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Displaying results 1 to 3 of 3.

  1. Staging art and Chineseness
    the politics of trans/nationalism and global expositions
    Author: Davidson, Jane Chin
    Published: 2020; © 2020
    Publisher:  Manchester University Press, Manchester

    This book addresses the politics of borders in the era of global art by exploring the identification of Chinese artists by location and exhibition. Focusing on performative, body-oriented video works by the post-1989 generation, it tests the premise... more

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    This book addresses the politics of borders in the era of global art by exploring the identification of Chinese artists by location and exhibition. Focusing on performative, body-oriented video works by the post-1989 generation, it tests the premise of genealogical inscription and the ways in which cultural objects are attributed to the artist's residency, homeland or citizenship rather than cultural tradition, style or practice. Acknowledging historical definitions of Chineseness, including the orientalist assumptions of the past and the cultural-mixing of the present, the book's case studies address the paradoxes and contradictions of representation. An analysis of the historical matrix of global expositions reveals the structural connections among art, culture, capital and nation

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781526139788
    Series: Rethinking art's histories
    Subjects: Museum; Ausstellung; Kunst; Chinesen; China <Motiv>; Videokunst
    Scope: xiii, 210 Seiten, 16 ungezählte Seiten Tafeln, Illustrationen
  2. Staging art and Chineseness
    the politics of trans/nationalism and global expositions
    Author: Davidson, Jane Chin
    Published: 2020; © 2020
    Publisher:  Manchester University Press, Manchester

    This book addresses the politics of borders in the era of global art by exploring the identification of Chinese artists by location and exhibition. Focusing on performative, body-oriented video works by the post-1989 generation, it tests the premise... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    This book addresses the politics of borders in the era of global art by exploring the identification of Chinese artists by location and exhibition. Focusing on performative, body-oriented video works by the post-1989 generation, it tests the premise of genealogical inscription and the ways in which cultural objects are attributed to the artist's residency, homeland or citizenship rather than cultural tradition, style or practice. Acknowledging historical definitions of Chineseness, including the orientalist assumptions of the past and the cultural-mixing of the present, the book's case studies address the paradoxes and contradictions of representation. An analysis of the historical matrix of global expositions reveals the structural connections among art, culture, capital and nation

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9781526139788
    Series: Rethinking art's histories
    Subjects: Museum; Ausstellung; Kunst; Chinesen; China <Motiv>; Videokunst
    Scope: xiii, 210 Seiten, 16 ungezählte Seiten Tafeln, Illustrationen
  3. Staging art and Chineseness
    the politics of trans/nationalism and global expositions
    Author: Davidson, Jane Chin
    Published: 2020
    Publisher:  Manchester University Press, Manchester

    This book addresses the politics of borders in the era of global art by exploring the identification of Chinese artists by location and exhibition. Focusing on performative, body-oriented video works by the post-1989 generation, it tests the premise... more

    Location:
    Centre for Asian and Transcultural Studies (CATS), Abteilung Ostasien
    Signature:
    N7345.65.V5 D38 2020
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    documenta archiv, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Asien-Orient-Institut, Abteilung für Koreanistik und Abteilung für Sinologie, Bibliothek
    Signature:
    Kd 2.5.23
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    Signature:
    299308 - A
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    This book addresses the politics of borders in the era of global art by exploring the identification of Chinese artists by location and exhibition. Focusing on performative, body-oriented video works by the post-1989 generation, it tests the premise of genealogical inscription and the ways in which cultural objects are attributed to the artist's residency, homeland or citizenship rather than cultural tradition, style or practice. Acknowledging historical definitions of Chineseness, including the orientalist assumptions of the past and the cultural-mixing of the present, the book's case studies address the paradoxes and contradictions of representation. An analysis of the historical matrix of global expositions reveals the structural connections among art, culture, capital and nation

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1526139782; 9781526139788
    Series: Rethinking art's histories
    Subjects: Video art; Art, Chinese; Art; Art, Chinese; Art ; Exhibition techniques; Video art; China; Exhibition catalogs
    Scope: xiii, 210 Seiten, Illustrationen