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Displaying results 1 to 5 of 5.

  1. Performing memories
    media, creation, anthropology, and remembrance
    Contributor: Biotti, Gabriele (Publisher)
    Published: 2021
    Publisher:  Cambridge Scholars Publishers, Newcastle-upon-Tyne

    What is memory today? How can it be approached? Why does the contemporary world seem to be more and more haunted by different types of memories still asking for elaboration? Which artistic experiences have explored and defined memory in meaningful... more

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    What is memory today? How can it be approached? Why does the contemporary world seem to be more and more haunted by different types of memories still asking for elaboration? Which artistic experiences have explored and defined memory in meaningful ways? How do technologies and the media have changed it?These are just some of the questions developed in this collection of essays analysing memory and memory shapes, which explores the different ways in which past time and its elaboration have been, and still are, elaborated, discussed, written or filmed, and contested, but also shared. By gathering together scholars from different fields of investigation, this book explores the cultural, social and artistic tensions in representing the past and the present, in understanding our legacies, and in approaching historical time and experience. Through the analysis of different representations of memory, and the investigation of literature, anthropology, myth and storytelling, a space of theories and discourses about the symbolic and cultural spaces of memory representation is developed

     
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    Source: Union catalogues
    Contributor: Biotti, Gabriele (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781527566606
    Subjects: Kollektives Gedächtnis; Erinnerung; Erzählen; Film; Mythos; Literatur; Kunst; Anthropologie
    Other subjects: Memory / Social aspects; Memory in art; Memory in mass media; Humanities; The arts
    Scope: XXVI, 413 Seiten, Illustrationen, Karte
    Notes:

    Intro -- Contents -- List of Figures -- Acknowledgments -- Introduction -- Section 1 -- The Golan Brides -- The Invisible Army of the Irish Republic -- That's a Fact -- Narratives of "Victim," "Perpetrator," and "Liberator" at the United States Holocaust Memorial Museum -- Ghosted Pasts and Haunting Presents -- 1968-2018: Tlatelolco, Fifty Years After -- Section 2 -- Epidemic and Visual Memory -- "Why don't you give your life to Jesus now?" -- Remembering and Forgetting -- The Third Generation's Postmemory and Transgenerational Trauma in Rachel Seiffert's The Dark Room

    Ted Chiang's Braided Stories of Memory, Narrative, and Technology -- Overlapping Places of Collective Memory -- Section 3 -- The Architecture of Antoni Gaudí as Memory of the Renaixença Movement Ideals -- The Relationship between Memory and Architecture. Visualization of Spatial Recalls -- "Unpath'd waters, undream'd shores" -- Moulding Sorrow -- From Urbanity to Urbanophobia -- Section 4 -- Memory Telling and Social Remembrance in Uruguayan Documentary Cinema -- Memory in Montage -- Saving the History(ies) -- Memory in the Unconscious -- Memories of Adolescence -- Notes on Contributors

    Index of Names -- Index of Terms
  2. Performing memories
    media, creation, anthropology, and remembrance
    Contributor: Biotti, Gabriele (Herausgeber)
    Published: 2021
    Publisher:  Cambridge Scholars Publishers, Newcastle-upon-Tyne

    What is memory today? How can it be approached? Why does the contemporary world seem to be more and more haunted by different types of memories still asking for elaboration? Which artistic experiences have explored and defined memory in meaningful... more

    Location:
    Universitäts- und Landesbibliothek Bonn
    Signature:
    2021/3205
    Inter-library loan:
    Loan of volumes, no copies

     

    What is memory today? How can it be approached? Why does the contemporary world seem to be more and more haunted by different types of memories still asking for elaboration? Which artistic experiences have explored and defined memory in meaningful ways? How do technologies and the media have changed it?These are just some of the questions developed in this collection of essays analysing memory and memory shapes, which explores the different ways in which past time and its elaboration have been, and still are, elaborated, discussed, written or filmed, and contested, but also shared. By gathering together scholars from different fields of investigation, this book explores the cultural, social and artistic tensions in representing the past and the present, in understanding our legacies, and in approaching historical time and experience. Through the analysis of different representations of memory, and the investigation of literature, anthropology, myth and storytelling, a space of theories and discourses about the symbolic and cultural spaces of memory representation is developed

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Biotti, Gabriele (Herausgeber)
    Language: English
    Media type: Book
    ISBN: 9781527566606; 1527566609
    Subjects: Film; Erzählen; Erinnerung; Kunst; Anthropologie; Literatur; Mythos; Kollektives Gedächtnis
    Scope: xxvi, 413 Seiten, Illustrationen, Karte
    Notes:

