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Displaying results 1 to 2 of 2.

  1. The owls are not what they seem
    artist as ethologist
    Author: Gerspacher, Arnaud
    Published: [2022]
    Publisher:  University of Minnesota Press, Minneapolis ; London

    The Owls Are Not What They Seem is a selective history of modern and contemporary engagements with animals in the visual arts and how these explorations relate to the evolution of scientific knowledge regarding animals. Arnaud Gerspacher argues that... more

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    The Owls Are Not What They Seem is a selective history of modern and contemporary engagements with animals in the visual arts and how these explorations relate to the evolution of scientific knowledge regarding animals. Arnaud Gerspacher argues that artistic knowledge, with its experimental nature, ability to contain contradictions, and more capacious understanding of truth-claims, presents a valuable supplement to scientific knowledge when it comes to encountering and existing alongside nonhuman animals and life worlds. Though critical of art works involving animals that are unreflective and exploitative, Gerspacher's exploration of aesthetic practices by Allora & Calzadilla, Pierre Huyghe, Agnieszka Kurant, Araya Rasdjarmrearnsook, Martin Roth, David Weber-Krebs, and others suggests that, alongside scientific practices, art has much to offer in revealing the otherworldly qualities of animals and forging ecopolitical solidarities with fellow earthlings

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 151791356X; 9781517913564
    RVK Categories: LH 65020 ; CC 6900
    Series: Forerunners
    Subjects: Philosophie; Tiere <Motiv>; Kunst; Verhaltensforschung
    Other subjects: Animals in art; Art and science; Art / Philosophy; Art and philosophy; Animals in art; Art and philosophy; Art and science; Art ; Philosophy
    Scope: xiv, 94 Seiten, 18 cm
  2. The Owls are not what they seem
    artist as ethologist
    Author: Gerspacher, Arnaud
    Published: [2022]
    Publisher:  University of Minnesota Press, Minneapolis

    The Owls Are Not What They Seem is a selective history of modern and contemporary engagements with animals in the visual arts and how these explorations relate to the evolution of scientific knowledge regarding animals. Arnaud Gerspacher argues that... more

    Location:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The Owls Are Not What They Seem is a selective history of modern and contemporary engagements with animals in the visual arts and how these explorations relate to the evolution of scientific knowledge regarding animals. Arnaud Gerspacher argues that artistic knowledge, with its experimental nature, ability to contain contradictions, and more capacious understanding of truth-claims, presents a valuable supplement to scientific knowledge when it comes to encountering and existing alongside nonhuman animals and life worlds. 0Though critical of art works involving animals that are unreflective and exploitative, Gerspacher's exploration of aesthetic practices by Allora & Calzadilla, Pierre Huyghe, Agnieszka Kurant, Araya Rasdjarmrearnsook, Martin Roth, David Weber-Krebs, and others suggests that, alongside scientific practices, art has much to offer in revealing the otherworldly qualities of animals and forging ecopolitical solidarities with fellow earthlings

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 151791356X; 9781517913564
    RVK Categories: LH 65020 ; CC 6900
    Series: Forerunners
    Subjects: Animals in art; Art and science; Art; Art and philosophy; Animals in art; Art and philosophy; Art and science; Art ; Philosophy
    Scope: xiv, 94 Seiten, 18 cm