Publisher:
Manchester University Press, Oxford
;
ProQuest, Ann Arbor, Michigan
Swedish crime fiction became an international phenomenon in the first decade of the twenty-first century, starting first with novels but then percolating through Swedish-language television serials and films on to English-language BBC productions and...
more
Swedish crime fiction became an international phenomenon in the first decade of the twenty-first century, starting first with novels but then percolating through Swedish-language television serials and films on to English-language BBC productions and Hollywood remakes. This book looks at the rich history of 'Nordic noir', examines the appeal of this particular genre and attempts to reveal why it is distinct from the plethora of other crime fictions. Examining the popularity of Stieg Larsson's international success with his Millennium trilogy, as well as Henning Mankell's Wallander across the various media, Peacock also tracks some lesser-known novels and television programmes. He illustrates how the bleakness of the country's 'noirs' reflects particular events and cultural and political changes, with the clash of national characteristics becoming a key feature. It will appeal to students and researchers of crime fiction and of film and television studies, as well as the many fans.
Publisher:
Manchester University Press, Manchester
Swedish crime fiction became an international phenomenon in the first decade of the 21st century, starting first with novels but then percolating through Swedish-language television serials and films and onto English-language BBC productions and...
more
Universitätsbibliothek der Eberhard Karls Universität
Inter-library loan:
No inter-library loan
Swedish crime fiction became an international phenomenon in the first decade of the 21st century, starting first with novels but then percolating through Swedish-language television serials and films and onto English-language BBC productions and Hollywood remakes. This book looks at the rich history of 'Scandinavian noir', examines the appeal of this particular genre and attempts to reveal why it is distinct from the plethora of other crime fictions