    Intro -- Contents -- List of Figures -- Acknowledgments -- Introduction -- Section 1 -- The Golan Brides -- The Invisible Army of the Irish Republic -- That's a Fact -- Narratives of "Victim," "Perpetrator," and "Liberator" at the United States Holocaust Memorial Museum -- Ghosted Pasts and Haunting Presents -- 1968-2018: Tlatelolco, Fifty Years After -- Section 2 -- Epidemic and Visual Memory -- "Why don't you give your life to Jesus now?" -- Remembering and Forgetting -- The Third Generation's Postmemory and Transgenerational Trauma in Rachel Seiffert's The Dark Room

    Ted Chiang's Braided Stories of Memory, Narrative, and Technology -- Overlapping Places of Collective Memory -- Section 3 -- The Architecture of Antoni Gaudí as Memory of the Renaixença Movement Ideals -- The Relationship between Memory and Architecture. Visualization of Spatial Recalls -- "Unpath'd waters, undream'd shores" -- Moulding Sorrow -- From Urbanity to Urbanophobia -- Section 4 -- Memory Telling and Social Remembrance in Uruguayan Documentary Cinema -- Memory in Montage -- Saving the History(ies) -- Memory in the Unconscious -- Memories of Adolescence -- Notes on Contributors

    Index of Names -- Index of Terms
  3. Performing memories
    media, creation, anthropology and remembrance
    Contributor: Biotti, Gabriele (HerausgeberIn)
    Published: 2021
    Publisher:  Cambridge Scholars Publishing, Newcastle upon Tyne

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Contributor: Biotti, Gabriele (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781527566606; 1527566609
    Subjects: Memory; Memory in art; Memory in mass media; Memory in art; Memory ; Social aspects
    Scope: xxvi, 413 Seiten, Illustrationen, Karte, 21 cm
  4. Performing memories
    media, creation, anthropology, and remembrance
    Contributor: Biotti, Gabriele (Herausgeber)
    Published: 2021
    Publisher:  Cambridge Scholars Publishers, Newcastle-upon-Tyne

    What is memory today? How can it be approached? Why does the contemporary world seem to be more and more haunted by different types of memories still asking for elaboration? Which artistic experiences have explored and defined memory in meaningful... more

    Location:
    Universitäts- und Landesbibliothek Bonn
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    What is memory today? How can it be approached? Why does the contemporary world seem to be more and more haunted by different types of memories still asking for elaboration? Which artistic experiences have explored and defined memory in meaningful ways? How do technologies and the media have changed it?These are just some of the questions developed in this collection of essays analysing memory and memory shapes, which explores the different ways in which past time and its elaboration have been, and still are, elaborated, discussed, written or filmed, and contested, but also shared. By gathering together scholars from different fields of investigation, this book explores the cultural, social and artistic tensions in representing the past and the present, in understanding our legacies, and in approaching historical time and experience. Through the analysis of different representations of memory, and the investigation of literature, anthropology, myth and storytelling, a space of theories and discourses about the symbolic and cultural spaces of memory representation is developed

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Biotti, Gabriele (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781527566606; 1527566609
    Subjects: Erinnerung; Kollektives Gedächtnis; Literatur; Kunst; Film; Anthropologie; Mythos; Erzählen
    Scope: xxvi, 413 Seiten, Illustrationen, Karte
    Notes:

    Intro -- Contents -- List of Figures -- Acknowledgments -- Introduction -- Section 1 -- The Golan Brides -- The Invisible Army of the Irish Republic -- That's a Fact -- Narratives of "Victim," "Perpetrator," and "Liberator" at the United States Holocaust Memorial Museum -- Ghosted Pasts and Haunting Presents -- 1968-2018: Tlatelolco, Fifty Years After -- Section 2 -- Epidemic and Visual Memory -- "Why don't you give your life to Jesus now?" -- Remembering and Forgetting -- The Third Generation's Postmemory and Transgenerational Trauma in Rachel Seiffert's The Dark Room

    Ted Chiang's Braided Stories of Memory, Narrative, and Technology -- Overlapping Places of Collective Memory -- Section 3 -- The Architecture of Antoni Gaudí as Memory of the Renaixença Movement Ideals -- The Relationship between Memory and Architecture. Visualization of Spatial Recalls -- "Unpath'd waters, undream'd shores" -- Moulding Sorrow -- From Urbanity to Urbanophobia -- Section 4 -- Memory Telling and Social Remembrance in Uruguayan Documentary Cinema -- Memory in Montage -- Saving the History(ies) -- Memory in the Unconscious -- Memories of Adolescence -- Notes on Contributors

    Index of Names -- Index of Terms
  5. Performing memories
    media, creation, anthropology and remembrance
    Contributor: Biotti, Gabriele (HerausgeberIn)
    Published: 2021
    Publisher:  Cambridge Scholars Publishing, Newcastle upon Tyne

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    10 A 170961
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Freiburg
    Signature:
    GE 2021/4367
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Contributor: Biotti, Gabriele (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781527566606; 1527566609
    Subjects: Memory; Memory in art; Memory in mass media; Memory in art; Memory ; Social aspects
    Scope: xxvi, 413 Seiten, Illustrationen, Karte, 21 cm