Recent years have witnessed an explosion of interest in the 'spatialities of cinema' across the social sciences and humanities, yet to date critical inquiry has tended to explore this issue as a question of the 'city' and the 'urban'. For the first...
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Recent years have witnessed an explosion of interest in the 'spatialities of cinema' across the social sciences and humanities, yet to date critical inquiry has tended to explore this issue as a question of the 'city' and the 'urban'. For the first time, leading scholars in geography, film and cultural studies have been drawn together to explore the multiple ways in ideas of cinema and countryside are co-produced: how 'film makes rural' and 'rural makes film'. From the expanse of the American great west to the mountainous landscapes of North Korea, Cinematic countrysides draws on a range of popular and alternative film genres to demonstrate how film texts come to prefigure expectations of rural social space, and how these representations come to shape, and be shaped by, the material and embodied circumstances of 'lived' rural experience.At the heart of this volume's varied apprehensions of the 'cinematic countryside' is a concern to argue that ideas of rurality in film are central to wider questions of 'modernity' and 'tradition', 'self' and 'other', 'nationhood' and 'globalisation', and crucially, ones that are central to an account of the 'cinematic city' Cinematic countrysides -- Half Title Page -- Series Page -- Title Page -- Copyright -- Contents -- Figures -- Tables -- Contributors -- Acknowledgements -- Part I: Nations, borders and histories -- CHAPTER 1: What are these cinematic countrysides?: Robert Fish -- CHAPTER 2: Far from the fatal shore: finding meaning and identity in the rural Australian landscape: Jonathan Rayner -- CHAPTER 3: Nation and nature in North Korean film: Carol Medlicott -- CHAPTER 4: Mapping the nation and the countryside in European 'films of voyage': Maria Rovisco -- CHAPTER 5: Lurking beneath the skin: British pagan landscapes in popular cinema: Tanya Krzywinska -- CHAPTER 6: Militarised countrysides: representations of war and rurality in British and American film: Rachel Woodward and Patricia Winter -- Part II Mobile productions and contested representations -- CHAPTER 7: Mediating the rural: Local Hero and the location of Scottish cinema: Ian Goode -- CHAPTER 8: 'Imagination can be a damned curse in this country': material geographies of filmmaking and the rural: Andy C. Pratt -- CHAPTER 9: The Lord of the Rings and transformations in socio-spatial identity in Aotearoa/New Zealand: Martin Phillips -- Part III: Identity and difference -- CHAPTER 10: Idylls and othernesses: childhood and rurality in film: Owain Jones -- CHAPTER 11: Deviant sexualities and dark ruralities in The War Zone: Michael Leyshon and Catherine Brace -- CHAPTER 12: Feral masculinities: urban versus rural in City Slickers and Hunter's Blood: David Bell -- Part IV: Mediating experience and performing alternatives -- CHAPTER 13: Amateur film and the rural imagination: Mark Neumann and Janna Jones -- CHAPTER 14: Amber and an/other rural: film, photography and the former coalfields: Katy Bennett and Richard Lee -- Landscape embodied -- Index
