Categories: HQ 4023 ; HQ 4045
    Subjects: Postkoloniale Literatur; Schauerliteratur; Englisch
    Scope: 1 Online-Ressource (xxvi, 297 pages)
    Notes:

    Includes bibliographical references and index

  2. Unsettled remains
    Canadian literature and the postcolonial gothic
    Published: ©2009
    Publisher:  Wilfrid Laurier University Press, Waterloo, Ont.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1554582946; 9781554580545; 9781554582945
    RVK Categories: HQ 4023 ; HQ 4045
    Subjects: Gothic fiction (Literary genre), Canadian; Literature; Roman noir (Genre littéraire) canadien; Postcolonialisme dans la littérature; Histoire dans la littérature; Ambivalence dans la littérature; Roman canadien-anglais / 20e siècle / Histoire et critique; LITERARY CRITICISM / American / General; Postkoloniale Literatur; Schauerliteratur; Literatur; Gothic fiction (Literary genre); Postcolonialism in literature; History in literature; Ambivalence in literature; Englisch; Schauerliteratur; Postkoloniale Literatur
    Scope: 1 Online-Ressource (xxvi, 297 pages)
    Notes:

    Includes bibliographical references and index

    Introduction: Canadian Literature and the Postcolonial Gothic / Cynthia Sugars and Gerry Turcotte -- Chapter One: Catholic Gothic: Atavism, Orientalism, and Generic Change in Charles De Guise's Le Cap au diable (1863) / Andrea Cabajsky -- Chapter Two: Viking Graves Revisited: Pre-Colonial Primitivism in Farley Mowat's Northern Gothic / Brian Johnson -- Chapter Three: Coyote's Children and the Canadian Gothic: Sheila Watson's The Double Hook and Gail Anderson-Dargatz's The Cure for Death by Lightning / Marlene Goldman -- Chapter Four: "Horror Written on Their Skin": Joy Kagawa's Gothic Uncanny / Gerry Turcotte -- Chapter Five: Familiar Ghosts: Feminist Postcolonial Gothic in Canada / Shelley Kulperger -- Chapter Six: Canadian Gothic and the Work of Ghosting: Ann-Marie MacDonald's Fall on Your Knees / Atef Laouyene -- Chapter Seven: A Ukranian-Canadian Gothic?: Ethnic Angst in Janice Kulyk Keefer's The Green Library / Lindy Ledohowski -- Chapter Eight: "Something not unlike enjoyment": Gothicism, Catholicism, and Sexuality in Tomson Highway's Kiss of the Fur Queen / Jennifer Henderson -- Chapter Nine: Rethinking the Canadian Gothic: Reading Eden Robinson's Monkey Beach / Jennifer Andrews -- Chapter Ten: Beothuk Gothic: Michael Crummey's River Thieves / Herb Wyile -- Chapter Eleven: Keeping the Gothic at (Sick) Bay: Reading the Transferences in Vincent Lam's Bloodletting & Miraculous Cures / Cynthia Sugars

    "Unsettled Remains: Canadian Literature and the Postcolonial Gothic examines how Canadian writers have combined a postcolonial awareness with gothic metaphors of monstrosity and haunting in their response to Canadian history. The essays gathered here range from treatments of early postcolonial gothic expression in Canadian literature to attempts to define a Canadian postcolonial gothic mode. Many of these texts wrestle with Canada's colonial past and with the voices and histories that were repressed in the push for national consolidation but emerge now as uncanny reminders of that contentious history. The haunting effect can be unsettling and enabling at the same time. In recent years, many Canadian authors have turned to the gothic to challenge dominant literary, political, and social narratives. In Canadian literature, the "postcolonial gothic" has been put to multiple uses, above all to figure experiences of ambivalence that have emerged from a colonial context and persisted into the present. As these essays demonstrate, formulations of a Canadian postcolonial gothic differ radically from one another, depending on the social and cultural positioning of who is positing it. Given the preponderance, in colonial discourse, of accounts that demonize otherness, it is not surprising that many minority writers have avoided gothic metaphors. In recent years, however, minority authors have shown an interest in the gothic, signalling an emerging critical discourse. This "spectral turn" sees minority writers reversing long-standing characterizations of their identity as "monstrous" or invisible in order to show their connections to and disconnection from stories of the nation."--Book cover

  3. Unsettled remains
    Canadian literature and the postcolonial gothic
    Published: c2009
    Publisher:  Wilfrid Laurier University Press, Waterloo, Ont

    "Unsettled Remains: Canadian Literature and the Postcolonial Gothic examines how Canadian writers have combined a postcolonial awareness with gothic metaphors of monstrosity and haunting in their response to Canadian history. The essays gathered here... more

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    Hochschule Aalen, Bibliothek
    E-Book EBSCO
    No inter-library loan
    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
    No inter-library loan
    Saarländische Universitäts- und Landesbibliothek
    No inter-library loan
    Universitätsbibliothek der Eberhard Karls Universität
    No inter-library loan

     

    "Unsettled Remains: Canadian Literature and the Postcolonial Gothic examines how Canadian writers have combined a postcolonial awareness with gothic metaphors of monstrosity and haunting in their response to Canadian history. The essays gathered here range from treatments of early postcolonial gothic expression in Canadian literature to attempts to define a Canadian postcolonial gothic mode. Many of these texts wrestle with Canada's colonial past and with the voices and histories that were repressed in the push for national consolidation but emerge now as uncanny reminders of that contentious history. The haunting effect can be unsettling and enabling at the same time. In recent years, many Canadian authors have turned to the gothic to challenge dominant literary, political, and social narratives. In Canadian literature, the "postcolonial gothic" has been put to multiple uses, above all to figure experiences of ambivalence that have emerged from a colonial context and persisted into the present. As these essays demonstrate, formulations of a Canadian postcolonial gothic differ radically from one another, depending on the social and cultural positioning of who is positing it. Given the preponderance, in colonial discourse, of accounts that demonize otherness, it is not surprising that many minority writers have avoided gothic metaphors. In recent years, however, minority authors have shown an interest in the gothic, signalling an emerging critical discourse. This "spectral turn" sees minority writers reversing long-standing characterizations of their identity as "monstrous" or invisible in order to show their connections to and disconnection from stories of the nation."--Book cover

     

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